The Count of Monte Cristo by Alexandre Dumas (Pere)

"Ah," responded Sinbad, laughing with his singular laugh
which displayed his white and sharp teeth. "You have not
guessed rightly. Such as you see me I am, a sort of
philosopher, and one day perhaps I shall go to Paris to
rival Monsieur Appert, and the little man in the blue
cloak."

"And will that be the first time you ever took that
journey?"

"Yes; it will. I must seem to you by no means curious, but I
assure you that it is not my fault I have delayed it so long
-- it will happen one day or the other."

"And do you propose to make this journey very shortly?"

"I do not know; it depends on circumstances which depend on
certain arrangements."

"I should like to be there at the time you come, and I will
endeavor to repay you, as far as lies in my power, for your
liberal hospitality displayed to me at Monte Cristo."

"I should avail myself of your offer with pleasure," replied
the host, "but, unfortunately, if I go there, it will be, in
all probability, incognito."

The supper appeared to have been supplied solely for Franz,
for the unknown scarcely touched one or two dishes of the
splendid banquet to which his guest did ample justice. Then
Ali brought on the dessert, or rather took the baskets from
the hands of the statues and placed them on the table.
Between the two baskets he placed a small silver cup with a
silver cover. The care with which Ali placed this cup on the
table roused Franz's curiosity. He raised the cover and saw
a kind of greenish paste, something like preserved angelica,
but which was perfectly unknown to him. He replaced the lid,
as ignorant of what the cup contained as he was before he
had looked at it, and then casting his eyes towards his host
he saw him smile at his disappointment. "You cannot guess,"
said he, "what there is in that small vase, can you?"

"No, I really cannot."

"Well, then, that green preserve is nothing less than the
ambrosia which Hebe served at the table of Jupiter."

"But," replied Franz, "this ambrosia, no doubt, in passing
through mortal hands has lost its heavenly appellation and
assumed a human name; in vulgar phrase, what may you term
this composition, for which, to tell the truth, I do not
feel any particular desire?"

"Ah, thus it is that our material origin is revealed," cried
Sinbad; "we frequently pass so near to happiness without
seeing, without regarding it, or if we do see and regard it,
yet without recognizing it. Are you a man for the
substantials, and is gold your god? taste this, and the
mines of Peru, Guzerat, and Golconda are opened to you. Are
you a man of imagination -- a poet? taste this, and the
boundaries of possibility disappear; the fields of infinite
space open to you, you advance free in heart, free in mind,
into the boundless realms of unfettered revery. Are you
ambitious, and do you seek after the greatnesses of the
earth? taste this, and in an hour you will be a king, not a
king of a petty kingdom hidden in some corner of Europe like
France, Spain, or England, but king of the world, king of
the universe, king of creation; without bowing at the feet
of Satan, you will be king and master of all the kingdoms of
the earth. Is it not tempting what I offer you, and is it
not an easy thing, since it is only to do thus? look!" At
these words he uncovered the small cup which contained the
substance so lauded, took a teaspoonful of the magic
sweetmeat, raised it to his lips, and swallowed it slowly
with his eyes half shut and his head bent backwards. Franz
did not disturb him whilst he absorbed his favorite
sweetmeat, but when he had finished, he inquired, -- "What,
then, is this precious stuff?"

"Did you ever hear," he replied, "of the Old Man of the
Mountain, who attempted to assassinate Philip Augustus?"

"Of course I have."

"Well, you know he reigned over a rich valley which was
overhung by the mountain whence he derived his picturesque
name. In this valley were magnificent gardens planted by
Hassen-ben-Sabah, and in these gardens isolated pavilions.
Into these pavilions he admitted the elect, and there, says
Marco Polo, gave them to eat a certain herb, which
transported them to Paradise, in the midst of ever-blooming
shrubs, ever-ripe fruit, and ever-lovely virgins. What these
happy persons took for reality was but a dream; but it was a
dream so soft, so voluptuous, so enthralling, that they sold
themselves body and soul to him who gave it to them, and
obedient to his orders as to those of a deity, struck down
the designated victim, died in torture without a murmur,
believing that the death they underwent was but a quick
transition to that life of delights of which the holy herb,
now before you had given them a slight foretaste."

"Then," cried Franz, "it is hashish! I know that -- by name
at least."

"That is it precisely, Signor Aladdin; it is hashish -- the
purest and most unadulterated hashish of Alexandria, -- the
hashish of Abou-Gor, the celebrated maker, the only man, the
man to whom there should be built a palace, inscribed with
these words, `A grateful world to the dealer in happiness.'"

"Do you know," said Franz, "I have a very great inclination
to judge for myself of the truth or exaggeration of your
eulogies."

"Judge for yourself, Signor Aladdin -- judge, but do not
confine yourself to one trial. Like everything else, we must
habituate the senses to a fresh impression, gentle or
violent, sad or joyous. There is a struggle in nature
against this divine substance, -- in nature which is not
made for joy and clings to pain. Nature subdued must yield
in the combat, the dream must succeed to reality, and then
the dream reigns supreme, then the dream becomes life, and
life becomes the dream. But what changes occur! It is only
by comparing the pains of actual being with the joys of the
assumed existence, that you would desire to live no longer,
but to dream thus forever. When you return to this mundane
sphere from your visionary world, you would seem to leave a
Neapolitan spring for a Lapland winter -- to quit paradise
for earth -- heaven for hell! Taste the hashish, guest of
mine -- taste the hashish."

Franz's only reply was to take a teaspoonful of the
marvellous preparation, about as much in quantity as his
host had eaten, and lift it to his mouth. "Diable!" he said,
after having swallowed the divine preserve. "I do not know
if the result will be as agreeable as you describe, but the
thing does not appear to me as palatable as you say."

"Because your palate his not yet been attuned to the
sublimity of the substances it flavors. Tell me, the first
time you tasted oysters, tea, porter, truffles, and sundry
other dainties which you now adore, did you like them? Could
you comprehend how the Romans stuffed their pheasants with
assafoetida, and the Chinese eat swallows' nests? Eh? no!
Well, it is the same with hashish; only eat for a week, and
nothing in the world will seem to you to equal the delicacy
of its flavor, which now appears to you flat and
distasteful. Let us now go into the adjoining chamber, which
is your apartment, and Ali will bring us coffee and pipes."
They both arose, and while he who called himself Sinbad --
and whom we have occasionally named so, that we might, like
his guest, have some title by which to distinguish him --
gave some orders to the servant, Franz entered still another
apartment. It was simply yet richly furnished. It was round,
and a large divan completely encircled it. Divan, walls,
ceiling, floor, were all covered with magnificent skins as
soft and downy as the richest carpets; there were
heavy-maned lion-skins from Atlas, striped tiger-skins from
Bengal; panther-skins from the Cape, spotted beautifully,
like those that appeared to Dante; bear-skins from Siberia,
fox-skins from Norway, and so on; and all these skins were
strewn in profusion one on the other, so that it seemed like
walking over the most mossy turf, or reclining on the most
luxurious bed. Both laid themselves down on the divan;
chibouques with jasmine tubes and amber mouthpieces were
within reach, and all prepared so that there was no need to
smoke the same pipe twice. Each of them took one, which Ali
lighted and then retired to prepare the coffee. There was a
moment's silence, during which Sinbad gave himself up to
thoughts that seemed to occupy him incessantly, even in the
midst of his conversation; and Franz abandoned himself to
that mute revery, into which we always sink when smoking
excellent tobacco, which seems to remove with its fume all
the troubles of the mind, and to give the smoker in exchange
all the visions of the soul. Ali brought in the coffee. "How
do you take it?" inquired the unknown; "in the French or
Turkish style, strong or weak, sugar or none, cool or
boiling? As you please; it is ready in all ways."

"I will take it in the Turkish style," replied Franz.

"And you are right," said his host; "it shows you have a
tendency for an Oriental life. Ah, those Orientals; they are
the only men who know how to live. As for me," he added,
with one of those singular smiles which did not escape the
young man, "when I have completed my affairs in Paris, I
shall go and die in the East; and should you wish to see me
again, you must seek me at Cairo, Bagdad, or Ispahan."

"Ma foi," said Franz, "it would be the easiest thing in the
world; for I feel eagle's wings springing out at my
shoulders, and with those wings I could make a tour of the
world in four and twenty hours."

"Ah, yes, the hashish is beginning its work. Well, unfurl
your wings, and fly into superhuman regions; fear nothing,
there is a watch over you; and if your wings, like those of
Icarus, melt before the sun, we are here to ease your fall."
He then said something in Arabic to Ali, who made a sign of
obedience and withdrew, but not to any distance. As to Franz
a strange transformation had taken place in him. All the
bodily fatigue of the day, all the preoccupation of mind
which the events of the evening had brought on, disappeared
as they do at the first approach of sleep, when we are still
sufficiently conscious to be aware of the coming of slumber.
His body seemed to acquire an airy lightness, his perception
brightened in a remarkable manner, his senses seemed to
redouble their power, the horizon continued to expand; but
it was not the gloomy horizon of vague alarms, and which he
had seen before he slept, but a blue, transparent, unbounded
horizon, with all the blue of the ocean, all the spangles of
the sun, all the perfumes of the summer breeze; then, in the
midst of the songs of his sailors, -- songs so clear and
sonorous, that they would have made a divine harmony had
their notes been taken down, -- he saw the Island of Monte
Cristo, no longer as a threatening rock in the midst of the
waves, but as an oasis in the desert; then, as his boat drew
nearer, the songs became louder, for an enchanting and
mysterious harmony rose to heaven, as if some Loreley had
decreed to attract a soul thither, or Amphion, the
enchanter, intended there to build a city.

At length the boat touched the shore, but without effort,
without shock, as lips touch lips; and he entered the grotto
amidst continued strains of most delicious melody. He
descended, or rather seemed to descend, several steps,
inhaling the fresh and balmy air, like that which may be
supposed to reign around the grotto of Circe, formed from
such perfumes as set the mind a dreaming, and such fires as
burn the very senses; and he saw again all he had seen
before his sleep, from Sinbad, his singular host, to Ali,
the mute attendant; then all seemed to fade away and become
confused before his eyes, like the last shadows of the magic
lantern before it is extinguished, and he was again in the
chamber of statues, lighted only by one of those pale and
antique lamps which watch in the dead of the night over the
sleep of pleasure. They were the same statues, rich in form,
in attraction. and poesy, with eyes of fascination, smiles
of love, and bright and flowing hair. They were Phryne,
Cleopatra, Messalina, those three celebrated courtesans.
Then among them glided like a pure ray, like a Christian
angel in the midst of Olympus, one of those chaste figures,
those calm shadows, those soft visions, which seemed to veil
its virgin brow before these marble wantons. Then the three
statues advanced towards him with looks of love, and
approached the couch on which he was reposing, their feet
hidden in their long white tunics, their throats bare, hair
flowing like waves, and assuming attitudes which the gods
could not resist, but which saints withstood, and looks
inflexible and ardent like those with which the serpent
charms the bird; and then he gave way before looks that held
him in a torturing grasp and delighted his senses as with a
voluptuous kiss. It seemed to Franz that he closed his eyes,
and in a last look about him saw the vision of modesty
completely veiled; and then followed a dream of passion like
that promised by the Prophet to the elect. Lips of stone
turned to flame, breasts of ice became like heated lava, so
that to Franz, yielding for the first time to the sway of
the drug, love was a sorrow and voluptuousness a torture, as
burning mouths were pressed to his thirsty lips, and he was
held in cool serpent-like embraces. The more he strove
against this unhallowed passion the more his senses yielded
to its thrall, and at length, weary of a struggle that taxed
his very soul, he gave way and sank back breathless and
exhausted beneath the kisses of these marble goddesses, and
the enchantment of his marvellous dream.

Chapter 32
The Waking.

When Franz returned to himself, he seemed still to be in a
dream. He thought himself in a sepulchre, into which a ray
of sunlight in pity scarcely penetrated. He stretched forth
his hand, and touched stone; he rose to his seat, and found
himself lying on his bournous in a bed of dry heather, very
soft and odoriferous. The vision had fled; and as if the
statues had been but shadows from the tomb, they had
vanished at his waking. He advanced several paces towards
the point whence the light came, and to all the excitement
of his dream succeeded the calmness of reality. He found
that he was in a grotto, went towards the opening, and
through a kind of fanlight saw a blue sea and an azure sky.
The air and water were shining in the beams of the morning
sun; on the shore the sailors were sitting, chatting and
laughing; and at ten yards from them the boat was at anchor,
undulating gracefully on the water. There for some time he
enjoyed the fresh breeze which played on his brow, and
listened to the dash of the waves on the beach, that left
against the rocks a lace of foam as white as silver. He was
for some time without reflection or thought for the divine
charm which is in the things of nature, specially after a
fantastic dream; then gradually this view of the outer
world, so calm, so pure, so grand, reminded him of the
illusiveness of his vision, and once more awakened memory.
He recalled his arrival on the island, his presentation to a
smuggler chief, a subterranean palace full of splendor, an
excellent supper, and a spoonful of hashish. It seemed,
however, even in the very face of open day, that at least a
year had elapsed since all these things had passed, so deep
was the impression made in his mind by the dream, and so
strong a hold had it taken of his imagination. Thus every
now and then he saw in fancy amid the sailors, seated on a
rock, or undulating in the vessel, one of the shadows which
had shared his dream with looks and kisses. Otherwise, his
head was perfectly clear, and his body refreshed; he was
free from the slightest headache; on the contrary, he felt a
certain degree of lightness, a faculty for absorbing the
pure air, and enjoying the bright sunshine more vividly than
ever.

He went gayly up to the sailors, who rose as soon as they
perceived him; and the patron, accosting him, said, "The
Signor Sinbad has left his compliments for your excellency,
and desires us to express the regret he feels at not being
able to take his leave in person; but he trusts you will
excuse him, as very important business calls him to Malaga."

"So, then, Gaetano," said Franz, "this is, then, all
reality; there exists a man who has received me in this
island, entertained me right royally, and his departed while
I was asleep?"

"He exists as certainly as that you may see his small yacht
with all her sails spread; and if you will use your glass,
you will, in all probability, recognize your host in the
midst of his crew." So saying, Gaetano pointed in a
direction in which a small vessel was making sail towards
the southern point of Corsica. Franz adjusted his telescope,
and directed it towards the yacht. Gaetano was not mistaken.
At the stern the mysterious stranger was standing up looking
towards the shore, and holding a spy-glass in his hand. He
was attired as he had been on the previous evening, and
waved his pocket-handkerchief to his guest in token of
adieu. Franz returned the salute by shaking his handkerchief
as an exchange of signals. After a second, a slight cloud of
smoke was seen at the stern of the vessel, which rose
gracefully as it expanded in the air, and then Franz heard a
slight report. "There, do you hear?" observed Gaetano; "he
is bidding you adieu." The young man took his carbine and
fired it in the air, but without any idea that the noise
could be heard at the distance which separated the yacht
from the shore.

"What are your excellency's orders?" inquired Gaetano.

"In the first place, light me a torch."

"Ah, yes, I understand," replied the patron, "to find the
entrance to the enchanted apartment. With much pleasure,
your excellency, if it would amuse you; and I will get you
the torch you ask for. But I too have had the idea you have,
and two or three times the same fancy has come over me; but
I have always given it up. Giovanni, light a torch," he
added, "and give it to his excellency."

Giovanni obeyed. Franz took the lamp, and entered the
subterranean grotto, followed by Gaetano. He recognized the
place where he had awaked by the bed of heather that was
there; but it was in vain that he carried his torch all
round the exterior surface of the grotto. He saw nothing,
unless that, by traces of smoke, others had before him
attempted the same thing, and, like him, in vain. Yet he did
not leave a foot of this granite wall, as impenetrable as
futurity, without strict scrutiny; he did not see a fissure
without introducing the blade of his hunting sword into it,
or a projecting point on which he did not lean and press in
the hopes it would give way. All was vain; and he lost two
hours in his attempts, which were at last utterly useless.
At the end of this time he gave up his search, and Gaetano
smiled.

When Franz appeared again on the shore, the yacht only
seemed like a small white speck on the horizon. He looked
again through his glass, but even then he could not
distinguish anything. Gaetano reminded him that he had come
for the purpose of shooting goats, which he had utterly
forgotten. He took his fowling-piece, and began to hunt over
the island with the air of a man who is fulfilling a duty,
rather than enjoying a pleasure; and at the end of a quarter
of an hour he had killed a goat and two kids. These animals,
though wild and agile as chamois, were too much like
domestic goats, and Franz could not consider them as game.
Moreover, other ideas, much more enthralling, occupied his
mind. Since, the evening before, he had really been the hero
of one of the tales of the "Thousand and One Nights," and he
was irresistibly attracted towards the grotto. Then, in
spite of the failure of his first search, he began a second,
after having told Gaetano to roast one of the two kids. The
second visit was a long one, and when he returned the kid
was roasted and the repast ready. Franz was sitting on the
spot where he was on the previous evening when his
mysterious host had invited him to supper; and he saw the
little yacht, now like a sea-gull on the wave, continuing
her flight towards Corsica. "Why," he remarked to Gaetano,
"you told me that Signor Sinbad was going to Malaga, while
it seems he is in the direction of Porto-Vecchio."

"Don't you remember," said the patron, "I told you that
among the crew there were two Corsican brigands?"

"True; and he is going to land them," added Franz.

"Precisely so," replied Gaetano. "Ah, he is one who fears
neither God nor Satan, they say, and would at any time run
fifty leagues out of his course to do a poor devil a
service."

"But such services as these might involve him with the
authorities of the country in which he practices this kind
of philanthropy," said Franz.

"And what cares he for that," replied Gaetano with a laugh,
"or any authorities? He smiles at them. Let them try to
pursue him! Why, in the first place, his yacht is not a
ship, but a bird, and he would beat any frigate three knots
in every nine; and if he were to throw himself on the coast,
why, is he not certain of finding friends everywhere?"

It was perfectly clear that the Signor Sinbad, Franz's host,
had the honor of being on excellent terms with the smugglers
and bandits along the whole coast of the Mediterranean, and
so enjoyed exceptional privileges. As to Franz, he had no
longer any inducement to remain at Monte Cristo. He had lost
all hope of detecting the secret of the grotto; he
consequently despatched his breakfast, and, his boat being
ready, he hastened on board, and they were soon under way.
At the moment the boat began her course they lost sight of
the yacht, as it disappeared in the gulf of Porto-Vecchio.
With it was effaced the last trace of the preceding night;
and then supper, Sinbad, hashish, statues, -- all became a
dream for Franz. The boat sailed on all day and all night,
and next morning, when the sun rose, they had lost sight of
Monte Cristo. When Franz had once again set foot on shore,
he forgot, for the moment at least, the events which had
just passed, while he finished his affairs of pleasure at
Florence, and then thought of nothing but how he should
rejoin his companion, who was awaiting him at Rome.

He set out, and on the Saturday evening reached the Eternal
City by the mail-coach. An apartment, as we have said, had
been retained beforehand, and thus he had but to go to
Signor Pastrini's hotel. But this was not so easy a matter,
for the streets were thronged with people, and Rome was
already a prey to that low and feverish murmur which
precedes all great events; and at Rome there are four great
events in every year, -- the Carnival, Holy Week, Corpus
Christi, and the Feast of St. Peter. All the rest of the
year the city is in that state of dull apathy, between life
and death, which renders it similar to a kind of station
between this world and the next -- a sublime spot, a
resting-place full of poetry and character, and at which
Franz had already halted five or six times, and at each time
found it more marvellous and striking. At last he made his
way through the mob, which was continually increasing and
getting more and more turbulent, and reached the hotel. On
his first inquiry he was told, with the impertinence
peculiar to hired hackney-coachmen and inn-keepers with
their houses full, that there was no room for him at the
Hotel de Londres. Then he sent his card to Signor Pastrini,
and asked for Albert de Morcerf. This plan succeeded; and
Signor Pastrini himself ran to him, excusing himself for
having made his excellency wait, scolding the waiters,
taking the candlestick from the porter, who was ready to
pounce on the traveller and was about to lead him to Albert,
when Morcerf himself appeared.

The apartment consisted of two small rooms and a parlor. The
two rooms looked onto the street -- a fact which Signor
Pastrini commented upon as an inappreciable advantage. The
rest of the floor was hired by a very rich gentleman who was
supposed to be a Sicilian or Maltese; but the host was
unable to decide to which of the two nations the traveller
belonged. "Very good, signor Pastrini," said Franz; "but we
must have some supper instantly, and a carriage for tomorrow
and the following days."

"As to supper," replied the landlord, "you shall be served
immediately; but as for the carriage" --

"What as to the carriage?" exclaimed Albert. "Come, come,
Signor Pastrini, no joking; we must have a carriage."

"Sir," replied the host, "we will do all in our power to
procure you one -- this is all I can say."

"And when shall we know?" inquired Franz.

"To-morrow morning," answered the inn-keeper.

"Oh, the deuce! then we shall pay the more, that's all, I
see plainly enough. At Drake's or Aaron's one pays
twenty-five lire for common days, and thirty or thirty-five
lire a day more for Sundays and feast days; add five lire a
day more for extras, that will make forty, and there's an
end of it."

"I am afraid if we offer them double that we shall not
procure a carriage."

"Then they must put horses to mine. It is a little worse for
the journey, but that's no matter."

"There are no horses." Albert looked at Franz like a man who
hears a reply he does not understand.

"Do you understand that, my dear Franz -- no horses?" he
said, "but can't we have post-horses?"

"They have been all hired this fortnight, and there are none
left but those absolutely requisite for posting."

"What are we to say to this?" asked Franz.

"I say, that when a thing completely surpasses my
comprehension, I am accustomed not to dwell on that thing,
but to pass to another. Is supper ready, Signor Pastrini?"

"Yes, your excellency."

"Well, then, let us sup."

"But the carriage and horses?" said Franz.

"Be easy, my dear boy; they will come in due season; it is
only a question of how much shall be charged for them."
Morcerf then, with that delighted philosophy which believes
that nothing is impossible to a full purse or well-lined
pocketbook, supped, went to bed, slept soundly, and dreamed
he was racing all over Rome at Carnival time in a coach with
six horses.

Chapter 33
Roman Bandits.

The next morning Franz woke first, and instantly rang the
bell. The sound had not yet died away when Signor Pastrini
himself entered.

"Well, excellency," said the landlord triumphantly, and
without waiting for Franz to question him, "I feared
yesterday, when I would not promise you anything, that you
were too late -- there is not a single carriage to be had --
that is, for the last three days of the carnival."

"Yes," returned Franz, "for the very three days it is most
needed."

"What is the matter?" said Albert, entering; "no carriage to
be had?"

"Just so," returned Franz, "you have guessed it."

"Well, your Eternal City is a nice sort of place."

"That is to say, excellency," replied Pastrini, who was
desirous of keeping up the dignity of the capital of the
Christian world in the eyes of his guest, "that there are no
carriages to be had from Sunday to Tuesday evening, but from
now till Sunday you can have fifty if you please."

"Ah, that is something," said Albert; "to-day is Thursday,
and who knows what may arrive between this and Sunday?"

"Ten or twelve thousand travellers will arrive," replied
Franz, "which will make it still more difficult."

"My friend," said Morcerf, "let us enjoy the present without
gloomy forebodings for the future."

"At least we can have a window?"

"Where?"

"In the Corso."

"Ah, a window!" exclaimed Signor Pastrini, -- "utterly
impossible; there was only one left on the fifth floor of
the Doria Palace, and that has been let to a Russian prince
for twenty sequins a day."

The two young men looked at each other with an air of
stupefaction.

"Well," said Franz to Albert, "do you know what is the best
thing we can do? It is to pass the Carnival at Venice; there
we are sure of obtaining gondolas if we cannot have
carriages."

"Ah, the devil, no," cried Albert; "I came to Rome to see
the Carnival, and I will, though I see it on stilts."

"Bravo! an excellent idea. We will disguise ourselves as
monster pulchinellos or shepherds of the Landes, and we
shall have complete success."

"Do your excellencies still wish for a carriage from now to
Sunday morning?"

"Parbleu!" said Albert, "do you think we are going to run
about on foot in the streets of Rome, like lawyer's clerks?"

"I hasten to comply with your excellencies' wishes; only, I
tell you beforehand, the carriage will cost you six piastres
a day."

"And, as I am not a millionaire, like the gentleman in the
next apartments," said Franz, "I warn you, that as I have
been four times before at Rome, I know the prices of all the
carriages; we will give you twelve piastres for to-day,
tomorrow, and the day after, and then you will make a good
profit."

"But, excellency" -- said Pastrini, still striving to gain
his point.

"Now go," returned Franz, "or I shall go myself and bargain
with your affettatore, who is mine also; he is an old friend
of mine, who has plundered me pretty well already, and, in
the hope of making more out of me, he will take a less price
than the one I offer you; you will lose the preference, and
that will be your fault."

"Do not give yourselves the trouble, excellency," returned
Signor Pastrini, with the smile peculiar to the Italian
speculator when he confesses defeat; "I will do all I can,
and I hope you will be satisfied."

"And now we understand each other."

"When do you wish the carriage to be here?"

"In an hour."

"In an hour it will be at the door."

An hour after the vehicle was at the door; it was a hack
conveyance which was elevated to the rank of a private
carriage in honor of the occasion, but, in spite of its
humble exterior, the young men would have thought themselves
happy to have secured it for the last three days of the
Carnival. "Excellency," cried the cicerone, seeing Franz
approach the window, "shall I bring the carriage nearer to
the palace?"

Accustomed as Franz was to the Italian phraseology, his
first impulse was to look round him, but these words were
addressed to him. Franz was the "excellency," the vehicle
was the "carriage," and the Hotel de Londres was the
"palace." The genius for laudation characteristic of the
race was in that phrase.

Franz and Albert descended, the carriage approached the
palace; their excellencies stretched their legs along the
seats; the cicerone sprang into the seat behind. "Where do
your excellencics wish to go?" asked he.

"To Saint Peter's first, and then to the Colosseum,"
returned Albert. But Albert did not know that it takes a day
to see Saint Peter's, and a month to study it. The day was
passed at Saint Peter's alone. Suddenly the daylight began
to fade away; Franz took out his watch -- it was half-past
four. They returned to the hotel; at the door Franz ordered
the coachman to be ready at eight. He wished to show Albert
the Colosseum by moonlight, as he had shown him Saint
Peter's by daylight. When we show a friend a city one has
already visited, we feel the same pride as when we point out
a woman whose lover we have been. He was to leave the city
by the Porta del Popolo, skirt the outer wall, and re-enter
by the Porta San Giovanni; thus they would behold the
Colosseum without finding their impressions dulled by first
looking on the Capitol, the Forum, the Arch of Septimus
Severus, the Temple of Antoninus and Faustina, and the Via
Sacra. They sat down to dinner. Signor Pastrini had promised
them a banquet; he gave them a tolerable repast. At the end
of the dinner he entered in person. Franz thought that he
came to hear his dinner praised, and began accordingly, but
at the first words he was interrupted. "Excellency," said
Pastrini, "I am delighted to have your approbation, but it
was not for that I came."

"Did you come to tell us you have procured a carriage?"
asked Albert, lighting his cigar.

"No; and your excellencies will do well not to think of that
any longer; at Rome things can or cannot be done; when you
are told anything cannot he done, there is an end of it."

"It is much more convenient at Paris, -- when anything
cannot be done, you pay double, and it is done directly."

"That is what all the French say," returned Signor Pastrini,
somewhat piqued; "for that reason, I do not understand why
they travel."

"But," said Albert, emitting a volume of smoke and balancing
his chair on its hind legs, "only madmen, or blockheads like
us, ever do travel. Men in their senses do not quit their
hotel in the Rue du Helder, their walk on the Boulevard de
Gand, and the Cafe de Paris." It is of course understood
that Albert resided in the aforesaid street, appeared every
day on the fashionable walk, and dined frequently at the
only restaurant where you can really dine, that is, if you
are on good terms with its frequenters. Signor Pastrini
remained silent a short time; it was evident that he was
musing over this answer, which did not seem very clear.
"But," said Franz, in his turn interrupting his host's
meditations, "you had some motive for coming here, may I beg
to know what it was?"

"Ah, yes; you have ordered your carriage at eight o'clock
precisely?"

"I have."

"You intend visiting Il Colosseo."

"You mean the Colosseum?"

"It is the same thing. You have told your coachman to leave
the city by the Porta del Popolo, to drive round the walls,
and re-enter by the Porta San Giovanni?"

"These are my words exactly."

"Well, this route is impossible."

"Impossible!"

"Very dangerous, to say the least."

"Dangerous! -- and why?"

"On account of the famous Luigi Vampa."

"Pray, who may this famous Luigi Vampa be?" inquired Albert;
"he may be very famous at Rome, but I can assure you he is
quite unknown at Paris."

"What! do you not know him?"

"I have not that honor."

"You have never heard his name?"

"Never."

"Well, then, he is a bandit, compared to whom the Decesaris
and the Gasparones were mere children."

"Now then, Albert," cried Franz, "here is a bandit for you
at last."

"I forewarn you, Signor Pastrini, that I shall not believe
one word of what you are going to tell us; having told you
this, begin."

"Once upon a time" --

"Well, go on." Signor Pastrini turned toward Franz, who
seemed to him the more reasonable of the two; we must do him
justice, -- he had had a great many Frenchmen in his house,
but had never been able to comprehend them. "Excellency,"
said he gravely, addressing Franz, "if you look upon me as a
liar, it is useless for me to say anything; it was for your
interest I" --

"Albert does not say you are a liar, Signor Pastrini," said
Franz, "but that he will not believe what you are going to
tell us, -- but I will believe all you say; so proceed."

"But if your excellency doubt my veracity" --

"Signor Pastrini," returned Franz, "you are more susceptible
than Cassandra, who was a prophetess, and yet no one
believed her; while you, at least, are sure of the credence
of half your audience. Come, sit down, and tell us all about
this Signor Vampa."

"I had told your excellency he is the most famous bandit we
have had since the days of Mastrilla."

"Well, what has this bandit to do with the order I have
given the coachman to leave the city by the Porta del
Popolo, and to re-enter by the Porta San Giovanni?"

"This," replied Signor Pastrini, "that you will go out by
one, but I very much doubt your returning by the other."

"Why?" asked Franz.

"Because, after nightfall, you are not safe fifty yards from
the gates."

"On your honor is that true?" cried Albert.

"Count," returned Signor Pastrini, hurt at Albert's repeated
doubts of the truth of his assertions, "I do not say this to
you, but to your companion, who knows Rome, and knows, too,
that these things are not to be laughed at."

"My dear fellow," said Albert, turning to Franz, "here is an
admirable adventure; we will fill our carriage with pistols,
blunderbusses, and double-barrelled guns. Luigi Vampa comes
to take us, and we take him -- we bring him back to Rome,
and present him to his holiness the Pope, who asks how he
can repay so great a service; then we merely ask for a
carriage and a pair of horses, and we see the Carnival in
the carriage, and doubtless the Roman people will crown us
at the Capitol, and proclaim us, like Curtius and the veiled
Horatius, the preservers of their country." Whilst Albert
proposed this scheme, Signor Pastrini's face assumed an
expression impossible to describe.

"And pray," asked Franz, "where are these pistols,
blunderbusses, and other deadly weapons with which you
intend filling the carriage?"

"Not out of my armory, for at Terracina I was plundered even
of my hunting-knife."

"I shared the same fate at Aquapendente."

"Do you know, Signor Pastrini," said Albert, lighting a
second cigar at the first, "that this practice is very
convenient for bandits, and that it seems to be due to an
arrangement of their own." Doubtless Signor Pastrini found
this pleasantry compromising, for he only answered half the
question, and then he spoke to Franz, as the only one likely
to listen with attention. "Your excellency knows that it is
not customary to defend yourself when attacked by bandits."

"What!" cried Albert, whose courage revolted at the idea of
being plundered tamely, "not make any resistance!"

"No, for it would be useless. What could you do against a
dozen bandits who spring out of some pit, ruin, or aqueduct,
and level their pieces at you?"

"Eh, parbleu! -- they should kill me."

The inn-keeper turned to Franz with an air that seemed to
say, "Your friend is decidedly mad."

"My dear Albert," returned Franz, "your answer is sublime,
and worthy the `Let him die,' of Corneille, only, when
Horace made that answer, the safety of Rome was concerned;
but, as for us, it is only to gratify a whim, and it would
be ridiculous to risk our lives for so foolish a motive."
Albert poured himself out a glass of lacryma Christi, which
he sipped at intervals, muttering some unintelligible words.

"Well, Signor Pastrini," said Franz, "now that my companion
is quieted, and you have seen how peaceful my intentions
are, tell me who is this Luigi Vampa. Is he a shepherd or a
nobleman? -- young or old? -- tall or short? Describe him,
in order that, if we meet him by chance, like Bugaboo John
or Lara, we may recognize him."

"You could not apply to any one better able to inform you on
all these points, for I knew him when he was a child, and
one day that I fell into his hands, going from Ferentino to
Alatri, he, fortunately for me, recollected me, and set me
free, not only without ransom, but made me a present of a
very splendid watch, and related his history to me."

"Let us see the watch," said Albert.

Signor Pastrini drew from his fob a magnificent Breguet,
bearing the name of its maker, of Parisian manufacture, and
a count's coronet.

"Here it is," said he.

"Peste," returned Albert, "I compliment you on it; I have
its fellow" -- he took his watch from his waistcoat pocket
-- "and it cost me 3,000 francs."

"Let us hear the history," said Franz, motioning Signor
Pastrini to seat himself.

"Your excellencies permit it?" asked the host.

"Pardieu!" cried Albert, "you are not a preacher, to remain
standing!"

The host sat down, after having made each of them a
respectful bow, which meant that he was ready to tell them
all they wished to know concerning Luigi Vampa. "You tell
me," said Franz, at the moment Signor Pastrini was about to
open his mouth, "that you knew Luigi Vampa when he was a
child -- he is still a young man, then?"

"A young man? he is only two and twenty; -- he will gain
himself a reputation."

"What do you think of that, Albert? -- at two and twenty to
be thus famous?"

"Yes, and at his age, Alexander, Caesar, and Napoleon, who
have all made some noise in the world, were quite behind
him."

"So," continued Franz, "the hero of this history is only two
and twenty?"

"Scarcely so much."

"Is he tall or short?"

"Of the middle height -- about the same stature as his
excellency," returned the host, pointing to Albert.

"Thanks for the comparison," said Albert, with a bow.

"Go on, Signor Pastrini," continued Franz, smiling at his
friend's susceptibility. "To what class of society does he
belong?"

"He was a shepherd-boy attached to the farm of the Count of
San-Felice, situated between Palestrina and the lake of
Gabri; he was born at Pampinara, and entered the count's
service when he was five years old; his father was also a
shepherd, who owned a small flock, and lived by the wool and
the milk, which he sold at Rome. When quite a child, the
little Vampa displayed a most extraordinary precocity. One
day, when he was seven years old, he came to the curate of
Palestrina, and asked to be taught to read; it was somewhat
difficult, for he could not quit his flock; but the good
curate went every day to say mass at a little hamlet too
poor to pay a priest and which, having no other name, was
called Borgo; he told Luigi that he might meet him on his
return, and that then he would give him a lesson, warning
him that it would be short, and that he must profit as much
as possible by it. The child accepted joyfully. Every day
Luigi led his flock to graze on the road that leads from
Palestrina to Borgo; every day, at nine o'clock in the
morning, the priest and the boy sat down on a bank by the
wayside, and the little shepherd took his lesson out of the
priest's breviary. At the end of three months he had learned
to read. This was not enough -- he must now learn to write.
The priest had a writing teacher at Rome make three
alphabets -- one large, one middling, and one small; and
pointed out to him that by the help of a sharp instrument he
could trace the letters on a slate, and thus learn to write.
The same evening, when the flock was safe at the farm, the
little Luigi hastened to the smith at Palestrina, took a
large nail, heated and sharpened it, and formed a sort of
stylus. The next morning he gathered an armful of pieces of
slate and began. At the end of three months he had learned
to write. The curate, astonished at his quickness and
intelligence, made him a present of pens, paper, and a
penknife. This demanded new effort, but nothing compared to
the first; at the end of a week he wrote as well with this
pen as with the stylus. The curate related the incident to
the Count of San-Felice, who sent for the little shepherd,
made him read and write before him, ordered his attendant to
let him eat with the domestics, and to give him two piastres
a month. With this, Luigi purchased books and pencils. He
applied his imitative powers to everything, and, like
Giotto, when young, he drew on his slate sheep, houses, and
trees. Then, with his knife, he began to carve all sorts of
objects in wood; it was thus that Pinelli, the famous
sculptor, had commenced.

"A girl of six or seven -- that is, a little younger than
Vampa -- tended sheep on a farm near Palestrina; she was an
orphan, born at Valmontone and was named Teresa. The two
children met, sat down near each other, let their flocks
mingle together, played, laughed, and conversed together; in
the evening they separated the Count of San-Felice's flock
from those of Baron Cervetri, and the children returned to
their respective farms, promising to meet the next morning.
The next day they kept their word, and thus they grew up
together. Vampa was twelve, and Teresa eleven. And yet their
natural disposition revealed itself. Beside his taste for
the fine arts, which Luigi had carried as far as he could in
his solitude, he was given to alternating fits of sadness
and enthusiasm, was often angry and capricious, and always
sarcastic. None of the lads of Pampinara, Palestrina, or
Valmontone had been able to gain any influence over him or
even to become his companion. His disposition (always
inclined to exact concessions rather than to make them) kept
him aloof from all friendships. Teresa alone ruled by a
look, a word, a gesture, this impetuous character, which
yielded beneath the hand of a woman, and which beneath the
hand of a man might have broken, but could never have been
bended. Teresa was lively and gay, but coquettish to excess.
The two piastres that Luigi received every month from the
Count of San-Felice's steward, and the price of all the
little carvings in wood he sold at Rome, were expended in
ear-rings, necklaces, and gold hairpins. So that, thanks to
her friend's generosity, Teresa was the most beautiful and
the best-attired peasant near Rome. The two children grew up
together, passing all their time with each other, and giving
themselves up to the wild ideas of their different
characters. Thus, in all their dreams, their wishes, and
their conversations, Vampa saw himself the captain of a
vessel, general of an army, or governor of a province.
Teresa saw herself rich, superbly attired, and attended by a
train of liveried domestics. Then, when they had thus passed
the day in building castles in the air, they separated their
flocks, and descended from the elevation of their dreams to
the reality of their humble position.

"One day the young shepherd told the count's steward that he
had seen a wolf come out of the Sabine mountains, and prowl
around his flock. The steward gave him a gun; this was what
Vampa longed for. This gun had an excellent barrel, made at
Breschia, and carrying a ball with the precision of an
English rifle; but one day the count broke the stock, and
had then cast the gun aside. This, however, was nothing to a
sculptor like Vampa; he examined the broken stock,
calculated what change it would require to adapt the gun to
his shoulder, and made a fresh stock, so beautifully carved
that it would have fetched fifteen or twenty piastres, had
he chosen to sell it. But nothing could be farther from his
thoughts. For a long time a gun had been the young man's
greatest ambition. In every country where independence has
taken the place of liberty, the first desire of a manly
heart is to possess a weapon, which at once renders him
capable of defence or attack, and, by rendering its owner
terrible, often makes him feared. From this moment Vampa
devoted all his leisure time to perfecting himself in the
use of his precious weapon; he purchased powder and ball,
and everything served him for a mark -- the trunk of some
old and moss-grown olive-tree, that grew on the Sabine
mountains; the fox, as he quitted his earth on some
marauding excursion; the eagle that soared above their
heads: and thus he soon became so expert, that Teresa
overcame the terror she at first felt at the report, and
amused herself by watching him direct the ball wherever he
pleased, with as much accuracy as if he placed it by hand.

"One evening a wolf emerged from a pine-wood hear which they
were usually stationed, but the wolf had scarcely advanced
ten yards ere he was dead. Proud of this exploit, Vampa took
the dead animal on his shoulders, and carried him to the
farm. These exploits had gained Luigi considerable
reputation. The man of superior abilities always finds
admirers, go where he will. He was spoken of as the most
adroit, the strongest, and the most courageous contadino for
ten leagues around; and although Teresa was universally
allowed to be the most beautiful girl of the Sabines, no one
had ever spoken to her of love, because it was known that
she was beloved by Vampa. And yet the two young people had
never declared their affection; they had grown together like
two trees whose roots are mingled, whose branches
intertwined, and whose intermingled perfume rises to the
heavens. Only their wish to see each other had become a
necessity, and they would have preferred death to a day's
separation. Teresa was sixteen, and Vampa seventeen. About
this time, a band of brigands that had established itself in
the Lepini mountains began to be much spoken of. The
brigands have never been really extirpated from the
neighborhood of Rome. Sometimes a chief is wanted, but when
a chief presents himself he rarely has to wait long for a
band of followers.

"The celebrated Cucumetto, pursued in the Abruzzo, driven
out of the kingdom of Naples, where he had carried on a
regular war, had crossed the Garigliano, like Manfred, and
had taken refuge on the banks of the Amasine between Sonnino
and Juperno. He strove to collect a band of followers, and
followed the footsteps of Decesaris and Gasperone, whom he
hoped to surpass. Many young men of Palestrina, Frascati,
and Pampinara had disappeared. Their disappearance at first
caused much disquietude; but it was soon known that they had
joined Cucumetto. After some time Cucumetto became the
object of universal attention; the most extraordinary traits
of ferocious daring and brutality were related of him. One
day he carried off a young girl, the daughter of a surveyor
of Frosinone. The bandit's laws are positive; a young girl
belongs first to him who carries her off, then the rest draw
lots for her, and she is abandoned to their brutality until
death relieves her sufferings. When their parents are
sufficiently rich to pay a ransom, a messenger is sent to
negotiate; the prisoner is hostage for the security of the
messenger; should the ransom be refused, the prisoner is
irrevocably lost. The young girl's lover was in Cucumetto's
troop; his name was Carlini. When she recognized her lover,
the poor girl extended her arms to him, and believed herself
safe; but Carlini felt his heart sink, for he but too well
knew the fate that awaited her. However, as he was a
favorite with Cucumetto, as he had for three years
faithfully served him, and as he had saved his life by
shooting a dragoon who was about to cut him down, he hoped
the chief would have pity on him. He took Cucumetto one
side, while the young girl, seated at the foot of a huge
pine that stood in the centre of the forest, made a veil of
her picturesque head-dress to hide her face from the
lascivious gaze of the bandits. There he told the chief all
-- his affection for the prisoner, their promises of mutual
fidelity, and how every night, since he had been near, they
had met in some neighboring ruins.

"It so happened that night that Cucumetto had sent Carlini
to a village, so that he had been unable to go to the place
of meeting. Cucumetto had been there, however, by accident,
as he said, and had carried the maiden off. Carlini besought
his chief to make an exception in Rita's favor, as her
father was rich, and could pay a large ransom. Cucumetto
seemed to yield to his friend's entreaties, and bade him
find a shepherd to send to Rita's father at Frosinone.
Carlini flew joyfully to Rita, telling her she was saved,
and bidding her write to her father, to inform him what had
occurred, and that her ransom was fixed at three hundred
piastres. Twelve hours' delay was all that was granted --
that is, until nine the next morning. The instant the letter
was written, Carlini seized it, and hastened to the plain to
find a messenger. He found a young shepherd watching his
flock. The natural messengers of the bandits are the
shepherds who live between the city and the mountains,
between civilized and savage life. The boy undertook the
commission, promising to be in Frosinone in less than an
hour. Carlini returned, anxious to see his mistress, and
announce the joyful intelligence. He found the troop in the
glade, supping off the provisions exacted as contributions
from the peasants; but his eye vainly sought Rita and
Cucumetto among them. He inquired where they were, and was
answered by a burst of laughter. A cold perspiration burst
from every pore, and his hair stood on end. He repeated his
question. One of the bandits rose, and offered him a glass
filled with Orvietto, saying, `To the health of the brave
Cucumetto and the fair Rita.' At this moment Carlini heard a
woman's cry; he divined the truth, seized the glass, broke
it across the face of him who presented it, and rushed
towards the spot whence the cry came. After a hundred yards
he turned the corner of the thicket; he found Rita senseless
in the arms of Cucumetto. At the sight of Carlini, Cucumetto
rose, a pistol in each hand. The two brigands looked at each
other for a moment -- the one with a smile of lasciviousness
on his lips, the other with the pallor of death on his brow.
A terrible battle between the two men seemed imminent; but
by degrees Carlini's features relaxed, his hand, which had
grasped one of the pistols in his belt, fell to his side.
Rita lay between them. The moon lighted the group.

"`Well,' said Cucumetto, `have you executed your
commission?'

"`Yes, captain,' returned Carlini. `At nine o'clock
to-morrow Rita's father will be here with the money.' -- `It
is well; in the meantime, we will have a merry night; this
young girl is charming, and does credit to your taste. Now,
as I am not egotistical, we will return to our comrades and
draw lots for her.' -- `You have determined, then, to
abandon her to the common law?" said Carlini.

"`Why should an exception be made in her favor?'

"`I thought that my entreaties' --

"`What right have you, any more than the rest, to ask for an
exception?' -- `It is true.' -- `But never mind,' continued
Cucumetto, laughing, `sooner or later your turn will come.'
Carlini's teeth clinched convulsively.

"`Now, then,' said Cucumetto, advancing towards the other
bandits, `are you coming?' -- `I follow you.'

"Cucumetto departed, without losing sight of Carlini, for,
doubtless, he feared lest he should strike him unawares; but
nothing betrayed a hostile design on Carlini's part. He was
standing, his arms folded, near Rita, who was still
insensible. Cucumetto fancied for a moment the young man was
about to take her in his arms and fly; but this mattered
little to him now Rita had been his; and as for the money,
three hundred piastres distributed among the band was so
small a sum that he cared little about it. He continued to
follow the path to the glade; but, to his great surprise,
Carlini arrived almost as soon as himself. `Let us draw
lots! let us draw lots!' cried all the brigands, when they
saw the chief.

"Their demand was fair, and the chief inclined his head in
sign of acquiescence. The eyes of all shone fiercely as they
made their demand, and the red light of the fire made them
look like demons. The names of all, including Carlini, were
placed in a hat, and the youngest of the band drew forth a
ticket; the ticket bore the name of Diovolaccio. He was the
man who had proposed to Carlini the health of their chief,
and to whom Carlini replied by breaking the glass across his
face. A large wound, extending from the temple to the mouth,
was bleeding profusely. Diovalaccio, seeing himself thus
favored by fortune, burst into a loud laugh. `Captain,' said
he, `just now Carlini would not drink your health when I
proposed it to him; propose mine to him, and let us see if
he will be more condescending to you than to me.' Every one
expected an explosion on Carlini's part; but to their great
surprise, he took a glass in one hand and a flask in the
other, and filling it, -- `Your health, Diavolaccio,' said
he calmly, and he drank it off, without his hand trembling
in the least. Then sitting down by the fire, `My supper,'
said he; `my expedition has given me an appetite.' -- `Well
done, Carlini!' cried the brigands; `that is acting like a
good fellow;' and they all formed a circle round the fire,
while Diavolaccio disappeared. Carlini ate and drank as if
nothing had happened. The bandits looked on with
astonishment at this singular conduct until they heard
footsteps. They turned round, and saw Diavolaccio bearing
the young girl in his arms. Her head hung back, and her long
hair swept the ground. As they entered the circle, the
bandits could perceive, by the firelight, the unearthly
pallor of the young girl and of Diavolaccio. This apparition
was so strange and so solemn, that every one rose, with the
exception of Carlini, who remained seated, and ate and drank
calmly. Diavolaccio advanced amidst the most profound
silence, and laid Rita at the captain's feet. Then every one
could understand the cause of the unearthly pallor in the
young girl and the bandit. A knife was plunged up to the
hilt in Rita's left breast. Every one looked at Carlini; the
sheath at his belt was empty. `Ah, ah,' said the chief, `I
now understand why Carlini stayed behind.' All savage
natures appreciate a desperate deed. No other of the bandits
would, perhaps, have done the same; but they all understood
what Carlini had done. `Now, then,' cried Carlini, rising in
his turn, and approaching the corpse, his hand on the butt
of one of his pistols, `does any one dispute the possession
of this woman with me?' -- `No,' returned the chief, `she is
thine.' Carlini raised her in his arms, and carried her out
of the circle of firelight. Cucumetto placed his sentinels
for the night, and the bandits wrapped themselves in their
cloaks, and lay down before the fire. At midnight the
sentinel gave the alarm, and in an instant all were on the
alert. It was Rita's father, who brought his daughter's
ransom in person. `Here,' said he, to Cucumetto, `here are
three hundred piastres; give me back my child. But the
chief, without taking the money, made a sign to him to
follow. The old man obeyed. They both advanced beneath the
trees, through whose branches streamed the moonlight.
Cucumetto stopped at last, and pointed to two persons
grouped at the foot of a tree.

"`There,' said he, `demand thy child of Carlini; he will
tell thee what has become of her;' and he returned to his
companions. The old man remained motionless; he felt that
some great and unforeseen misfortune hung over his head. At
length he advanced toward the group, the meaning of which he
could not comprehend. As he approached, Carlini raised his
head, and the forms of two persons became visible to the old
man's eyes. A woman lay on the ground, her head resting on
the knees of a man, who was seated by her; as he raised his
head, the woman's face became visible. The old man
recognized his child, and Carlini recognized the old man. `I
expected thee,' said the bandit to Rita's father. --
`Wretch!' returned the old man, `what hast thou done?' and
he gazed with terror on Rita, pale and bloody, a knife
buried in her bosom. A ray of moonlight poured through the
trees, and lighted up the face of the dead. -- `Cucumetto
had violated thy daughter,' said the bandit; `I loved her,
therefore I slew her; for she would have served as the sport
of the whole band.' The old man spoke not, and grew pale as
death. `Now,' continued Carlini, `if I have done wrongly,
avenge her;' and withdrawing the knife from the wound in
Rita's bosom, he held it out to the old man with one hand,
while with the other he tore open his vest. -- `Thou hast
done well!' returned the old man in a hoarse voice; `embrace
me, my son.' Carlini threw himself, sobbing like a child,
into the arms of his mistress's father. These were the first
tears the man of blood had ever wept. `Now,' said the old
man, `aid me to bury my child.' Carlini fetched two
pickaxes; and the father and the lover began to dig at the
foot of a huge oak, beneath which the young girl was to
repose. When the grave was formed, the father kissed her
first, and then the lover; afterwards, one taking the head,
the other the feet, they placed her in the grave. Then they
knelt on each side of the grave, and said the prayers of the
dead. Then, when they had finished, they cast the earth over
the corpse, until the grave was filled. Then, extending his
hand, the old man said; `I thank you, my son; and now leave
me alone.' -- `Yet' -- replied Carlini. -- `Leave me, I
command you.' Carlini obeyed, rejoined his comrades, folded
himself in his cloak, and soon appeared to sleep as soundly
as the rest. It had been resolved the night before to change
their encampment. An hour before daybreak, Cucumetto aroused
his men, and gave the word to march. But Carlini would not
quit the forest, without knowing what had become of Rita's
father. He went toward the place where he had left him. He
found the old man suspended from one of the branches of the
oak which shaded his daughter's grave. He then took an oath
of bitter vengeance over the dead body of the one and the
tomb of the other. But he was unable to complete this oath,
for two days afterwards, in an encounter with the Roman
carbineers, Carlini was killed. There was some surprise,
however, that, as he was with his face to the enemy, he
should have received a ball between his shoulders. That
astonishment ceased when one of the brigands remarked to his
comrades that Cucumetto was stationed ten paces in Carlini's
rear when he fell. On the morning of the departure from the
forest of Frosinone he had followed Carlini in the darkness,
and heard this oath of vengeance, and, like a wise man,
anticipated it. They told ten other stories of this bandit
chief, each more singular than the other. Thus, from Fondi
to Perusia, every one trembles at the name of Cucumetto.

"These narratives were frequently the theme of conversation
between Luigi and Teresa. The young girl trembled very much
at hearing the stories; but Vampa reassured her with a
smile, tapping the butt of his good fowling-piece, which
threw its ball so well; and if that did not restore her
courage, he pointed to a crow, perched on some dead branch,
took aim, touched the trigger, and the bird fell dead at the
foot of the tree. Time passed on, and the two young people
had agreed to be married when Vampa should be twenty and
Teresa nineteen years of age. They were both orphans, and
had only their employers' leave to ask, which had been
already sought and obtained. One day when they were talking
over their plans for the future, they heard two or three
reports of firearms, and then suddenly a man came out of the
wood, near which the two young persons used to graze their
flocks, and hurried towards them. When he came within
hearing, he exclaimed. `I am pursued; can you conceal me?'
They knew full well that this fugitive must be a bandit; but
there is an innate sympathy between the Roman brigand and
the Roman peasant and the latter is always ready to aid the
former. Vampa, without saying a word, hastened to the stone
that closed up the entrance to their grotto, drew it away,
made a sign to the fugitive to take refuge there, in a
retreat unknown to every one, closed the stone upon him, and
then went and resumed his seat by Teresa. Instantly
afterwards four carbineers, on horseback, appeared on the
edge of the wood; three of them appeared to be looking for
the fugitive, while the fourth dragged a brigand prisoner by
the neck. The three carbineers looked about carefully on
every side, saw the young peasants, and galloping up, began
to question them. They had seen no one. `That is very
annoying,' said the brigadier; for the man we are looking
for is the chief.' -- `Cucumetto?' cried Luigi and Teresa at
the same moment.

"`Yes,' replied the brigadier; `and as his head is valued at
a thousand Roman crowns, there would have been five hundred
for you, if you had helped us to catch him.' The two young
persons exchanged looks. The brigadier had a moment's hope.
Five hundred Roman crowns are three thousand lire, and three
thousand lire are a fortune for two poor orphans who are
going to be married.

"`Yes, it is very annoying,' said Vampa; `but we have not
seen him.'

"Then the carbineers scoured the country in different
directions, but in vain; then, after a time, they
disappeared. Vampa then removed the stone, and Cucumetto
came out. Through the crevices in the granite he had seen
the two young peasants talking with the carbineers, and
guessed the subject of their parley. He had read in the
countenances of Luigi and Teresa their steadfast resolution
not to surrender him, and he drew from his pocket a purse
full of gold, which he offered to them. But Vampa raised his
head proudly; as to Teresa, her eyes sparkled when she
thought of all the fine gowns and gay jewellery she could
buy with this purse of gold.

"Cucumetto was a cunning fiend, and had assumed the form of
a brigand instead of a serpent, and this look from Teresa
showed to him that she was a worthy daughter of Eve, and he
returned to the forest, pausing several times on his way,
under the pretext of saluting his protectors. Several days
elapsed, and they neither saw nor heard of Cucumetto. The
time of the Carnival was at hand. The Count of San-Felice
announced a grand masked ball, to which all that were
distinguished in Rome were invited. Teresa had a great
desire to see this ball. Luigi asked permission of his
protector, the steward, that she and he might be present
amongst the servants of the house. This was granted. The
ball was given by the Count for the particular pleasure of
his daughter Carmela, whom he adored. Carmela was precisely
the age and figure of Teresa, and Teresa was as handsome as
Carmela. On the evening of the ball Teresa was attired in
her best, her most brilliant ornaments in her hair, and
gayest glass beads, -- she was in the costume of the women
of Frascati. Luigi wore the very picturesque garb of the
Roman peasant at holiday time. They both mingled, as they
had leave to do, with the servants and peasants.

"The festa was magnificent; not only was the villa
brilliantly illuminated, but thousands of colored lanterns
were suspended from the trees in the garden; and very soon
the palace overflowed to the terraces, and the terraces to
the garden-walks. At each cross-path was an orchestra, and
tables spread with refreshments; the guests stopped, formed
quadrilles, and danced in any part of the grounds they
pleased. Carmela was attired like a woman of Sonnino. Her
cap was embroidered with pearls, the pins in her hair were
of gold and diamonds, her girdle was of Turkey silk, with
large embroidered flowers, her bodice and skirt were of
cashmere, her apron of Indian muslin, and the buttons of her
corset were of jewels. Two of her companions were dressed,
the one as a woman of Nettuno, and the other as a woman of
La Riccia. Four young men of the richest and noblest
families of Rome accompanied them with that Italian freedom
which has not its parallel in any other country in the
world. They were attired as peasants of Albano, Velletri,
Civita-Castellana, and Sora. We need hardly add that these
peasant costumes, like those of the young women, were
brilliant with gold and jewels.

"Carmela wished to form a quadrille, but there was one lady
wanting. Carmela looked all around her, but not one of the
guests had a costume similar to her own, or those of her
companions. The Count of San-Felice pointed out Teresa, who
was hanging on Luigi's arm in a group of peasants. `Will you
allow me, father?' said Carmela. -- `Certainly,' replied the
count, `are we not in Carnival time?' -- Carmela turned
towards the young man who was talking with her, and saying a
few words to him, pointed with her finger to Teresa. The
young man looked, bowed in obedience, and then went to
Teresa, and invited her to dance in a quadrille directed by
the count's daughter. Teresa felt a flush pass over her
face; she looked at Luigi, who could not refuse his assent.
Luigi slowly relinquished Teresa's arm, which he had held
beneath his own, and Teresa, accompanied by her elegant
cavalier, took her appointed place with much agitation in
the aristocratic quadrille. Certainly, in the eyes of an
artist, the exact and strict costume of Teresa had a very
different character from that of Carmela and her companions;
and Teresa was frivolous and coquettish, and thus the
embroidery and muslins, the cashmere waist-girdles, all
dazzled her, and the reflection of sapphires and diamonds
almost turned her giddy brain.

"Luigi felt a sensation hitherto unknown arising in his
mind. It was like an acute pain which gnawed at his heart,
and then thrilled through his whole body. He followed with
his eye each movement of Teresa and her cavalier; when their
hands touched, he felt as though he should swoon; every
pulse beat with violence, and it seemed as though a bell
were ringing in his ears. When they spoke, although Teresa
listened timidly and with downcast eyes to the conversation
of her cavalier, as Luigi could read in the ardent looks of
the good-looking young man that his language was that of
praise, it seemed as if the whole world was turning round
with him, and all the voices of hell were whispering in his
ears ideas of murder and assassination. Then fearing that
his paroxysm might get the better of him, he clutched with
one hand the branch of a tree against which he was leaning,
and with the other convulsively grasped the dagger with a
carved handle which was in his belt, and which, unwittingly,
he drew from the scabbard from time to time. Luigi was
jealous! He felt that, influenced by her ambitions and
coquettish disposition, Teresa might escape him.

"The young peasant girl, at first timid and scared, soon
recovered herself. We have said that Teresa was handsome,
but this is not all; Teresa was endowed with all those wild
graces which are so much more potent than our affected and
studied elegancies. She had almost all the honors of the
quadrille, and if she were envious of the Count of
San-Felice's daughter, we will not undertake to say that
Carmela was not jealous of her. And with overpowering
compliments her handsome cavalier led her back to the place
whence he had taken her, and where Luigi awaited her. Twice
or thrice during the dance the young girl had glanced at
Luigi, and each time she saw that he was pale and that his
features were agitated, once even the blade of his knife,
half drawn from its sheath, had dazzled her eyes with its
sinister glare. Thus, it was almost tremblingly that she
resumed her lover's arm. The quadrille had been most
perfect, and it was evident there was a great demand for a
repetition, Carmela alone objecting to it, but the Count of
San-Felice besought his daughter so earnestly, that she
acceded. One of the cavaliers then hastened to invite
Teresa, without whom it was impossible for the quadrille to
be formed, but the young girl had disappeared. The truth
was, that Luigi had not felt the strength to support another
such trial, and, half by persuasion and half by force, he
had removed Teresa toward another part of the garden. Teresa
had yielded in spite of herself, but when she looked at the
agitated countenance of the young man, she understood by his
silence and trembling voice that something strange was
passing within him. She herself was not exempt from internal
emotion, and without having done anything wrong, yet fully
comprehended that Luigi was right in reproaching her. Why,
she did not know, but yet she did not the less feel that
these reproaches were merited. However, to Teresa's great
astonishment, Luigi remained mute, and not a word escaped
his lips the rest of the evening. When the chill of the
night had driven away the guests from the gardens, and the
gates of the villa were closed on them for the festa
in-doors, he took Teresa quite away, and as he left her at
her home, he said, --

"`Teresa, what were you thinking of as you danced opposite
the young Countess of San-Felice?' -- `I thought,' replied
the young girl, with all the frankness of her nature, `that
I would give half my life for a costume such as she wore.'

"`And what said your cavalier to you?' -- `He said it only
depended on myself to have it, and I had only one word to
say.'

"`He was right,' said Luigi. `Do you desire it as ardently
as you say?' -- `Yes.' -- `Well, then, you shall have it!'

"The young girl, much astonished, raised her head to look at
him, but his face was so gloomy and terrible that her words
froze to her lips. As Luigi spoke thus, he left her. Teresa
followed him with her eyes into the darkness as long as she
could, and when he had quite disappeared, she went into the
house with a sigh.

"That night a memorable event occurred, due, no doubt, to
the imprudence of some servant who had neglected to
extinguish the lights. The Villa of San-Felice took fire in
the rooms adjoining the very apartment of the lovely
Carmela. Awakened in the night by the light of the flames,
she sprang out of bed, wrapped herself in a dressing-gown,
and attempted to escape by the door, but the corridor by
which she hoped to fly was already a prey to the flames. She
then returned to her room, calling for help as loudly as she
could, when suddenly her window, which was twenty feet from
the ground, was opened, a young peasant jumped into the
chamber, seized her in his arms, and with superhuman skill
and strength conveyed her to the turf of the grass-plot,
where she fainted. When she recovered, her father was by her
side. All the servants surrounded her, offering her
assistance. An entire wing of the villa was burnt down; but
what of that, as long as Carmela was safe and uninjured? Her
preserver was everywhere sought for, but he did not appear;
he was inquired after, but no one had seen him. Carmela was
greatly troubled that she had not recognized him. As the
count was immensely rich, excepting the danger Carmela had
run, -- and the marvellous manner in which she had escaped,
made that appear to him rather a favor of providence than a
real misfortune, -- the loss occasioned by the conflagration
was to him but a trifle.

"The next day, at the usual hour, the two young peasants
were on the borders of the forest. Luigi arrived first. He
came toward Teresa in high spirits, and seemed to have
completely forgotten the events of the previous evening. The
young girl was very pensive, but seeing Luigi so cheerful,
she on her part assumed a smiling air, which was natural to
her when she was not excited or in a passion. Luigi took her
arm beneath his own, and led her to the door of the grotto.
Then he paused. The young girl, perceiving that there was
something extraordinary, looked at him steadfastly.
`Teresa,' said Luigi, `yesterday evening you told me you
would give all the world to have a costume similar to that
of the count's daughter.' -- `Yes,' replied Teresa with
astonishment; `but I was mad to utter such a wish.' -- `And
I replied, "Very well, you shall have it."' -- `Yes,'
replied the young girl, whose astonishment increased at
every word uttered by Luigi, `but of course your reply was
only to please me.'

"`I have promised no more than I have given you, Teresa,'
said Luigi proudly. `Go into the grotto and dress yourself.'
At these words he drew away the stone, and showed Teresa the
grotto, lighted up by two wax lights, which burnt on each
side of a splendid mirror; on a rustic table, made by Luigi,
were spread out the pearl necklace and the diamond pins, and
on a chair at the side was laid the rest of the costume.

"Teresa uttered a cry of joy, and, without inquiring whence
this attire came, or even thanking Luigi, darted into the
grotto, transformed into a dressing-room. Luigi pushed the
stone behind her, for on the crest of a small adjacent hill
which cut off the view toward Palestrina, he saw a traveller
on horseback, stopping a moment, as if uncertain of his
road, and thus presenting against the blue sky that perfect
outline which is peculiar to distant objects in southern
climes. When he saw Luigi, he put his horse into a gallop
and advanced toward him. Luigi was not mistaken. The
traveller, who was going from Palestrina to Tivoli, had
mistaken his way; the young man directed him; but as at a
distance of a quarter of a mile the road again divided into
three ways, and on reaching these the traveller might again
stray from his route, he begged Luigi to be his guide. Luigi
threw his cloak on the ground, placed his carbine on his
shoulder, and freed from his heavy covering, preceded the
traveller with the rapid step of a mountaineer, which a
horse can scarcely keep up with. In ten minutes Luigi and
the traveller reached the cross-roads. On arriving there,
with an air as majestic as that of an emperor, he stretched
his hand towards that one of the roads which the traveller
was to follow. -- "That is your road, excellency, and now
you cannot again mistake.' -- `And here is your recompense,'
said the traveller, offering the young herdsman some small
pieces of money.

"`Thank you,' said Luigi, drawing back his hand; `I render a
service, I do not sell it.' -- `Well,' replied the
traveller, who seemed used to this difference between the
servility of a man of the cities and the pride of the
mountaineer, `if you refuse wages, you will, perhaps, accept
a gift.' -- `Ah, yes, that is another thing.' -- `Then,'
said the traveller, `take these two Venetian sequins and
give them to your bride, to make herself a pair of
earrings.'

"`And then do you take this poniard,' said the young
herdsman; `you will not find one better carved between
Albano and Civita-Castellana.'

"`I accept it,' answered the traveller, `but then the
obligation will be on my side, for this poniard is worth
more than two sequins.' -- `For a dealer perhaps; but for
me, who engraved it myself, it is hardly worth a piastre.'

"`What is your name?' inquired the traveller. -- `Luigi
Vampa,' replied the shepherd, with the same air as he would
have replied, Alexander, King of Macedon. -- `And yours?' --
`I,' said the traveller, `am called Sinbad the Sailor.'"
Franz d'Epinay started with surprise.

"Sinbad the Sailor." he said.

"Yes," replied the narrator; "that was the name which the
traveller gave to Vampa as his own."

"Well, and what may you have to say against this name?"
inquired Albert; "it is a very pretty name, and the
adventures of the gentleman of that name amused me very much
in my youth, I must confess." -- Franz said no more. The
name of Sinbad the Sailor, as may well be supposed, awakened
in him a world of recollections, as had the name of the
Count of Monte Cristo on the previous evening.

"Proceed!" said he to the host.

"Vampa put the two sequins haughtily into his pocket, and
slowly returned by the way he had gone. As he came within
two or three hundred paces of the grotto, he thought he
heard a cry. He listened to know whence this sound could
proceed. A moment afterwards he thought he heard his own
name pronounced distinctly. The cry proceeded from the
grotto. He bounded like a chamois, cocking his carbine as he
went, and in a moment reached the summit of a hill opposite
to that on which he had perceived the traveller. Three cries
for help came more distinctly to his ear. He cast his eyes
around him and saw a man carrying off Teresa, as Nessus, the
centaur, carried Dejanira. This man, who was hastening
towards the wood, was already three-quarters of the way on
the road from the grotto to the forest. Vampa measured the
distance; the man was at least two hundred paces in advance
of him, and there was not a chance of overtaking him. The
young shepherd stopped, as if his feet had been rooted to
the ground; then he put the butt of his carbine to his
shoulder, took aim at the ravisher, followed him for a
second in his track, and then fired. The ravisher stopped
suddenly, his knees bent under him, and he fell with Teresa
in his arms. The young girl rose instantly, but the man lay
on the earth struggling in the agonies of death. Vampa then
rushed towards Teresa; for at ten paces from the dying man
her legs had failed her, and she had dropped on her knees,
so that the young man feared that the ball that had brought
down his enemy, had also wounded his betrothed. Fortunately,
she was unscathed, and it was fright alone that had overcome
Teresa. When Luigi had assured himself that she was safe and
unharmed, he turned towards the wounded man. He had just
expired, with clinched hands, his mouth in a spasm of agony,
and his hair on end in the sweat of death. His eyes remained
open and menacing. Vampa approached the corpse, and
recognized Cucumetto. From the day on which the bandit had
been saved by the two young peasants, he had been enamoured
of Teresa, and had sworn she should be his. From that time
he had watched them, and profiting by the moment when her
lover had left her alone, had carried her off, and believed
he at length had her in his power, when the ball, directed
by the unerring skill of the young herdsman, had pierced his
heart. Vampa gazed on him for a moment without betraying the
slightest emotion; while, on the contrary, Teresa,
shuddering in every limb, dared not approach the slain
ruffian but by degrees, and threw a hesitating glance at the
dead body over the shoulder of her lover. Suddenly Vampa
turned toward his mistress: -- `Ah,' said he -- `good, good!
You are dressed; it is now my turn to dress myself.'

"Teresa was clothed from head to foot in the garb of the
Count of San-Felice's daughter. Vampa took Cucumetto's body
in his arms and conveyed it to the grotto, while in her turn
Teresa remained outside. If a second traveller had passed,
he would have seen a strange thing, -- a shepherdess
watching her flock, clad in a cashmere grown, with ear-rings
and necklace of pearls, diamond pins, and buttons of
sapphires, emeralds, and rubies. He would, no doubt, have
believed that he had returned to the times of Florian, and
would have declared, on reaching Paris, that he had met an
Alpine shepherdess seated at the foot of the Sabine Hill. At
the end of a quarter of an hour Vampa quitted the grotto;
his costume was no less elegant than that of Teresa. He wore
a vest of garnet-colored velvet, with buttons of cut gold; a
silk waistcoat covered with embroidery; a Roman scarf tied
round his neck; a cartridge-box worked with gold, and red
and green silk; sky-blue velvet breeches, fastened above the
knee with diamond buckles; garters of deerskin, worked with
a thousand arabesques, and a hat whereon hung ribbons of all
colors; two watches hung from his girdle, and a splendid
poniard was in his belt. Teresa uttered a cry of admiration.
Vampa in this attire resembled a painting by Leopold Robert,
or Schnetz. He had assumed the entire costume of Cucumetto.
The young man saw the effect produced on his betrothed, and
a smile of pride passed over his lips. -- `Now,' he said to
Teresa, `are you ready to share my fortune, whatever it may
be?' -- `Oh, yes!' exclaimed the young girl
enthusiastically. -- `And follow me wherever I go?' -- `To
the world's end.' -- `Then take my arm, and let us on; we
have no time to lose.' -- The young girl did so without
questioning her lover as to where he was conducting her, for
he appeared to her at this moment as handsome, proud, and
powerful as a god. They went towards the forest, and soon
entered it. We need scarcely say that all the paths of the
mountain were known to Vampa; he therefore went forward
without a moment's hesitation, although there was no beaten
track, but he knew his path by looking at the trees and
bushes, and thus they kept on advancing for nearly an hour
and a half. At the end of this time they had reached the
thickest of the forest. A torrent, whose bed was dry, led
into a deep gorge. Vampa took this wild road, which,
enclosed between two ridges, and shadowed by the tufted
umbrage of the pines, seemed, but for the difficulties of
its descent, that path to Avernus of which Virgil speaks.
Teresa had become alarmed at the wild and deserted look of
the plain around her, and pressed closely against her guide,
not uttering a syllable; but as she saw him advance with
even step and composed countenance, she endeavored to
repress her emotion. Suddenly, about ten paces from them, a
man advanced from behind a tree and aimed at Vampa. -- `Not
another step,' he said, `or you are a dead man.' -- `What,
then,' said Vampa, raising his hand with a gesture of
disdain, while Teresa, no longer able to restrain her alarm,
clung closely to him, `do wolves rend each other?' -- `Who
are you?' inquired the sentinel. -- `I am Luigi Vampa,
shepherd of the San-Felice farm.' -- `What do you want?' --
`I would speak with your companions who are in the glade at
Rocca Bianca.' -- `Follow me, then,' said the sentinel; `or,
as you know your way, go first.' -- Vampa smiled
disdainfully at this precaution on the part of the bandit,
went before Teresa, and continued to advance with the same
firm and easy step as before. At the end of ten minutes the
bandit made them a sign to stop. The two young persons
obeyed. Then the bandit thrice imitated the cry of a crow; a
croak answered this signal. -- `Good!' said the sentry, `you
may now go on.' -- Luigi and Teresa again set forward; as
they went on Teresa clung tremblingly to her lover at the
sight of weapons and the glistening of carbines through the
trees. The retreat of Rocca Bianca was at the top of a small
mountain, which no doubt in former days had been a volcano
-- an extinct volcano before the days when Remus and Romulus
had deserted Alba to come and found the city of Rome. Teresa
and Luigi reached the summit, and all at once found
themselves in the presence of twenty bandits. `Here is a
young man who seeks and wishes to speak to you,' said the
sentinel. -- `What has he to say?' inquired the young man
who was in command in the chief's absence. -- `I wish to say
that I am tired of a shepherd's life,' was Vampa's reply. --
`Ah, I understand,' said the lieutenant; `and you seek
admittance into our ranks?' -- `Welcome!' cried several
bandits from Ferrusino, Pampinara, and Anagni, who had
recognized Luigi Vampa. -- `Yes, but I came to ask something
more than to be your companion.' -- `And what may that be?'
inquired the bandits with astonishment. -- `I come to ask to
be your captain,' said the young man. The bandits shouted
with laughter. `And what have you done to aspire to this
honor?' demanded the lieutenant. -- `I have killed your
chief, Cucumetto, whose dress I now wear; and I set fire to
the villa San-Felice to procure a wedding-dress for my
betrothed.' An hour afterwards Luigi Vampa was chosen
captain, vice Cucumetto deceased."

"Well, my dear Albert," said Franz, turning towards his
friend; "what think you of citizen Luigi Vampa?"

"I say he is a myth," replied Albert, "and never had an
existence."

"And what may a myth be?" inquired Pastrini.

"The explanation would be too long, my dear landlord,"
replied Franz.

"And you say that Signor Vampa exercises his profession at
this moment in the environs of Rome?"

"And with a boldness of which no bandit before him ever gave
an example."

"Then the police have vainly tried to lay hands on him?"

"Why, you see, he has a good understanding with the
shepherds in the plains, the fishermen of the Tiber, and the
smugglers of the coast. They seek for him in the mountains,
and he is on the waters; they follow him on the waters, and
he is on the open sea; then they pursue him, and he has
suddenly taken refuge in the islands, at Giglio, Guanouti,
or Monte Cristo; and when they hunt for him there, he
reappears suddenly at Albano, Tivoli, or La Riccia."

"And how does he behave towards travellers?"

"Alas! his plan is very simple. It depends on the distance
he may be from the city, whether he gives eight hours,
twelve hours, or a day wherein to pay their ransom; and when
that time has elapsed he allows another hour's grace. At the
sixtieth minute of this hour, if the money is not
forthcoming, he blows out the prisoner's brains with a
pistol-shot, or plants his dagger in his heart, and that
settles the account."

"Well, Albert," inquired Franz of his companion, "are you
still disposed to go to the Colosseum by the outer wall?"

"Quite so," said Albert, "if the way be picturesque." The
clock struck nine as the door opened, and a coachman
appeared. "Excellencies," said he, "the coach is ready."

"Well, then," said Franz, "let us to the Colosseum."

"By the Porta del Popolo or by the streets, your
excellencies?"

"By the streets, morbleu, by the streets!" cried Franz.

"Ah, my dear fellow," said Albert, rising, and lighting his
third cigar, "really, I thought you had more courage." So
saying, the two young men went down the staircase, and got
into the carriage.

Chapter 34
The Colosseum.

Franz had so managed his route, that during the ride to the
Colosseum they passed not a single ancient ruin, so that no
preliminary impression interfered to mitigate the colossal
proportions of the gigantic building they came to admire.
The road selected was a continuation of the Via Sistina;
then by cutting off the right angle of the street in which
stands Santa Maria Maggiore and proceeding by the Via Urbana
and San Pietro in Vincoli, the travellers would find
themselves directly opposite the Colosseum. This itinerary
possessed another great advantage, -- that of leaving Franz
at full liberty to indulge his deep reverie upon the subject
of Signor Pastrini's story, in which his mysterious host of
Monte Cristo was so strangely mixed up. Seated with folded
arms in a corner of the carriage, he continued to ponder
over the singular history he had so lately listened to, and
to ask himself an interminable number of questions touching
its various circumstances without, however, arriving at a
satisfactory reply to any of them. One fact more than the
rest brought his friend "Sinbad the Sailor" back to his
recollection, and that was the mysterious sort of intimacy
that seemed to exist between the brigands and the sailors;
and Pastrini's account of Vampa's having found refuge on
board the vessels of smugglers and fishermen, reminded Franz
of the two Corsican bandits he had found supping so amicably
with the crew of the little yacht, which had even deviated
from its course and touched at Porto-Vecchio for the sole
purpose of landing them. The very name assumed by his host
of Monte Cristo and again repeated by the landlord of the
Hotel de Londres, abundantly proved to him that his island
friend was playing his philanthropic part on the shores of
Piombino, Civita-Vecchio, Ostia, and Gaeta, as on those of
Corsica, Tuscany, and Spain; and further, Franz bethought
him of having heard his singular entertainer speak both of
Tunis and Palermo, proving thereby how largely his circle of
acquaintances extended.

But however the mind of the young man might he absorbed in
these reflections, they were at once dispersed at the sight
of the dark frowning ruins of the stupendous Colosseum,
through the various openings of which the pale moonlight
played and flickered like the unearthly gleam from the eyes
of the wandering dead. The carriage stopped near the Meta
Sudans; the door was opened, and the young men, eagerly
alighting, found themselves opposite a cicerone, who
appeared to have sprung up from the ground, so unexpected
was his appearance.

The usual guide from the hotel having followed them, they
had paid two conductors, nor is it possible, at Rome, to
avoid this abundant supply of guides; besides the ordinary
cicerone, who seizes upon you directly you set foot in your
hotel, and never quits you while you remain in the city,
there is also a special cicerone belonging to each monument
-- nay, almost to each part of a monument. It may,
therefore, be easily imagined there is no scarcity of guides
at the Colosseum, that wonder of all ages, which Martial
thus eulogizes: "Let Memphis cease to boast the barbarous
miracles of her pyramids, and the wonders of Babylon be
talked of no more among us; all must bow to the superiority
of the gigantic labor of the Caesars, and the many voices of
Fame spread far and wide the surpassing merits of this
incomparable monument."

As for Albert and Franz, they essayed not to escape from
their ciceronian tyrants; and, indeed, it would have been so
much the more difficult to break their bondage, as the
guides alone are permitted to visit these monuments with
torches in their hands. Thus, then, the young men made no
attempt at resistance, but blindly and confidingly
surrendered themselves into the care and custody of their
conductors. Albert had already made seven or eight similar
excursions to the Colosseum, while his less favored
companion trod for the first time in his life the classic
ground forming the monument of Flavius Vespasian; and, to
his credit be it spoken, his mind, even amid the glib
loquacity of the guides, was duly and deeply touched with
awe and enthusiastic admiration of all he saw; and certainly
no adequate notion of these stupendous ruins can be formed
save by such as have visited them, and more especially by
moonlight, at which time the vast proportions of the
building appear twice as large when viewed by the mysterious
beams of a southern moonlit sky, whose rays are sufficiently
clear and vivid to light the horizon with a glow equal to
the soft twilight of an eastern clime. Scarcely, therefore,
had the reflective Franz walked a hundred steps beneath the
interior porticoes of the ruin, than, abandoning Albert to
the guides (who would by no means yield their prescriptive
right of carrying their victims through the routine
regularly laid down, and as regularly followed by them, but
dragged the unconscious visitor to the various objects with
a pertinacity that admitted of no appeal, beginning, as a
matter of course, with the Lions' Den, and finishing with
Caesar's "Podium,"), to escape a jargon and mechanical
survey of the wonders by which he was surrounded, Franz
ascended a half-dilapidated staircase, and, leaving them to
follow their monotonous round, seated himself at the foot of
a column, and immediately opposite a large aperture, which
permitted him to enjoy a full and undisturbed view of the
gigantic dimensions of the majestic ruin.

Franz had remained for nearly a quarter of an hour perfectly
hidden by the shadow of the vast column at whose base he had
found a resting-place, and from whence his eyes followed the
motions of Albert and his guides, who, holding torches in
their hands, had emerged from a vomitarium at the opposite
extremity of the Colosseum, and then again disappeared down
the steps conducting to the seats reserved for the Vestal
virgins, resembling, as they glided along, some restless
shades following the flickering glare of so many
ignes-fatui. All at once his ear caught a sound resembling
that of a stone rolling down the staircase opposite the one
by which he had himself ascended. There was nothing
remarkable in the circumstance of a fragment of granite
giving way and falling heavily below; but it seemed to him
that the substance that fell gave way beneath the pressure
of a foot, and also that some one, who endeavored as much as
possible to prevent his footsteps from being heard, was
approaching the spot where he sat. Conjecture soon became
certainty, for the figure of a man was distinctly visible to
Franz, gradually emerging from the staircase opposite, upon
which the moon was at that moment pouring a full tide of
silvery brightness.

The stranger thus presenting himself was probably a person
who, like Franz, preferred the enjoyment of solitude and his
own thoughts to the frivolous gabble of the guides. And his
appearance had nothing extraordinary in it; but the
hesitation with which he proceeded, stopping and listening
with anxious attention at every step he took, convinced
Franz that he expected the arrival of some person. By a sort
of instinctive impulse, Franz withdrew as much as possible
behind his pillar. About ten feet from the spot where he and
the stranger were, the roof had given way, leaving a large
round opening, through which might be seen the blue vault of
heaven, thickly studded with stars. Around this opening,
which had, possibly, for ages permitted a free entrance to
the brilliant moonbeams that now illumined the vast pile,
grew a quantity of creeping plants, whose delicate green
branches stood out in bold relief against the clear azure of
the firmament, while large masses of thick, strong fibrous
shoots forced their way through the chasm, and hung floating
to and fro, like so many waving strings. The person whose
mysterious arrival had attracted the attention of Franz
stood in a kind of half-light, that rendered it impossible
to distinguish his features, although his dress was easily
made out. He wore a large brown mantle, one fold of which,
thrown over his left shoulder, served likewise to mask the
lower part of his countenance, while the upper part was
completely hidden by his broad-brimmed hat. The lower part
of his dress was more distinctly visible by the bright rays
of the moon, which, entering through the broken ceiling,
shed their refulgent beams on feet cased in elegantly made
boots of polished leather, over which descended fashionably
cut trousers of black cloth.

From the imperfect means Franz had of judging, he could only
come to one conclusion, -- that the person whom he was thus
watching certainly belonged to no inferior station of life.
Some few minutes had elapsed, and the stranger began to show
manifest signs of impatience, when a slight noise was heard
outside the aperture in the roof, and almost immediately a
dark shadow seemed to obstruct the flood of light that had
entered it, and the figure of a man was clearly seen gazing
with eager scrutiny on the immense space beneath him; then,
as his eye caught sight of him in the mantle, he grasped a
floating mass of thickly matted boughs, and glided down by
their help to within three or four feet of the ground, and
then leaped lightly on his feet. The man who had performed
this daring act with so much indifference wore the
Transtevere costume. "I beg your excellency's pardon for
keeping you waiting," said the man, in the Roman dialect,
"but I don't think I'm many minutes after my time, ten
o'clock his just struck on the Lateran."

"Say not a word about being late," replied the stranger in
purest Tuscan; "'tis I who am too soon. But even if you had
caused me to wait a little while, I should have felt quite
sure that the delay was not occasioned by any fault of
yours."

"Your excellency is perfectly right in so thinking," said
the man; "I came here direct from the Castle of St. Angelo,
and I had an immense deal of trouble before I could get a
chance to speak to Beppo."

"And who is Beppo?"

"Oh, Beppo is employed in the prison, and I give him so much
a year to let me know what is going on within his holiness's
castle."

"Indeed! You are a provident person, I see."

"Why, you see, no one knows what may happen. Perhaps some of
these days I may be entrapped, like poor Peppino and may be
very glad to have some little nibbling mouse to gnaw the
meshes of my net, and so help me out of prison."

"Briefly, what did you glean?"

"That two executions of considerable interest will take
place the day after to-morrow at two o'clock, as is
customary at Rome at the commencement of all great
festivals. One of the culprits will be mazzolato;* he is an
atrocious villain, who murdered the priest who brought him
up, and deserves not the smallest pity. The other sufferer
is sentenced to be decapitato;** and he, your excellency, is
poor Peppino."

* Knocked on the head.
** Beheaded.

"The fact is, that you have inspired not only the pontifical
government, but also the neighboring states, with such
extreme fear, that they are glad of all opportunity of
making an example."

"But Peppino did not even belong to my band: he was merely a
poor shepherd, whose only crime consisted in furnishing us
with provisions."

"Which makes him your accomplice to all intents and
purposes. But mark the distinction with which he is treated;
instead of being knocked on the head as you would be if once
they caught hold of you, he is simply sentenced to be
guillotined, by which means, too, the amusements of the day
are diversified, and there is a spectacle to please every
spectator."

"Without reckoning the wholly unexpected one I am preparing
to surprise them with."

"My good friend," said the man in the cloak, "excuse me for
saying that you seem to me precisely in the mood to commit
some wild or extravagant act."

"Perhaps I am; but one thing I have resolved on, and that
is, to stop at nothing to restore a poor devil to liberty,
who has got into this scrape solely from having served me. I
should hate and despise myself as a coward did I desert the
brave fellow in his present extremity."

"And what do you mean to do?"

"To surround the scaffold with twenty of my best men, who,
at a signal from me, will rush forward directly Peppino is
brought for execution, and, by the assistance of their
stilettos, drive back the guard, and carry off the
prisoner."

"That seems to me as hazardous as uncertain, and convinces
me that my scheme is far better than yours."

"And what is your excellency's project?"

"Just this. I will so advantageously bestow 2,000 piastres,
that the person receiving them shall obtain a respite till
next year for Peppino; and during that year, another
skilfully placed 1,000 piastres will afford him the means of
escaping from his prison."

"And do you feel sure of succeeding?"

"Pardieu!" exclaimed the man in the cloak, suddenly
expressing himself in French.

"What did your excellency say?" inquired the other.

"I said, my good fellow, that I would do more single-handed
by the means of gold than you and all your troop could
effect with stilettos, pistols, carbines, and blunderbusses
included. Leave me, then, to act, and have no fears for the
result."

"At least, there can be no harm in myself and party being in
readiness, in case your excellency should fail."

"None whatever. Take what precautions you please, if it is
any satisfaction to you to do so; but rely upon my obtaining
the reprieve I seek."

"Remember, the execution is fixed for the day after
tomorrow, and that you have but one day to work in."

"And what of that? Is not a day divided into twenty-four
hours, each hour into sixty minutes, and every minute
sub-divided into sixty seconds? Now in 86,400 seconds very
many things can be done."

"And how shall I know whether your excellency has succeeded
or not."

"Oh, that is very easily arranged. I have engaged the three
lower windows at the Cafe Rospoli; should I have obtained
the requisite pardon for Peppino, the two outside windows
will be hung with yellow damasks, and the centre with white,
having a large cross in red marked on it."

"And whom will you employ to carry the reprieve to the
officer directing the execution?"

"Send one of your men, disguised as a penitent friar, and I
will give it to him. His dress will procure him the means of
approaching the scaffold itself, and he will deliver the
official order to the officer, who, in his turn, will hand
it to the executioner; in the meantime, it will be as well
to acquaint Peppino with what we have determined on, if it
be only to prevent his dying of fear or losing his senses,
because in either case a very useless expense will have been
incurred."

"Your excellency," said the man, "you are fully persuaded of
my entire devotion to you, are you not?"

"Nay, I flatter myself that there can be no doubt of it,"
replied the cavalier in the cloak.

"Well, then, only fulfil your promise of rescuing Peppino,
and henceforward you shall receive not only devotion, but
the most absolute obedience from myself and those under me
that one human being can render to another."

"Have a care how far you pledge yourself, my good friend,
for I may remind you of your promise at some, perhaps, not
very distant period, when I, in my turn, may require your
aid and influence."

"Let that day come sooner or later, your excellency will
find me what I have found you in this my heavy trouble; and
if from the other end of the world you but write me word to
do such or such a thing, you may regard it as done, for done
it shall be, on the word and faith of" --

"Hush!" interrupted the stranger; "I hear a noise."

"'Tis some travellers, who are visiting the Colosseum by
torchlight."

"'Twere better we should not be seen together; those guides
are nothing but spies, and might possibly recognize you;
and, however I may be honored by your friendship, my worthy
friend, if once the extent of our intimacy were known, I am
sadly afraid both my reputation and credit would suffer
thereby."

"Well, then, if you obtain the reprieve?"

"The middle window at the Cafe Rospoli will be hung with
white damask, bearing a red cross."

"And if you fail?"

"Then all three windows will have yellow draperies."

"And then?"

"And then, my good fellow, use your daggers in any way you
please, and I further promise you to be there as a spectator
of your prowess."

"We understand each other perfectly, then. Adieu, your
excellency; depend upon me as firmly as I do upon you."

Saying these words, the Transteverin disappeared down the
staircase, while his companion, muffling his features more
closely than before in the folds of his mantle, passed
almost close to Franz, and descended to the arena by an
outward flight of steps. The next minute Franz heard himself
called by Albert, who made the lofty building re-echo with
the sound of his friend's name. Franz, however, did not obey
the summons till he had satisfied himself that the two men
whose conversation he had overheard were at a sufficient
distance to prevent his encountering them in his descent. In
ten minutes after the strangers had departed, Franz was on
the road to the Piazza de Spagni, listening with studied
indifference to the learned dissertation delivered by
Albert, after the manner of Pliny and Calpurnius, touching
the iron-pointed nets used to prevent the ferocious beasts
from springing on the spectators. Franz let him proceed
without interruption, and, in fact, did not hear what was
said; he longed to be alone, and free to ponder over all
that had occurred. One of the two men, whose mysterious
meeting in the Colosseum he had so unintentionally
witnessed, was an entire stranger to him, but not so the
other; and though Franz had been unable to distinguish his
features, from his being either wrapped in his mantle or
obscured by the shadow, the tones of his voice had made too
powerful an impression on him the first time he had heard
them for him ever again to forget them, hear them when or
where he might. It was more especially when this man was
speaking in a manner half jesting, half bitter, that Franz's
ear recalled most vividly the deep sonorous, yet
well-pitched voice that had addressed him in the grotto of
Monte Cristo, and which he heard for the second time amid
the darkness and ruined grandeur of the Colosseum. And the
more he thought, the more entire was his conviction, that
the person who wore the mantle was no other than his former
host and entertainer, "Sinbad the Sailor."

Under any other circumstances, Franz would have found it
impossible to resist his extreme curiosity to know more of
so singular a personage, and with that intent have sought to
renew their short acquaintance; but in the present instance,
the confidential nature of the conversation he had overheard
made him, with propriety, judge that his appearance at such
a time would be anything but agreeable. As we have seen,
therefore, he permitted his former host to retire without
attempting a recognition, but fully promising himself a rich
indemnity for his present forbearance should chance afford
him another opportunity. In vain did Franz endeavor to
forget the many perplexing thoughts which assailed him; in
vain did he court the refreshment of sleep. Slumber refused
to visit his eyelids and the night was passed in feverish
contemplation of the chain of circumstances tending to prove
the identity of the mysterious visitant to the Colosseum
with the inhabitant of the grotto of Monte Cristo; and the
more he thought, the firmer grew his opinion on the subject.
Worn out at length, he fell asleep at daybreak, and did not
awake till late. Like a genuine Frenchman, Albert had
employed his time in arranging for the evening's diversion;
he had sent to engage a box at the Teatro Argentino; and
Franz, having a number of letters to write, relinquished the
carriage to Albert for the whole of the day. At five o'clock
Albert returned, delighted with his day's work; he had been
occupied in leaving his letters of introduction, and had
received in return more invitations to balls and routs than
it would be possible for him to accept; besides this, he had
seen (as he called it) all the remarkable sights at Rome.
Yes, in a single day he had accomplished what his more
serious-minded companion would have taken weeks to effect.
Neither had he neglected to ascertain the name of the piece
to be played that night at the Teatro Argentino, and also
what performers appeared in it.

The opera of "Parisina" was announced for representation,
and the principal actors were Coselli, Moriani, and La
Specchia. The young men, therefore, had reason to consider
themselves fortunate in having the opportunity of hearing
one of the best works by the composer of "Lucia di
Lammermoor," supported by three of the most renowned
vocalists of Italy. Albert had never been able to endure the
Italian theatres, with their orchestras from which it is
impossible to see, and the absence of balconies, or open
boxes; all these defects pressed hard on a man who had had
his stall at the Bouffes, and had shared a lower box at the
Opera. Still, in spite of this, Albert displayed his most
dazzling and effective costumes each time he visited the
theatres; but, alas, his elegant toilet was wholly thrown
away, and one of the most worthy representatives of Parisian
fashion had to carry with him the mortifying reflection that
he had nearly overrun Italy without meeting with a single
adventure.

Sometimes Albert would affect to make a joke of his want of
success; but internally he was deeply wounded, and his
self-love immensely piqued, to think that Albert de Morcerf,
the most admired and most sought after of any young person
of his day, should thus be passed over, and merely have his
labor for his pains. And the thing was so much the more
annoying, as, according to the characteristic modesty of a
Frenchman, Albert had quitted Paris with the full conviction
that he had only to show himself in Italy to carry all
before him, and that upon his return he should astonish the
Parisian world with the recital of his numerous
love-affairs. Alas, poor Albert! none of those interesting
adventures fell in his way; the lovely Genoese, Florentines,
and Neapolitans were all faithful, if not to their husbands,
at least to their lovers, and thought not of changing even
for the splendid appearance of Albert de Morcerf; and all he
gained was the painful conviction that the ladies of Italy
have this advantage over those of France, that they are
faithful even in their infidelity. Yet he could not restrain
a hope that in Italy, as elsewhere, there might be an
exception to the general rule. Albert, besides being an
elegant, well-looking young man, was also possessed of
considerable talent and ability; moreover, he was a viscount
-- a recently created one, certainly, but in the present day
it is not necessary to go as far back as Noah in tracing a
descent, and a genealogical tree is equally estimated,
whether dated from 1399 or merely 1815; but to crown all
these advantages, Albert de Morcerf commanded an income of
50,000 livres, a more than sufficient sum to render him a
personage of considerable importance in Paris. It was
therefore no small mortification to him to have visited most
of the principal cities in Italy without having excited the
most trifling observation. Albert, however, hoped to
indemnify himself for all these slights and indifferences
during the Carnival, knowing full well that among the
different states and kingdoms in which this festivity is
celebrated, Rome is the spot where even the wisest and
gravest throw off the usual rigidity of their lives, and
deign to mingle in the follies of this time of liberty and
relaxation.

The Carnival was to commence on the morrow; therefore Albert
had not an instant to lose in setting forth the programme of
his hopes, expectations, and claims to notice. With this
design he had engaged a box in the most conspicuous part of
the theatre, and exerted himself to set off his personal
attractions by the aid of the most rich and elaborate
toilet. The box taken by Albert was in the first circle;
although each of the three tiers of boxes is deemed equally
aristocratic, and is, for this reason, generally styled the
"nobility's boxes," and although the box engaged for the two
friends was sufficiently capacious to contain at least a
dozen persons, it had cost less than would be paid at some
of the French theatres for one admitting merely four
occupants. Another motive had influenced Albert's selection
of his seat, -- who knew but that, thus advantageously
placed, he might not in truth attract the notice of some
fair Roman, and an introduction might ensue that would
procure him the offer of a seat in a carriage, or a place in
a princely balcony, from which he might behold the gayeties
of the Carnival? These united considerations made Albert
more lively and anxious to please than he had hitherto been.
Totally disregarding the business of the stage, he leaned
from his box and began attentively scrutinizing the beauty
of each pretty woman, aided by a powerful opera-glass; but,
alas, this attempt to attract notice wholly failed; not even
curiosity had been excited, and it was but too apparent that
the lovely creatures, into whose good graces he was desirous
of stealing, were all so much engrossed with themselves,
their lovers, or their own thoughts, that they had not so
much as noticed him or the manipulation of his glass.

The truth was, that the anticipated pleasures of the
Carnival, with the "holy week" that was to succeed it, so
filled every fair breast, as to prevent the least attention
being bestowed even on the business of the stage. The actors
made their entries and exits unobserved or unthought of; at
certain conventional moments, the spectators would suddenly
cease their conversation, or rouse themselves from their
musings, to listen to some brilliant effort of Moriani's, a
well-executed recitative by Coselli, or to join in loud
applause at the wonderful powers of La Specchia; but that
momentary excitement over, they quickly relapsed into their
former state of preoccupation or interesting conversation.
Towards the close of the first act, the door of a box which
had been hitherto vacant was opened; a lady entered to whom
Franz had been introduced in Paris, where indeed, he had
imagined she still was. The quick eye of Albert caught the
involuntary start with which his friend beheld the new
arrival, and, turning to him, he said hastily, "Do you know
the woman who has just entered that box?"

"Yes; what do you think of her?"

"Oh, she is perfectly lovely -- what a complexion! And such
magnificent hair! Is she French?"

"No; a Venetian."

"And her name is -- "

"Countess G---- ."

"Ah, I know her by name!" exclaimed Albert; "she is said to
possess as much wit and cleverness as beauty. I was to have
been presented to her when I met her at Madame Villefort's
ball."

"Shall I assist you in repairing your negligence?" asked
Franz.

"My dear fellow, are you really on such good terms with her
as to venture to take me to her box?"

"Why, I have only had the honor of being in her society and
conversing with her three or four times in my life; but you
know that even such an acquaintance as that might warrant my
doing what you ask." At that instant, the countess perceived
Franz, and graciously waved her hand to him, to which he
replied by a respectful inclination of the head. "Upon my
word," said Albert, "you seem to be on excellent terms with
the beautiful countess."

"You are mistaken in thinking so," returned Franz calmly;
"but you merely fall into the same error which leads so many
of our countrymen to commit the most egregious blunders, --
I mean that of judging the habits and customs of Italy and
Spain by our Parisian notions; believe me, nothing is more
fallacious than to form any estimate of the degree of
intimacy you may suppose existing among persons by the
familiar terms they seem upon; there is a similarity of
feeling at this instant between ourselves and the countess
-- nothing more."

"Is there, indeed, my good fellow? Pray tell me, is it
sympathy of heart?"

"No; of taste," continued Franz gravely.

"And in what manner has this congeniality of mind been
evinced?"

"By the countess's visiting the Colosseum, as we did last
night, by moonlight, and nearly alone."

"You were with her, then?"

"I was."

"And what did you say to her?"

"Oh, we talked of the illustrious dead of whom that
magnificent ruin is a glorious monument!"

"Upon my word," cried Albert, "you must have been a very
entertaining companion alone, or all but alone, with a
beautiful woman in such a place of sentiment as the
Colosseum, and yet to find nothing better a talk about than
the dead! All I can say is, if ever I should get such a
chance, the living should be my theme."

"And you will probably find your theme ill-chosen."

"But," said Albert, breaking in upon his discourse, "never
mind the past; let us only remember the present. Are you not
going to keep your promise of introducing me to the fair
subject of our remarks?"

"Certainly, directly the curtain falls on the stage."

"What a confounded time this first act takes. I believe, on
my soul, that they never mean to finish it."

"Oh, yes, they will; only listen to that charming finale.
How exquisitely Coselli sings his part."

"But what an awkward, inelegant fellow he is."

"Well, then, what do you say to La Specchia? Did you ever
see anything more perfect than her acting?"

"Why, you know, my dear fellow, when one has been accustomed
to Malibran and Sontag, such singers as these don't make the
same impression on you they perhaps do on others."

"At least, you must admire Moriani's style and execution."

"I never fancied men of his dark, ponderous appearance
singing with a voice like a woman's."

"My good friend," said Franz, turning to him, while Albert
continued to point his glass at every box in the theatre,
"you seem determined not to approve; you are really too
difficult to please." The curtain at length fell on the
performances, to the infinite satisfaction of the Viscount
of Morcerf, who seized his hat, rapidly passed his fingers
through his hair, arranged his cravat and wristbands, and
signified to Franz that he was waiting for him to lead the
way. Franz, who had mutely interrogated the countess, and
received from her a gracious smile in token that he would be
welcome, sought not to retard the gratification of Albert's
eager impatience, but began at once the tour of the house,
closely followed by Albert, who availed himself of the few
minutes required to reach the opposite side of the theatre
to settle the height and smoothness of his collar, and to
arrange the lappets of his coat. This important task was
just completed as they arrived at the countess's box. At the
knock, the door was immediately opened, and the young man
who was seated beside the countess, in obedience to the
Italian custom, instantly rose and surrendered his place to
the strangers, who, in turn, would be expected to retire
upon the arrival of other visitors.

Franz presented Albert as one of the most distinguished
young men of the day, both as regarded his position in
society and extraordinary talents; nor did he say more than
the truth, for in Paris and the circle in which the viscount
moved, he was looked upon and cited as a model of
perfection. Franz added that his companion, deeply grieved
at having been prevented the honor of being presented to the
countess during her sojourn in Paris, was most anxious to
make up for it, and had requested him (Franz) to remedy the
past misfortune by conducting him to her box, and concluded
by asking pardon for his presumption in having taken it upon
himself to do so. The countess, in reply, bowed gracefully
to Albert, and extended her hand with cordial kindness to
Franz; then, inviting Albert to take the vacant seat beside
her, she recommended Franz to take the next best, if he
wished to view the ballet, and pointed to the one behind her
own chair. Albert was soon deeply engrossed in discoursing
upon Paris and Parisian matters, speaking to the countess of
the various persons they both knew there. Franz perceived
how completely he was in his element; and, unwilling to
interfere with the pleasure he so evidently felt, took up
Albert's glass, and began in his turn to survey the
audience. Sitting alone, in the front of a box immediately
opposite, but situated on the third row, was a woman of
exquisite beauty, dressed in a Greek costume, which
evidently, from the ease and grace with which she wore it,
was her national attire. Behind her, but in deep shadow, was
the outline of a masculine figure; but the features of this
latter personage it was not possible to distinguish. Franz
could not forbear breaking in upon the apparently
interesting conversation passing between the countess and
Albert, to inquire of the former if she knew who was the
fair Albanian opposite, since beauty such as hers was well
worthy of being observed by either sex. "All I can tell
about her," replied the countess, "is, that she has been at
Rome since the beginning of the season; for I saw her where
she now sits the very first night of the season, and since
then she has never missed a performance. Sometimes she is
accompanied by the person who is now with her, and at others
she is merely attended by a black servant."

"And what do you think of her personal appearance?"

"Oh, I consider her perfectly lovely -- she is just my idea
of what Medora must have been."

Franz and the countess exchanged a smile, and then the
latter resumed her conversation with Albert, while Franz
returned to his previous survey of the house and company.
The curtain rose on the ballet, which was one of those
excellent specimens of the Italian school, admirably
arranged and put on the stage by Henri, who has established
for himself a great reputation throughout Italy for his
taste and skill in the choregraphic art -- one of those
masterly productions of grace, method, and elegance in which
the whole corps de ballet, from the principal dancers to the
humblest supernumerary, are all engaged on the stage at the
same time; and a hundred and fifty persons may be seen
exhibiting the same attitude, or elevating the same arm or
leg with a simultaneous movement, that would lead you to
suppose that but one mind, one act of volition, influenced
the moving mass -- the ballet was called "Poliska." However
much the ballet might have claimed his attention, Franz was
too deeply occupied with the beautiful Greek to take any
note of it; while she seemed to experience an almost
childlike delight in watching it, her eager, animated looks
contrasting strongly with the utter indifference of her
companion, who, during the whole time the piece lasted,
never even moved, not even when the furious, crashing din
produced by the trumpets, cymbals, and Chinese bells sounded
their loudest from the orchestra. Of this he took no heed,
but was, as far as appearances might be trusted, enjoying
soft repose and bright celestial dreams. The ballet at
length came to a close, and the curtain fell amid the loud,
unanimous plaudits of an enthusiastic and delighted
audience.

Owing to the very judicious plan of dividing the two acts of
the opera with a ballet, the pauses between the performances
are very short, the singers in the opera having time to
repose themselves and change their costume, when necessary,
while the dancers are executing their pirouettes and
exhibiting their graceful steps. The overture to the second
act began; and, at the first sound of the leader's bow
across his violin, Franz observed the sleeper slowly arise
and approach the Greek girl, who turned around to say a few
words to him, and then, leaning forward again on the railing
of her box, she became as absorbed as before in what was
going on. The countenance of the person who had addressed
her remained so completely in the shade, that, though Franz
tried his utmost, he could not distinguish a single feature.
The curtain rose, and the attention of Franz was attracted
by the actors; and his eyes turned from the box containing
the Greek girl and her strange companion to watch the
business of the stage.

Most of my readers are aware that the second act of
"Parisina" opens with the celebrated and effective duet in
which Parisina, while sleeping, betrays to Azzo the secret
of her love for Ugo. The injured husband goes through all
the emotions of jealousy, until conviction seizes on his
mind, and then, in a frenzy of rage and indignation, he
awakens his guilty wife to tell her that he knows her guilt
and to threaten her with his vengeance. This duet is one of
the most beautiful, expressive and terrible conceptions that
has ever emanated from the fruitful pen of Donizetti. Franz
now listened to it for the third time; yet it's notes, so
tenderly expressive and fearfully grand as the wretched
husband and wife give vent to their different griefs and
passions, thrilled through the soul of Franz with an effect
equal to his first emotions upon hearing it. Excited beyond
his usual calm demeanor, Franz rose with the audience, and
was about to join the loud, enthusiastic applause that
followed; but suddenly his purpose was arrested, his hands
fell by his sides, and the half-uttered "bravos" expired on
his lips. The occupant of the box in which the Greek girl
sat appeared to share the universal admiration that
prevailed; for he left his seat to stand up in front, so
that, his countenance being fully revealed, Franz had no
difficulty in recognizing him as the mysterious inhabitant
of Monte Cristo, and the very same person he had encountered
the preceding evening in the ruins of the Colosseum, and
whose voice and figure had seemed so familiar to him. All
doubt of his identity was now at an end; his singular host
evidently resided at Rome. The surprise and agitation
occasioned by this full confirmation of Franz's former
suspicion had no doubt imparted a corresponding expression
to his features; for the countess, after gazing with a
puzzled look at his face, burst into a fit of laughter, and
begged to know what had happened. "Countess," returned
Franz, totally unheeding her raillery, "I asked you a short
time since if you knew any particulars respecting the
Albanian lady opposite; I must now beseech you to inform me
who and what is her husband?"

"Nay," answered the countess, "I know no more of him than
yourself."

"Perhaps you never before noticed him?"

"What a question -- so truly French! Do you not know that we
Italians have eyes only for the man we love?"

"True," replied Franz.

"All I can say is," continued the countess, taking up the
lorgnette, and directing it toward the box in question,
"that the gentleman, whose history I am unable to furnish,
seems to me as though he had just been dug up; he looks more
like a corpse permitted by some friendly grave-digger to
quit his tomb for a while, and revisit this earth of ours,
than anything human. How ghastly pale he is!"

"Oh, he is always as colorless as you now see him," said
Franz.

"Then you know him?" almost screamed the countess. "Oh, pray
do, for heaven's sake, tell us all about -- is he a vampire,
or a resuscitated corpse, or what?"

"I fancy I have seen him before; and I even think he
recognizes me."

"And I can well understand," said the countess, shrugging up
her beautiful shoulders, as though an involuntary shudder
passed through her veins, "that those who have once seen
that man will never be likely to forget him." The sensation
experienced by Franz was evidently not peculiar to himself;
another, and wholly uninterested person, felt the same
unaccountable awe and misgiving. "Well." inquired Franz,
after the countess had a second time directed her lorgnette
at the box, "what do you think of our opposite neighbor?"

"Why, that he is no other than Lord Ruthven himself in a
living form." This fresh allusion to Byron* drew a smile to
Franz's countenance; although he could but allow that if
anything was likely to induce belief in the existence of
vampires, it would be the presence of such a man as the
mysterious personage before him.

"I must positively find out who and what he is," said Franz,
rising from his seat.

"No, no," cried the countess; "you must not leave me. I
depend upon you to escort me home. Oh, indeed, I cannot
permit you to go."

* Scott, of course: "The son of an ill-fated sire, and the
father of a yet more unfortunate family, bore in his looks
that cast of inauspicious melancholy by which the
physiognomists of that time pretended to distinguish those
who were predestined to a violent and unhappy death." -- The
Abbot, ch. xxii.

"Is it possible," whispered Franz, "that you entertain any
fear?"

"I'll tell you," answered the countess. "Byron had the most
perfect belief in the existence of vampires, and even
assured me that he had seen them. The description he gave me
perfectly corresponds with the features and character of the
man before us. Oh, he is the exact personification of what I
have been led to expect! The coal-black hair, large bright,
glittering eyes, in which a wild, unearthly fire seems
burning, -- the same ghastly paleness. Then observe, too,
that the woman with him is altogether unlike all others of
her sex. She is a foreigner -- a stranger. Nobody knows who
she is, or where she comes from. No doubt she belongs to the
same horrible race he does, and is, like himself, a dealer
in magical arts. I entreat of you not to go near him -- at
least to-night; and if to-morrow your curiosity still
continues as great, pursue your researches if you will; but
to-night you neither can nor shall. For that purpose I mean
to keep you all to myself." Franz protested he could not
defer his pursuit till the following day, for many reasons.
"Listen to me," said the countess, "and do not be so very
headstrong. I am going home. I have a party at my house
to-night, and therefore cannot possibly remain till the end
of the opera. Now, I cannot for one instant believe you so
devoid of gallantry as to refuse a lady your escort when she
even condescends to ask you for it."

There was nothing else left for Franz to do but to take up
his hat, open the door of the box, and offer the countess
his arm. It was quite evident, by her manner, that her
uneasiness was not feigned; and Franz himself could not
resist a feeling of superstitious dread -- so much the
stronger in him, as it arose from a variety of corroborative
recollections, while the terror of the countess sprang from
an instinctive belief, originally created in her mind by the
wild tales she had listened to till she believed them
truths. Franz could even feel her arm tremble as he assisted
her into the carriage. Upon arriving at her hotel, Franz
perceived that she had deceived him when she spoke of
expecting company; on the contrary, her own return before
the appointed hour seemed greatly to astonish the servants.
"Excuse my little subterfuge," said the countess, in reply
to her companion's half-reproachful observation on the
subject; "but that horrid man had made me feel quite
uncomfortable, and I longed to be alone, that I might
compose my startled mind." Franz essayed to smile. "Nay,"
said she, "do not smile; it ill accords with the expression
of your countenance, and I am sure it does not spring from
your heart. However, promise me one thing."

"What is it?"

"Promise me, I say."

"I will do anything you desire, except relinquish my
determination of finding out who this man is. I have more
reasons than you can imagine for desiring to know who he is,
from whence he came, and whither he is going."

"Where he comes from I am ignorant; but I can readily tell
you where he is going to, and that is down below, without
the least doubt."

"Let us only speak of the promise you wished me to make,"
said Franz.

"Well, then, you must give me your word to return
immediately to your hotel, and make no attempt to follow
this man to-night. There are certain affinities between the
persons we quit and those we meet afterwards. For heaven's
sake, do not serve as a conductor between that man and me.
Pursue your chase after him to-morrow as eagerly as you
please; but never bring him near me, if you would not see me
die of terror. And now, good-night; go to your rooms, and
try to sleep away all recollections of this evening. For my
own part, I am quite sure I shall not be able to close my
eyes." So saying, the countess quitted Franz, leaving him
unable to decide whether she were merely amusing herself at
his expense, or whether her fears and agitations were
genuine.

Upon his return to the hotel, Franz found Albert in his
dressing-gown and slippers, listlessly extended on a sofa,
smoking a cigar. "My dear fellow." cried he, springing up,
"is it really you? Why, I did not expect to see you before
to-morrow."

"My dear Albert," replied Franz, "I am glad of this
opportunity to tell you, once and forever, that you
entertain a most erroneous notion concerning Italian women.
I should have thought the continual failures you have met
with in all your own love affairs might have taught you
better by this time."

"Upon my soul, these women would puzzle the very Devil to
read them aright. Why, here -- they give you their hand --
they press yours in return -- they keep up a whispering
conversation -- permit you to accompany them home. Why, if a
Parisian were to indulge in a quarter of these marks of
flattering attention, her reputation would be gone forever."

"And the very reason why the women of this fine country put
so little restraint on their words and actions, is because
they live so much in public, and have really nothing to
conceal. Besides, you must have perceived that the countess
was really alarmed."

"At what? At the sight of that respectable gentleman sitting
opposite to us in the same box with the lovely Greek girl?
Now, for my part, I met them in the lobby after the
conclusion of the piece; and hang me, if I can guess where
you took your notions of the other world from. I can assure
you that this hobgoblin of yours is a deuced fine-looking
fellow -- admirably dressed. Indeed, I feel quite sure, from
the cut of his clothes, they are made by a first-rate Paris
tailor -- probably Blin or Humann. He was rather too pale,
certainly; but then, you know, paleness is always looked
upon as a strong proof of aristocratic descent and
distinguished breeding." Franz smiled; for he well
remembered that Albert particularly prided himself on the
entire absence of color in his own complexion.

"Well, that tends to confirm my own ideas," said Franz,
"that the countess's suspicions were destitute alike of
sense and reason. Did he speak in your hearing? and did you
catch any of his words?"

"I did; but they were uttered in the Romaic dialect. I knew
that from the mixture of Greek words. I don't know whether I
ever told you that when I was at college I was rather --
rather strong in Greek."

"He spoke the Romaic language, did he?"

"I think so."

"That settles it," murmured Franz. "'Tis he, past all
doubt."

"What do you say?"

"Nothing, nothing. But tell me, what were you thinking about
when I came in?"

"Oh, I was arranging a little surprise for you."

"Indeed. Of what nature?"

"Why, you know it is quite impossible to procure a
carriage."

"Certainly; and I also know that we have done all that human
means afforded to endeavor to get one."

"Now, then, in this difficulty a bright idea has flashed
across my brain." Franz looked at Albert as though he had
not much confidence in the suggestions of his imagination.
"I tell you what, Sir Franz," cried Albert, "you deserve to
be called out for such a misgiving and incredulous glance as
that you were pleased to bestow on me just now."

"And I promise to give you the satisfaction of a gentleman
if your scheme turns out as ingenious as you assert."

"Well, then, hearken to me."

"I listen."

"You agree, do you not, that obtaining a carriage is out of
the question?"

"I do."

"Neither can we procure horses?"

"True; we have offered any sum, but have failed."

"Well, now, what do you say to a cart? I dare say such a
thing might be had."

"Very possibly."

"And a pair of oxen?"

"As easily found as the cart."

"Then you see, my good fellow, with a cart and a couple of
oxen our business can be managed. The cart must be
tastefully ornamented; and if you and I dress ourselves as
Neapolitan reapers, we may get up a striking tableau, after
the manner of that splendid picture by Leopold Robert. It
would add greatly to the effect if the countess would join
us in the costume of a peasant from Puzzoli or Sorrento. Our
group would then be quite complete, more especially as the
countess is quite beautiful enough to represent a madonna."

"Well," said Franz, "this time, Albert, I am bound to give
you credit for having hit upon a most capital idea."

"And quite a national one, too," replied Albert with
gratified pride. "A mere masque borrowed from our own
festivities. Ha, ha, ye Romans! you thought to make us,
unhappy strangers, trot at the heels of your processions,
like so many lazzaroni, because no carriages or horses are
to be had in your beggarly city. But you don't know us; when
we can't have one thing we invent another."

"And have you communicated your triumphant idea to anybody?"

"Only to our host. Upon my return home I sent for him, and I
then explained to him what I wished to procure. He assured
me that nothing would be easier than to furnish all I
desired. One thing I was sorry for; when I bade him have the
horns of the oxen gilded, he told me there would not be
time, as it would require three days to do that; so you see
we must do without this little superfluity."

"And where is he now?"

"Who?"

"Our host."

"Gone out in search of our equipage, by to-morrow it might
be too late."

"Then he will be able to give us an answer to-night."

"Oh, I expect him every minute." At this instant the door
opened, and the head of Signor Pastrini appeared.
"Permesso?" inquired he.

"Certainly -- certainly," cried Franz. "Come in, mine host."

"Now, then," asked Albert eagerly, "have you found the
desired cart and oxen?"

"Better than that!" replied Signor Pastrini, with the air of
a man perfectly well satisfied with himself.

"Take care, my worthy host," said Albert, "better is a sure
enemy to well."

"Let your excellencies only leave the matter to me,"
returned Signor Pastrini in a tone indicative of unbounded
self-confidence.

"But what have you done?" asked Franz. "Speak out, there's a
worthy fellow."

"Your excellencies are aware," responded the landlord,
swelling with importance, "that the Count of Monte Cristo is
living on the same floor with yourselves!"

"I should think we did know it," exclaimed Albert, "since it
is owing to that circumstance that we are packed into these
small rooms, like two poor students in the back streets of
Paris."

"When, then, the Count of Monte Cristo, hearing of the
dilemma in which you are placed, has sent to offer you seats
in his carriage and two places at his windows in the Palazzo
Rospoli." The friends looked at each other with unutterable
surprise.

"But do you think," asked Albert, "that we ought to accept
such offers from a perfect stranger?"

"What sort of person is this Count of Monte Cristo?" asked
Franz of his host. "A very great nobleman, but whether
Maltese or Sicilian I cannot exactly say; but this I know,
that he is noble as a Borghese and rich as a gold-mine."

"It seems to me," said Franz, speaking in an undertone to
Albert, "that if this person merited the high panegyrics of
our landlord, he would have conveyed his invitation through
another channel, and not permitted it to be brought to us in
this unceremonious way. He would have written -- or" --

At this instant some one knocked at the door. "Come in,"
said Franz. A servant, wearing a livery of considerable
style and richness, appeared at the threshold, and, placing
two cards in the landlord's hands, who forthwith presented
them to the two young men, he said, "Please to deliver
these, from the Count of Monte Cristo to Viscomte Albert de
Morcerf and M. Franz d'Epinay. The Count of Monte Cristo,"
continued the servant, "begs these gentlemen's permission to
wait upon them as their neighbor, and he will be honored by
an intimation of what time they will please to receive him."

"Faith, Franz," whispered Albert, "there is not much to find
fault with here."

"Tell the count," replied Franz, "that we will do ourselves
the pleasure of calling on him." The servant bowed and
retired.

"That is what I call an elegant mode of attack," said
Albert, "You were quite correct in what you said, Signor
Pastrini. The Count of Monte Cristo is unquestionably a man
of first-rate breeding and knowledge of the world."

"Then you accept his offer?" said the host.

"Of course we do," replied Albert. "Still, I must own I am
sorry to be obliged to give up the cart and the group of
reapers -- it would have produced such an effect! And were
it not for the windows at the Palazzo Rospoli, by way of
recompense for the loss of our beautiful scheme, I don't
know but what I should have held on by my original plan.
What say you, Franz?"

"Oh, I agree with you; the windows in the Palazzo Rospoli
alone decided me." The truth was, that the mention of two
places in the Palazzo Rospoli had recalled to Franz the
conversation he had overheard the preceding evening in the
ruins of the Colosseum between the mysterious unknown and
the Transteverin, in which the stranger in the cloak had
undertaken to obtain the freedom of a condemned criminal;
and if this muffled-up individual proved (as Franz felt sure
he would) the same as the person he had just seen in the
Teatro Argentino, then he should be able to establish his
identity, and also to prosecute his researches respecting
him with perfect facility and freedom. Franz passed the
night in confused dreams respecting the two meetings he had
already had with his mysterious tormentor, and in waking
speculations as to what the morrow would produce. The next
day must clear up every doubt; and unless his near neighbor
and would-be friend, the Count of Monte Cristo, possessed
the ring of Gyges, and by its power was able to render
himself invisible, it was very certain he could not escape
this time. Eight o'clock found Franz up and dressed, while
Albert, who had not the same motives for early rising, was
still soundly asleep. The first act of Franz was to summon
his landlord, who presented himself with his accustomed
obsequiousness.

"Pray, Signor Pastrini," asked Franz, "is not some execution
appointed to take place to-day?"

"Yes, your excellency; but if your reason for inquiry is
that you may procure a window to view it from, you are much
too late."

"Oh, no," answered Franz, "I had no such intention; and even
if I had felt a wish to witness the spectacle, I might have
done so from Monte Pincio -- could I not?"

"Ah!" exclaimed mine host, "I did not think it likely your
excellency would have chosen to mingle with such a rabble as
are always collected on that hill, which, indeed, they
consider as exclusively belonging to themselves."

"Very possibly I may not go," answered Franz; "but in case I
feel disposed, give me some particulars of to-day's
executions."

"What particulars would your excellency like to hear?"

"Why, the number of persons condemned to suffer, their
names, and description of the death they are to die."

"That happens just lucky, your excellency! Only a few
minutes ago they brought me the tavolettas."

"What are they?"

"Sort of wooden tablets hung up at the corners of streets
the evening before an execution, on which is pasted up a
paper containing the names of the condemned persons, their
crimes, and mode of punishment. The reason for so publicly
announcing all this is, that all good and faithful Catholics
may offer up their prayers for the unfortunate culprits,
and, above all, beseech of heaven to grant them a sincere
repentance."

"And these tablets are brought to you that you may add your
prayers to those of the faithful, are they?" asked Franz
somewhat incredulously.

"Oh, dear, no, your excellency! I have not time for
anybody's affairs but my own and those of my honorable
guests; but I make an agreement with the man who pastes up
the papers, and he brings them to me as he would the
playbills, that in case any person staying at my hotel
should like to witness an execution, he may obtain every
requisite information concerning the time and place etc."

"Upon my word, that is a most delicate attention on your
part, Signor Pastrini," cried Franz.

"Why, your excellency," returned the landlord, chuckling and
rubbing his hands with infinite complacency, "I think I may
take upon myself to say I neglect nothing to deserve the
support and patronage of the noble visitors to this poor
hotel."

"I see that plainly enough, my most excellent host, and you
may rely upon me to proclaim so striking a proof of your
attention to your guests wherever I go. Meanwhile, oblige me
by a sight of one of these tavolettas."

"Nothing can be easier than to comply with your excellency's
wish," said the landlord, opening the door of the chamber;
"I have caused one to be placed on the landing, close by
your apartment." Then, taking the tablet from the wall, he
handed it to Franz, who read as follows: --

"`The public is informed that on Wednesday, February 23d,
being the first day of the Carnival, executions will take
place in the Piazza del Popolo, by order of the Tribunal of
the Rota, of two persons, named Andrea Rondola, and Peppino,
otherwise called Rocca Priori; the former found guilty of
the murder of a venerable and exemplary priest, named Don
Cesare Torlini, canon of the church of St. John Lateran; and
the latter convicted of being an accomplice of the atrocious
and sanguinary bandit, Luigi Vampa, and his band. The
first-named malefactor will be subjected to the mazzuola,
the second culprit beheaded. The prayers of all good
Christians are entreated for these unfortunate men, that it
may please God to awaken them to a sense of their guilt, and
to grant them a hearty and sincere repentance for their
crimes.'"

This was precisely what Franz had heard the evening before
in the ruins of the Colosseum. No part of the programme
differed, -- the names of the condemned persons, their
crimes, and mode of punishment, all agreed with his previous
information. In all probability, therefore, the Transteverin
was no other than the bandit Luigi Vampa himself, and the
man shrouded in the mantle the same he had known as "Sinbad
the Sailor," but who, no doubt, was still pursuing his
philanthropic expedition in Rome, as he had already done at
Porto-Vecchio and Tunis. Time was getting on, however, and
Franz deemed it advisable to awaken Albert; but at the
moment he prepared to proceed to his chamber, his friend
entered the room in perfect costume for the day. The
anticipated delights of the Carnival had so run in his head
as to make him leave his pillow long before his usual hour.
"Now, my excellent Signor Pastrini," said Franz, addressing
his landlord, "since we are both ready, do you think we may
proceed at once to visit the Count of Monte Cristo?"

"Most assuredly," replied he. "The Count of Monte Cristo is
always an early riser; and I can answer for his having been
up these two hours."

"Then you really consider we shall not be intruding if we
pay our respects to him directly?"

"Oh, I am quite sure. I will take all the blame on myself if
you find I have led you into an error."

"Well, then, if it be so, are you ready, Albert?"

"Perfectly."

"Let us go and return our best thanks for his courtesy."

"Yes, let us do so." The landlord preceded the friends
across the landing, which was all that separated them from
the apartments of the count, rang at the bell, and, upon the
door being opened by a servant, said, "I signori Francesi."

The domestic bowed respectfully, and invited them to enter.
They passed through two rooms, furnished in a luxurious
manner they had not expected to see under the roof of Signor
Pastrini, and were shown into an elegantly fitted-up
drawing-room. The richest Turkey carpets covered the floor,
and the softest and most inviting couches, easy-chairs, and
sofas, offered their high-piled and yielding cushions to
such as desired repose or refreshment. Splendid paintings by
the first masters were ranged against the walls,
intermingled with magnificent trophies of war, while heavy
curtains of costly tapestry were suspended before the
different doors of the room. "If your excellencies will
please to be seated," said the man, "I will let the count
know that you are here."

And with these words he disappeared behind one of the
tapestried portieres. As the door opened, the sound of a
guzla reached the ears of the young men, but was almost
immediately lost, for the rapid closing of the door merely
allowed one rich swell of harmony to enter. Franz and Albert
looked inquiringly at each other, then at the gorgeous
furnishings of the apartment. Everything seemed more
magnificent at a second view than it had done at their first
rapid survey.

"Well," said Franz to his friend, "what think you of all
this?"

"Why, upon my soul, my dear fellow, it strikes me that our
elegant and attentive neighbor must either be some
successful stock-jobber who has speculated in the fall of
the Spanish funds, or some prince travelling incog."

"Hush, hush!" replied Franz; "we shall ascertain who and
what he is -- he comes!" As Franz spoke, he heard the sound
of a door turning on its hinges, and almost immediately
afterwards the tapestry was drawn aside, and the owner of
all these riches stood before the two young men. Albert
instantly rose to meet him, but Franz remained, in a manner,
spellbound on his chair; for in the person of him who had
just entered he recognized not only the mysterious visitant
to the Colosseum, and the occupant of the box at the Teatro
Argentino, but also his extraordinary host of Monte Cristo.

Chapter 35
La Mazzolata.

"Gentlemen," said the Count of Monte Cristo as he entered,
"I pray you excuse me for suffering my visit to be
anticipated; but I feared to disturb you by presenting
myself earlier at your apartments; besides, you sent me word
that you would come to me, and I have held myself at your
disposal."

"Franz and I have to thank you a thousand times, count,"
returned Albert; "you extricated us from a great dilemma,
and we were on the point of inventing a very fantastic
vehicle when your friendly invitation reached us."

"Indeed," returned the count, motioning the two young men to
sit down. "It was the fault of that blockhead Pastrini, that
I did not sooner assist you in your distress. He did not
mention a syllable of your embarrassment to me, when he
knows that, alone and isolated as I am, I seek every
opportunity of making the acquaintance of my neighbors. As
soon as I learned I could in any way assist you, I most
eagerly seized the opportunity of offering my services." The
two young men bowed. Franz had, as yet, found nothing to
say; he had come to no determination, and as nothing in the
count's manner manifested the wish that he should recognize
him, he did not know whether to make any allusion to the
past, or wait until he had more proof; besides, although
sure it was he who had been in the box the previous evening,
he could not be equally positive that this was the man he
had seen at the Colosseum. He resolved, therefore, to let
things take their course without making any direct overture
to the count. Moreover, he had this advantage, he was master
of the count's secret, while the count had no hold on Franz,
who had nothing to conceal. However, he resolved to lead the
conversation to a subject which might possibly clear up his
doubts.

"Count," said he, "you have offered us places in your
carriage, and at your windows in the Rospoli Palace. Can you
tell us where we can obtain a sight of the Piazza del
Popolo?"

"Ah," said the count negligently, looking attentively at
Morcerf, "is there not something like an execution upon the
Piazza del Popolo?"

"Yes," returned Franz, finding that the count was coming to
the point he wished.

"Stay, I think I told my steward yesterday to attend to
this; perhaps I can render you this slight service also." He
extended his hand, and rang the bell thrice. "Did you ever
occupy yourself," said he to Franz, "with the employment of
time and the means of simplifying the summoning your
servants? I have. When I ring once, it is for my valet;
twice, for my majordomo; thrice, for my steward, -- thus I
do not waste a minute or a word. Here he is." A man of about
forty-five or fifty entered, exactly resembling the smuggler
who had introduced Franz into the cavern; but he did not
appear to recognize him. It was evident he had his orders.
"Monsieur Bertuccio," said the count, "you have procured me
windows looking on the Piazza del Popolo, as I ordered you
yesterday "

"Yes, excellency," returned the steward; "but it was very
late."

"Did I not tell you I wished for one?" replied the count,
frowning.

"And your excellency has one, which was let to Prince
Lobanieff; but I was obliged to pay a hundred" --

"That will do -- that will do, Monsieur Bertuccio; spare
these gentlemen all such domestic arrangements. You have the
window, that is sufficient. Give orders to the coachman; and
be in readiness on the stairs to conduct us to it." The
steward bowed, and was about to quit the room. "Ah,"
continued the count, "be good enough to ask Pastrini if he
has received the tavoletta, and if he can send us an account
of the execution."

"There is no need to do that," said Franz, taking out his
tablets; "for I saw the account, and copied it down."

"Very well, you can retire, M. Bertuccio; but let us know
when breakfast is ready. These gentlemen," added he, turning
to the two friends, "will, I trust, do me the honor to
breakfast with me?"

"But, my dear count," said Albert, "we shall abuse your
kindness."

"Not at all; on the contrary, you will give me great
pleasure. You will, one or other of you, perhaps both,
return it to me at Paris. M. Bertuccio, lay covers for
three." He then took Franz's tablets out of his hand. "`We
announce,' he read, in the same tone with which he would
have read a newspaper, `that to-day, the 23d of February,
will be executed Andrea Rondolo, guilty of murder on the
person of the respected and venerated Don Cesare Torlini,
canon of the church of St. John Lateran, and Peppino, called
Rocca Priori, convicted of complicity with the detestable
bandit Luigi Vampa, and the men of his band.' Hum! `The
first will be mazzolato, the second decapitato.' Yes,"
continued the count, "it was at first arranged in this way;
but I think since yesterday some change has taken place in
the order of the ceremony."

"Really?" said Franz.

"Yes, I passed the evening at the Cardinal Rospigliosi's,
and there mention was made of something like a pardon for
one of the two men."

"For Andrea Rondolo?" asked Franz.

"No," replied the count, carelessly; "for the other (he
glanced at the tablets as if to recall the name), for
Peppino, called Rocca Priori. You are thus deprived of
seeing a man guillotined; but the mazzuola still remains,
which is a very curious punishment when seen for the first
time, and even the second, while the other, as you must
know, is very simple. The mandaia* never fails, never
trembles, never strikes thirty times ineffectually, like the
soldier who beheaded the Count of Chalais, and to whose
tender mercy Richelieu had doubtless recommended the
sufferer. Ah," added the count, in a contemptuous tone, "do
not tell me of European punishments, they are in the
infancy, or rather the old age, of cruelty."

* Guillotine.

"Really, count," replied Franz, "one would think that you
had studied the different tortures of all the nations of the
world."

"There are, at least, few that I have not seen," said the
count coldly.

"And you took pleasure in beholding these dreadful
spectacles?"

"My first sentiment was horror, the second indifference, the
third curiosity."

"Curiosity -- that is a terrible word."

"Why so? In life, our greatest preoccupation is death; is it
not then, curious to study the different ways by which the
soul and body can part; and how, according to their
different characters, temperaments, and even the different
customs of their countries, different persons bear the
transition from life to death, from existence to
annihilation? As for myself, I can assure you of one thing,
-- the more men you see die, the easier it becomes to die
yourself; and in my opinion, death may be a torture, but it
is not an expiation."

"I do not quite understand you," replied Franz; "pray
explain your meaning, for you excite my curiosity to the
highest pitch."

"Listen," said the count, and deep hatred mounted to his
face, as the blood would to the face of any other. "If a man
had by unheard-of and excruciating tortures destroyed your
father, your mother, your betrothed, -- a being who, when
torn from you, left a desolation, a wound that never closes,
in your breast, -- do you think the reparation that society
gives you is sufficient when it interposes the knife of the
guillotine between the base of the occiput and the trapezal
muscles of the murderer, and allows him who has caused us
years of moral sufferings to escape with a few moments of
physical pain?"

"Yes, I know," said Franz, "that human justice is
insufficient to console us; she can give blood in return for
blood, that is all; but you must demand from her only what
it is in her power to grant."

"I will put another case to you," continued the count; "that
where society, attacked by the death of a person, avenges
death by death. But are there not a thousand tortures by
which a man may be made to suffer without society taking the
least cognizance of them, or offering him even the
insufficient means of vengeance, of which we have just
spoken? Are there not crimes for which the impalement of the
Turks, the augers of the Persians, the stake and the brand
of the Iroquois Indians, are inadequate tortures, and which
are unpunished by society? Answer me, do not these crimes
exist?"

"Yes," answered Franz; "and it is to punish them that
duelling is tolerated."

"Ah, duelling," cried the count; "a pleasant manner, upon my
soul, of arriving at your end when that end is vengeance! A
man has carried off your mistress, a man has seduced your
wife, a man has dishonored your daughter; he has rendered
the whole life of one who had the right to expect from
heaven that portion of happiness God his promised to every
one of his creatures, an existence of misery and infamy; and
you think you are avenged because you send a ball through
the head, or pass a sword through the breast, of that man
who has planted madness in your brain, and despair in your
heart. And remember, moreover, that it is often he who comes
off victorious from the strife, absolved of all crime in the
eyes of the world. No, no," continued the count, "had I to
avenge myself, it is not thus I would take revenge."

"Then you disapprove of duelling? You would not fight a
duel?" asked Albert in his turn, astonished at this strange
theory.

"Oh, yes," replied the count; "understand me, I would fight
a duel for a trifle, for an insult, for a blow; and the more
so that, thanks to my skill in all bodily exercises, and the
indifference to danger I have gradually acquired, I should
be almost certain to kill my man. Oh, I would fight for such
a cause; but in return for a slow, profound, eternal
torture, I would give back the same, were it possible; an
eye for an eye, a tooth for a tooth, as the Orientalists
say, -- our masters in everything, -- those favored
creatures who have formed for themselves a life of dreams
and a paradise of realities."

"But," said Franz to the count, "with this theory, which
renders you at once judge and executioner of your own cause,
it would be difficult to adopt a course that would forever
prevent your falling under the power of the law. Hatred is
blind, rage carries you away; and he who pours out vengeance
runs the risk of tasting a bitter draught."

"Yes, if he be poor and inexperienced, not if he be rich and
skillful; besides, the worst that could happen to him would
be the punishment of which we have already spoken, and which
the philanthropic French Revolution has substituted for
being torn to pieces by horses or broken on the wheel. What
matters this punishment, as long as he is avenged? On my
word, I almost regret that in all probability this miserable
Peppino will not be beheaded, as you might have had an
opportunity then of seeing how short a time the punishment
lasts, and whether it is worth even mentioning; but, really
this is a most singular conversation for the Carnival,
gentlemen; how did it arise? Ah, I recollect, you asked for
a place at my window; you shall have it; but let us first
sit down to table, for here comes the servant to inform us
that breakfast is ready." As he spoke, a servant opened one
of the four doors of the apartment, saying -- "Al suo
commodo!" The two young men arose and entered the
breakfast-room.

During the meal, which was excellent, and admirably served,
Franz looked repeatedly at Albert, in order to observe the
impressions which he doubted not had been made on him by the
words of their entertainer; but whether with his usual
carelessness he had paid but little attention to him,
whether the explanation of the Count of Monte Cristo with
regard to duelling had satisfied him, or whether the events
which Franz knew of had had their effect on him alone, he
remarked that his companion did not pay the least regard to
them, but on the contrary ate like a man who for the last
four or five months had been condemned to partake of Italian
cookery -- that is, the worst in the world. As for the
count, he just touched the dishes; he seemed to fulfil the
duties of a host by sitting down with his guests, and
awaited their departure to be served with some strange or
more delicate food. This brought back to Franz, in spite of
himself, the recollection of the terror with which the count
had inspired the Countess G---- , and her firm conviction
that the man in the opposite box was a vampire. At the end
of the breakfast Franz took out his watch. "Well," said the
count, "what are you doing?"

"You must excuse us, count," returned Franz, "but we have
still much to do."

"What may that be?"

"We have no masks, and it is absolutely necessary to procure
them."

"Do not concern yourself about that; we have, I think, a
private room in the Piazza del Popolo; I will have whatever
costumes you choose brought to us, and you can dress there."

"After the execution?" cried Franz.

"Before or after, whichever you please."

"Opposite the scaffold?"

"The scaffold forms part of the fete."

"Count, I have reflected on the matter," said Franz, "I
thank you for your courtesy, but I shall content myself with
accepting a place in your carriage and at your window at the
Rospoli Palace, and I leave you at liberty to dispose of my
place at the Piazza del Popolo."

"But I warn you, you will lose a very curious sight,"
returned the count.

"You will describe it to me," replied Franz, "and the
recital from your lips will make as great an impression on
me as if I had witnessed it. I have more than once intended
witnessing an execution, but I have never been able to make
up my mind; and you, Albert?"

"I," replied the viscount, -- "I saw Castaing executed, but
I think I was rather intoxicated that day, for I had quitted
college the same morning, and we had passed the previous
night at a tavern."

"Besides, it is no reason because you have not seen an
execution at Paris, that you should not see one anywhere
else; when you travel, it is to see everything. Think what a
figure you will make when you are asked, `How do they
execute at Rome?' and you reply, `I do not know'! And,
besides, they say that the culprit is an infamous scoundrel,
who killed with a log of wood a worthy canon who had brought
him up like his own son. Diable, when a churchman is killed,
it should be with a different weapon than a log, especially
when he has behaved like a father. If you went to Spain,
would you not see the bull-fight? Well, suppose it is a
bull-fight you are going to see? Recollect the ancient
Romans of the Circus, and the sports where they killed three
hundred lions and a hundred men. Think of the eighty
thousand applauding spectators, the sage matrons who took
their daughters, and the charming Vestals who made with the
thumb of their white hands the fatal sign that said, `Come,
despatch the dying.'"

"Shall you go, then, Albert?" asked Franz.

"Ma foi, yes; like you, I hesitated, but the count's
eloquence decides me."

"Let us go, then," said Franz, "since you wish it; but on
our way to the Piazza del Popolo, I wish to pass through the
Corso. Is this possible, count?"

"On foot, yes, in a carriage, no."

"I will go on foot, then."

"Is it important that you should go that way?"

"Yes, there is something I wish to see."

"Well, we will go by the Corso. We will send the carriage to
wait for us on the Piazza del Popolo, by the Strada del
Babuino, for I shall be glad to pass, myself, through the
Corso, to see if some orders I have given have been
executed."

"Excellency," said a servant, opening the door, "a man in
the dress of a penitent wishes to speak to you."

"Ah, yes" returned the count, "I know who he is, gentlemen;
will you return to the salon? you will find good cigars on
the centre table. I will be with you directly." The young
men rose and returned into the salon, while the count, again
apologizing, left by another door. Albert, who was a great
smoker, and who had considered it no small sacrifice to be
deprived of the cigars of the Cafe de Paris, approached the
table, and uttered a cry of joy at perceiving some veritable
puros.

"Well," asked Franz, "what think you of the Count of Monte
Cristo?"

"What do I think?" said Albert, evidently surprised at such
a question from his companion; "I think he is a delightful
fellow, who does the honors of his table admirably; who has
travelled much, read much, is, like Brutus, of the Stoic
school, and moreover," added he, sending a volume of smoke
up towards the ceiling, "that he has excellent cigars." Such
was Albert's opinion of the count, and as Franz well knew
that Albert professed never to form an opinion except upon
long reflection, he made no attempt to change it. "But,"
said he, "did you observe one very singular thing?"

"What?"

"How attentively he looked at you."

"At me?"

"Yes." -- Albert reflected. "Ah," replied he, sighing, "that
is not very surprising; I have been more than a year absent
from Paris, and my clothes are of a most antiquated cut; the
count takes me for a provincial. The first opportunity you
have, undeceive him, I beg, and tell him I am nothing of the
kind." Franz smiled; an instant after the count entered.

"I am now quite at your service, gentlemen," said he. "The
carriage is going one way to the Piazza del Popolo, and we
will go another; and, if you please, by the Corso. Take some
more of these cigars, M. de Morcerf."

"With all my heart," returned Albert; "Italian cigars are
horrible. When you come to Paris, I will return all this."

"I will not refuse; I intend going there soon, and since you
allow me, I will pay you a visit. Come, we have not any time
to lose, it is half-past twelve -- let us set off." All
three descended; the coachman received his master's orders,
and drove down the Via del Babuino. While the three
gentlemen walked along the Piazza de Spagni and the Via
Frattina, which led directly between the Fiano and Rospoli
palaces, Franz's attention was directed towards the windows
of that last palace, for he had not forgotten the signal
agreed upon between the man in the mantle and the
Transtevere peasant. "Which are your windows?" asked he of
the count, with as much indifference as he could assume.
"The three last," returned he, with a negligence evidently
unaffected, for he could not imagine with what intention the
question was put. Franz glanced rapidly towards the three
windows. The side windows were hung with yellow damask, and
the centre one with white damask and a red cross. The man in
the mantle had kept his promise to the Transteverin, and
there could now be no doubt that he was the count. The three
windows were still untenanted. Preparations were making on
every side; chairs were placed, scaffolds were raised, and
windows were hung with flags. The masks could not appear;
the carriages could not move about; but the masks were
visible behind the windows, the carriages, and the doors.

Franz, Albert, and the count continued to descend the Corso.
As they approached the Piazza del Popolo, the crowd became
more dense, and above the heads of the multitude two objects
were visible: the obelisk, surmounted by a cross, which
marks the centre of the square, and in front of the obelisk,
at the point where the three streets, del Babuino, del
Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the curved knife of the
mandaia. At the corner of the street they met the count's
steward, who was awaiting his master. The window, let at an
exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the second floor of the
great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of a small
dressing-room, opening into a bedroom, and, when the door of
communication was shut, the inmates were quite alone. On
chairs were laid elegant masquerade costumes of blue and
white satin. "As you left the choice of your costumes to
me," said the count to the two friends, "I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour."

Franz heard the words of the count but imperfectly, and he
perhaps did not fully appreciate this new attention to their
wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, and by the terrible instrument
that was in the centre. It was the first time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
instrument.* The knife, which is shaped like a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were eating their
breakfasts, while waiting for the criminal. Their repast
consisted apparently of bread and sausages. One of them
lifted the plank, took out a flask of wine, drank some, and
then passed it to his companion. These two men were the
executioner's assistants. At this sight Franz felt the
perspiration start forth upon his brow. The prisoners,
transported the previous evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
night, each accompanied by two priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line of carbineers, placed
on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet wide, and around the guillotine a space of
nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view. The
Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that of death. And yet, instead of the
silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the Carnival. Suddenly the tumult ceased, as
if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them. At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
cast away his cigar, although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
seemed striving to rise in his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
his lips, half opened, disclosed his white teeth, small and
sharp like those of a jackal. And yet his features wore an
expression of smiling tenderness, such as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they approached their faces became visible.
Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.

* Dr. Guillotin got the idea of his famous machine from
witnessing an execution in Italy.

"I thought," said Franz to the count, "that you told me
there would be but one execution."

"I told you true," replied he coldly.

"And yet here are two culprits."

"Yes; but only one of these two is about to die; the other
has many years to live."

"If the pardon is to come, there is no time to lose."

"And see, here it is," said the count. At the moment when
Peppino reached the foot of the mandaia, a priest arrived in
some haste, forced his way through the soldiers, and,
advancing to the chief of the brotherhood, gave him a folded
paper. The piercing eye of Peppino had noticed all. The
chief took the paper, unfolded it, and, raising his hand,
"Heaven be praised, and his holiness also," said he in a
loud voice; "here is a pardon for one of the prisoners!"

"A pardon!" cried the people with one voice -- "a pardon!"
At this cry Andrea raised his head. "Pardon for whom?" cried
he.

Peppino remained breathless. "A pardon for Peppino, called
Rocca Priori," said the principal friar. And he passed the
paper to the officer commanding the carbineers, who read and
returned it to him.

"For Peppino!" cried Andrea, who seemed roused from the
torpor in which he had been plunged. "Why for him and not
for me? We ought to die together. I was promised he should
die with me. You have no right to put me to death alone. I
will not die alone -- I will not!" And he broke from the
priests struggling and raving like a wild beast, and
striving desperately to break the cords that bound his
hands. The executioner made a sign, and his two assistants
leaped from the scaffold and seized him. "What is going on?"
asked Franz of the count; for, as all the talk was in the
Roman dialect, he had not perfectly understood it. "Do you
not see?" returned the count, "that this human creature who
is about to die is furious that his fellow-sufferer does not
perish with him? and, were he able, he would rather tear him
to pieces with his teeth and nails than let him enjoy the
life he himself is about to be deprived of. Oh, man, man --
race of crocodiles," cried the count, extending his clinched
hands towards the crowd, "how well do I recognize you there,
and that at all times you are worthy of yourselves!"
Meanwhile Andrea and the two executioners were struggling on
the ground, and he kept exclaiming, "He ought to die! -- he
shall die! -- I will not die alone!"

"Look, look," cried the count. seizing the young men's hands
-- "look, for on my soul it is curious. Here is a man who
had resigned himself to his fate, who was going to the
scaffold to die -- like a coward, it is true, but he was
about to die without resistance. Do you know what gave him
strength? -- do you know what consoled him? It was, that
another partook of his punishment -- that another partook of
his anguish -- that another was to die before him. Lead two
sheep to the butcher's, two oxen to the slaughterhouse, and
make one of them understand that his companion will not die;
the sheep will bleat for pleasure, the ox will bellow with
joy. But man -- man, whom God created in his own image --
man, upon whom God has laid his first, his sole commandment,
to love his neighbor -- man, to whom God has given a voice
to express his thoughts -- what is his first cry when he
hears his fellow-man is saved? A blasphemy. Honor to man,
this masterpiece of nature, this king of the creation!" And
the count burst into a laugh; a terrible laugh, that showed
he must have suffered horribly to be able thus to laugh.
However, the struggle still continued, and it was dreadful
to witness. The people all took part against Andrea, and
twenty thousand voices cried, "Put him to death! put him to
death!" Franz sprang back, but the count seized his arm, and
held him before the window. "What are you doing?" said he.
"Do you pity him? If you heard the cry of `Mad dog!' you
would take your gun -- you would unhesitatingly shoot the
poor beast, who, after all, was only guilty of having been
bitten by another dog. And yet you pity a man who, without
being bitten by one of his race, has yet murdered his
benefactor; and who, now unable to kill any one, because his
hands are bound, wishes to see his companion in captivity
perish. No, no -- look, look!"

The command was needless. Franz was fascinated by the
horribly spectacle. The two assistants had borne Andrea to
the scaffold, and there, in spite of his struggles, his
bites, and his cries, had forced him to his knees. During
this time the executioner had raised his mace, and signed to
them to get out of the way; the criminal strove to rise,
but, ere he had time, the mace fell on his left temple. A
dull and heavy sound was heard, and the man dropped like an
ox on his face, and then turned over on his back. The
executioner let fall his mace, drew his knife, and with one
stroke opened his throat, and mounting on his stomach,
stamped violently on it with his feet. At every stroke a jet
of blood sprang from the wound.

This time Franz could contain himself no longer, but sank,
half fainting, into a seat. Albert, with his eyes closed,
was standing grasping the window-curtains. The count was
erect and triumphant, like the Avenging Angel!

Chapter 36
The Carnival at Rome.

When Franz recovered his senses, he saw Albert drinking a
glass of water, of which, to judge from his pallor, he stood
in great need; and the count, who was assuming his
masquerade costume. He glanced mechanically towards the
square -- the scene was wholly changed; scaffold,
executioners, victims, all had disappeared; only the people
remained, full of noise and excitement. The bell of Monte
Citorio, which only sounds on the pope's decease and the
opening of the Carnival, was ringing a joyous peal. "Well,"
asked he of the count, "what has, then, happened?"

"Nothing," replied the count; "only, as you see, the
Carnival has commenced. Make haste and dress yourself."

"In fact," said Franz, "this horrible scene has passed away
like a dream."

"It is but a dream, a nightmare, that has disturbed you."

"Yes, that I have suffered; but the culprit?"

"That is a dream also; only he has remained asleep, while
you have awakened; and who knows which of you is the most
fortunate?"

"But Peppino -- what has become of him?"

"Peppino is a lad of sense, who, unlike most men, who are
happy in proportion as they are noticed, was delighted to
see that the general attention was directed towards his
companion. He profited by this distraction to slip away
among the crowd, without even thanking the worthy priests
who accompanied him. Decidedly man is an ungrateful and
egotistical animal. But dress yourself; see, M. de Morcerf
sets you the example." Albert was drawing on the satin
pantaloon over his black trousers and varnished boots.
"Well, Albert," said Franz, "do you feel much inclined to
join the revels? Come, answer frankly."

"Ma foi, no," returned Albert. "But I am really glad to have
seen such a sight; and I understand what the count said --
that when you have once habituated yourself to a similar
spectacle, it is the only one that causes you any emotion."

"Without reflecting that this is the only moment in which
you can study character," said the count; "on the steps of
the scaffold death tears off the mask that has been worn
through life, and the real visage is disclosed. It must be
allowed that Andrea was not very handsome, the hideous
scoundrel! Come, dress yourselves, gentlemen, dress
yourselves." Franz felt it would be ridiculous not to follow
his two companions' example. He assumed his costume, and
fastened on the mask that scarcely equalled the pallor of
his own face. Their toilet finished, they descended; the
carriage awaited them at the door, filled with sweetmeats
and bouquets. They fell into the line of carriages. It is
difficult to form an idea of the perfect change that had
taken place. Instead of the spectacle of gloomy and silent
death, the Piazza del Popolo presented a spectacle of gay
and noisy mirth and revelry. A crowd of masks flowed in from
all sides, emerging from the doors, descending from the
windows. From every street and every corner drove carriages
filled with clowns, harlequins, dominoes, mummers,
pantomimists, Transteverins, knights, and peasants,
screaming, fighting, gesticulating, throwing eggs filled
with flour, confetti, nosegays, attacking, with their
sarcasms and their missiles, friends and foes, companions
and strangers, indiscriminately, and no one took offence, or
did anything but laugh. Franz and Albert were like men who,
to drive away a violent sorrow, have recourse to wine, and
who, as they drink and become intoxicated, feel a thick veil
drawn between the past and the present. They saw, or rather
continued to see, the image of what they had witnessed; but
little by little the general vertigo seized them, and they
felt themselves obliged to take part in the noise and
confusion. A handful of confetti that came from a
neighboring carriage, and which, while it covered Morcerf
and his two companions with dust, pricked his neck and that
portion of his face uncovered by his mask like a hundred
pins, incited him to join in the general combat, in which
all the masks around him were engaged. He rose in his turn,
and seizing handfuls of confetti and sweetmeats, with which
the carriage was filled, cast them with all the force and
skill he was master of.

The strife had fairly begun, and the recollection of what
they had seen half an hour before was gradually effaced from
the young men's minds, so much were they occupied by the gay
and glittering procession they now beheld. As for the Count
of Monte Cristo, he had never for an instant shown any
appearance of having been moved. Imagine the large and
splendid Corso, bordered from one end to the other with
lofty palaces, with their balconies hung with carpets, and
their windows with flags. At these balconies are three
hundred thousand spectators -- Romans, Italians, strangers
from all parts of the world, the united aristocracy of
birth, wealth, and genius. Lovely women, yielding to the
influence of the scene, bend over their balconies, or lean
from their windows, and shower down confetti, which are
returned by bouquets; the air seems darkened with the
falling confetti and flying flowers. In the streets the
lively crowd is dressed in the most fantastic costumes --
gigantic cabbages walk gravely about, buffaloes' heads below
from men's shoulders, dogs walk on their hind legs; in the
midst of all this a mask is lifted, and, as in Callot's
Temptation of St. Anthony, a lovely face is exhibited, which
we would fain follow, but from which we are separated by
troops of fiends. This will give a faint idea of the
Carnival at Rome. At the second turn the Count stopped the
carriage, and requested permission to withdraw, leaving the
vehicle at their disposal. Franz looked up -- they were
opposite the Rospoli Palace. At the centre window, the one
hung with white damask with a red cross, was a blue domino,
beneath which Franz's imagination easily pictured the
beautiful Greek of the Argentina. "Gentlemen," said the
count, springing out, "when you are tired of being actors,
and wish to become spectators of this scene, you know you
have places at my windows. In the meantime, dispose of my
coachman, my carriage, and my servants." We have forgotten
to mention, that the count's coachman was attired in a
bear-skin, exactly resembling Odry's in "The Bear and the
Pasha;" and the two footmen behind were dressed up as green
monkeys, with spring masks, with which they made grimaces at
every one who passed. Franz thanked the count for his
attention. As for Albert, he was busily occupied throwing
bouquets at a carriage full of Roman peasants that was
passing near him. Unfortunately for him, the line of
carriages moved on again, and while he descended the Piazza
del Popolo, the other ascended towards the Palazzo di
Venezia. "Ah, my dear fellow," said he to Franz; "you did
not see?"

"What?"

"There, -- that calash filled with Roman peasants."

"No."

"Well, I am convinced they are all charming women."

"How unfortunate that you were masked, Albert," said Franz;
"here was an opportunity of making up for past
disappointments."

"Oh," replied he, half laughing, half serious; "I hope the
Carnival will not pass without some amends in one shape or
the other."

But, in spite of Albert's hope, the day passed unmarked by
any incident, excepting two or three encounters with the
carriage full of Roman peasants. At one of these encounters,
accidentally or purposely, Albert's mask fell off. He
instantly rose and cast the remainder of the bouquets into
the carriage. Doubtless one of the charming females Albert
had detected beneath their coquettish disguise was touched
by his gallantry; for, as the carriage of the two friends
passed her, she threw a bunch of violets. Albert seized it,
and as Franz had no reason to suppose it was meant for him,
he suffered Albert to retain it. Albert placed it in his
button-hole, and the carriage went triumphantly on.

"Well," said Franz to him; "there is the beginning of an
adventure."

"Laugh if you please -- I really think so. So I will not
abandon this bouquet."

"Pardieu," returned Franz, laughing, "in token of your
ingratitude." The jest, however, soon appeared to become
earnest; for when Albert and Franz again encountered the
carriage with the contadini, the one who had thrown the
violets to Albert, clapped her hands when she beheld them in
his button-hole. "Bravo, bravo," said Franz; "things go
wonderfully. Shall I leave you? Perhaps you would prefer
being alone?"

"No," replied he; "I will not be caught like a fool at a
first disclosure by a rendezvous under the clock, as they
say at the opera-balls. If the fair peasant wishes to carry
matters any further, we shall find her, or rather, she will
find us to-morrow; then she will give me some sign or other,
and I shall know what I have to do."

"On my word," said Franz, "you are wise as Nestor and
prudent as Ulysses, and your fair Circe must be very skilful
or very powerful if she succeed in changing you into a beast
of any kind." Albert was right; the fair unknown had
resolved, doubtless, to carry the intrigue no farther; for
although the young men made several more turns, they did not
again see the calash, which had turned up one of the
neighboring streets. Then they returned to the Rospoli
Palace; but the count and the blue domino had also
disappeared; the two windows, hung with yellow damask, were
still occupied by the persons whom the count had invited. At
this moment the same bell that had proclaimed the beginning
of the mascherata sounded the retreat. The file on the Corso
broke the line, and in a second all the carriages had
disappeared. Franz and Albert were opposite the Via delle
Maratte; the coachman, without saying a word, drove up it,
passed along the Piazza di Spagni and the Rospoli Palace and
stopped at the door of the hotel. Signor Pastrini came to
the door to receive his guests. Franz hastened to inquire
after the count, and to express regret that he had not
returned in sufficient time; but Pastrini reassured him by
saying that the Count of Monte Cristo had ordered a second
carriage for himself, and that it had gone at four o'clock
to fetch him from the Rospoli Palace. The count had,
moreover, charged him to offer the two friends the key of
his box at the Argentina. Franz questioned Albert as to his
intentions; but Albert had great projects to put into
execution before going to the theatre; and instead of making
any answer, he inquired if Signor Pastrini could procure him
a tailor. "A tailor," said the host; "and for what?"

"To make us between now and to-morrow two Roman peasant
costumes," returned Albert. The host shook his head. "To
make you two costumes between now and to-morrow? I ask your
excellencies' pardon, but this is quite a French demand; for
the next week you will not find a single tailor who would
consent to sew six buttons on a waistcoat if you paid him a
crown a piece for each button."

"Then I must give up the idea?"

"No; we have them ready-made. Leave all to me; and
to-morrow, when you awake, you shall find a collection of
costumes with which you will be satisfied."

"My dear Albert," said Franz, "leave all to our host; he has
already proved himself full of resources; let us dine
quietly, and afterwards go and see `The Algerian Captive.'"

"Agreed," returned Albert; "but remember, Signor Pastrini,
that both my friend and myself attach the greatest
importance to having to-morrow the costumes we have asked
for." The host again assured them they might rely on him,
and that their wishes should be attended to; upon which
Franz and Albert mounted to their apartments, and proceeded
to disencumber themselves of their costumes. Albert, as he
took off his dress, carefully preserved the bunch of
violets; it was his token reserved for the morrow. The two
friends sat down to table; but they could not refrain from
remarking the difference between the Count of Monte Cristo's
table and that of Signor Pastrini. Truth compelled Franz, in
spite of the dislike he seemed to have taken to the count,
to confess that the advantage was not on Pastrini's side.
During dessert, the servant inquired at what time they
wished for the carriage. Albert and Franz looked at each
other, fearing really to abuse the count's kindness. The
servant understood them. "His excellency the Count of Monte
Cristo had," he said, "given positive orders that the
carriage was to remain at their lordships' orders all day,
and they could therefore dispose of it without fear of
indiscretion."

They resolved to profit by the count's courtesy, and ordered
the horses to be harnessed, while they substituted evening
dress for that which they had on, and which was somewhat the
worse for the numerous combats they had sustained. This
precaution taken, they went to the theatre, and installed
themselves in the count's box. During the first act, the
Countess G---- entered. Her first look was at the box where
she had seen the count the previous evening, so that she
perceived Franz and Albert in the place of the very person
concerning whom she had expressed so strange an opinion to
Franz. Her opera-glass was so fixedly directed towards them,
that Franz saw it would be cruel not to satisfy her
curiosity; and, availing himself of one of the privileges of
the spectators of the Italian theatres, who use their boxes
to hold receptions, the two friends went to pay their
respects to the countess. Scarcely had they entered, when
she motioned to Franz to assume the seat of honor. Albert,
in his turn, sat behind.

"Well," said she, hardly giving Franz time to sit down, "it
seems you have nothing better to do than to make the
acquaintance of this new Lord Ruthven, and you are already
the best friends in the world."

"Without being so far advanced as that, my dear countess,"
returned Franz, "I cannot deny that we have abused his good
nature all day."

"All day?"

"Yes; this morning we breakfasted with him; we rode in his
carriage all day, and now we have taken possession of his
box."

"You know him, then?"

"Yes, and no."

"How so?"

"It is a long story."

'Tell it to me."

"It would frighten you too much."

"So much the more reason."

"At least wait until the story has a conclusion."

"Very well; I prefer complete histories; but tell me how you
made his acquaintance? Did any one introduce you to him?"

"No; it was he who introduced himself to us."

"When?"

"Last night, after we left you."

"Through what medium?"

"The very prosaic one of our landlord."

"He is staying, then, at the Hotel de Londres with you?"

"Not only in the same hotel, but on the same floor."

"What is his name -- for, of course, you know?"

"The Count of Monte Cristo."

"That is not a family name?"

"No, it is the name of the island he has purchased."

"And he is a count?"

"A Tuscan count."

"Well, we must put up with that," said the countess, who was
herself from one of the oldest Venetian families. "What sort
of a man is he?"

"Ask the Vicomte de Morcerf."

"You hear, M. de Morcerf, I am referred to you," said the
countess.

"We should be very hard to please, madam," returned Albert,
"did we not think him delightful. A friend of ten years'
standing could not have done more for us, or with a more
perfect courtesy."

"Come," observed the countess, smiling, "I see my vampire is
only some millionaire, who has taken the appearance of Lara
in order to avoid being confounded with M. de Rothschild;
and you have seen her?"

"Her?"

"The beautiful Greek of yesterday."

"No; we heard, I think, the sound of her guzla, but she
remained perfectly invisible."

"When you say invisible," interrupted Albert, "it is only to
keep up the mystery; for whom do you take the blue domino at
the window with the white curtains?"

"Where was this window with white hangings?" asked the
countess.

"At the Rospoli Palace."

"The count had three windows at the Rospoli Palace?"

"Yes. Did you pass through the Corso?"

"Yes."

"Well, did you notice two windows hung with yellow damask,
and one with white damask with a red cross? Those were the
count's windows?"

"Why, he must be a nabob. Do you know what those three
windows were worth?"

"Two or three hundred Roman crowns?"

"Two or three thousand."

"The deuce."

"Does his island produce him such a revenue?"

"It does not bring him a baiocco."

"Then why did he purchase it?"

"For a whim."

"He is an original, then?"

"In reality," observed Albert, "he seemed to me somewhat
eccentric; were he at Paris, and a frequenter of the
theatres, I should say he was a poor devil literally mad.
This morning he made two or three exits worthy of Didier or
Anthony." At this moment a fresh visitor entered, and,
according to custom, Franz gave up his seat to him. This
circumstance had, moreover, the effect of changing the
conversation; an hour afterwards the two friends returned to
their hotel. Signor Pastrini had already set about procuring
their disguises for the morrow; and he assured them that
they would be perfectly satisfied. The next morning, at nine
o'clock, he entered Franz's room, followed by a tailor, who
had eight or ten Roman peasant costumes on his arm; they
selected two exactly alike, and charged the tailor to sew on
each of their hats about twenty yards of ribbon, and to
procure them two of the long silk sashes of different colors
with which the lower orders decorate themselves on
fete-days. Albert was impatient to see how he looked in his
new dress -- a jacket and breeches of blue velvet, silk
stockings with clocks, shoes with buckles, and a silk
waistcoat. This picturesque attire set him off to great
advantage; and when he had bound the scarf around his waist,
and when his hat, placed coquettishly on one side, let fall
on his shoulder a stream of ribbons, Franz was forced to
confess that costume has much to do with the physical
superiority we accord to certain nations. The Turks used to
be so picturesque with their long and flowing robes, but are
they not now hideous with their blue frocks buttoned up to
the chin, and their red caps, which make them look like a
bottle of wine with a red seal? Franz complimented Albert,
who looked at himself in the glass with an unequivocal smile
of satisfaction. They were thus engaged when the Count of
Monte Cristo entered.

"Gentlemen," said he, "although a companion is agreeable,
perfect freedom is sometimes still more agreeable. I come to
say that to-day, and for the remainder of the Carnival, I
leave the carriage entirely at your disposal. The host will
tell you I have three or four more, so that you will not
inconvenience me in any way. Make use of it, I pray you, for
your pleasure or your business."

The young men wished to decline, but they could find no good
reason for refusing an offer which was so agreeable to them.
The Count of Monte Cristo remained a quarter of an hour with
them, conversing on all subjects with the greatest ease. He
was, as we have already said, perfectly well acquainted with
the literature of all countries. A glance at the walls of
his salon proved to Franz and Albert that he was a
connoisseur of pictures. A few words he let fall showed them
that he was no stranger to the sciences, and he seemed much
occupied with chemistry. The two friends did not venture to
return the count the breakfast he had given them; it would
have been too absurd to offer him in exchange for his
excellent table the very inferior one of Signor Pastrini.
They told him so frankly, and he received their excuses with
the air of a man who appreciated their delicacy. Albert was
charmed with the count's manners, and he was only prevented
from recognizing him for a perfect gentleman by reason of
his varied knowledge. The permission to do what he liked
with the carriage pleased him above all, for the fair
peasants had appeared in a most elegant carriage the
preceding evening, and Albert was not sorry to be upon an
equal footing with them. At half-past one they descended,
the coachman and footman had put on their livery over their
disguises, which gave them a more ridiculous appearance than
ever, and which gained them the applause of Franz and
Albert. Albert had fastened the faded bunch of violets to
his button-hole. At the first sound of the bell they
hastened into the Corso by the Via Vittoria. At the second
turn, a bunch of fresh violets, thrown from a carriage
filled with harlequins, indicated to Albert that, like
himself and his friend, the peasants had changed their
costume, also; and whether it was the result of chance, or
whether a similar feeling had possessed them both, while he
had changed his costume they had assumed his.

Albert placed the fresh bouquet in his button-hole, but he
kept the faded one in his hand; and when he again met the
calash, he raised it to his lips, an action which seemed
greatly to amuse not only the fair lady who had thrown it,
but her joyous companions also. The day was as gay as the
preceding one, perhaps even more animated and noisy; the
count appeared for an instant at his window. but when they
again passed he had disappeared. It is almost needless to
say that the flirtation between Albert and the fair peasant
continued all day. In the evening, on his return, Franz
found a letter from the embassy, informing him that he would
have the honor of being received by his holiness the next
day. At each previous visit he had made to Rome, he had
solicited and obtained the same favor; and incited as much
by a religious feeling as by gratitude, he was unwilling to
quit the capital of the Christian world without laying his
respectful homage at the feet of one of St. Peter's
successors who has set the rare example of all the virtues.
He did not then think of the Carnival, for in spite of his
condescension and touching kindness, one cannot incline
one's self without awe before the venerable and noble old
man called Gregory XVI. On his return from the Vatican,
Franz carefully avoided the Corso; he brought away with him
a treasure of pious thoughts, to which the mad gayety of the
maskers would have been profanation. At ten minutes past
five Albert entered overjoyed. The harlequin had reassumed
her peasant's costume, and as she passed she raised her
mask. She was charming. Franz congratulated Albert, who
received his congratulations with the air of a man conscious
that they are merited. He had recognized by certain
unmistakable signs, that his fair incognita belonged to the
aristocracy. He had made up his mind to write to her the
next day. Franz remarked, while he gave these details, that
Albert seemed to have something to ask of him, but that he
was unwilling to ask it. He insisted upon it, declaring
beforehand that he was willing to make any sacrifice the
other wished. Albert let himself be pressed just as long as
friendship required, and then avowed to Franz that he would
do him a great favor by allowing him to occupy the carriage
alone the next day. Albert attributed to Franz's absence the
extreme kindness of the fair peasant in raising her mask.
Franz was not sufficiently egotistical to stop Albert in the
middle of an adventure that promised to prove so agreeable
to his curiosity and so flattering to his vanity. He felt
assured that the perfect indiscretion of his friend would
duly inform him of all that happened; and as, during three
years that he had travelled all over Italy, a similar piece
of good fortune had never fallen to his share, Franz was by
no means sorry to learn how to act on such an occasion. He
therefore promised Albert that he would content himself the
morrow with witnessing the Carnival from the windows of the
Rospoli Palace.

The next morning he saw Albert pass and repass, holding an
enormous bouquet, which he doubtless meant to make the
bearer of his amorous epistle. This belief was changed into
certainty when Franz saw the bouquet (conspicuous by a
circle of white camellias) in the hand of a charming
harlequin dressed in rose-colored satin. The evening was no
longer joy, but delirium. Albert nothing doubted but that
the fair unknown would reply in the same manner. Franz
anticipated his wishes by saying that the noise fatigued
him, and that he should pass the next day in writing and
looking over his journal. Albert was not deceived, for the
next evening Franz saw him enter triumphantly shaking a
folded paper which he held by one corner. "Well," said he,
"was I mistaken?"

"She has answered you!" cried Franz.

"Read." This word was pronounced in a manner impossible to
describe. Franz took the letter, and read: --

Tuesday evening, at seven o'clock, descend from your
carriage opposite the Via dei Pontefici, and follow the
Roman peasant who snatches your torch from you. When you
arrive at the first step of the church of San Giacomo, be
sure to fasten a knot of rose-colored ribbons to the
shoulder of your harlequin costume, in order that you may be
recognized. Until then you will not see me.

Constancy and Discretion.

"Well," asked he, when Franz had finished, "what do you
think of that?"

"I think that the adventure is assuming a very agreeable
appearance."

"I think so, also," replied Albert; "and I very much fear
you will go alone to the Duke of Bracciano's ball." Franz
and Albert had received that morning an invitation from the
celebrated Roman banker. "Take care, Albert," said Franz.
"All the nobility of Rome will be present, and if your fair
incognita belong to the higher class of society, she must go
there."

"Whether she goes there or not, my opinion is still the
same," returned Albert. "You have read the letter?"

"Yes."

"You know how imperfectly the women of the mezzo cito are
educated in Italy?" (This is the name of the lower class.)

"Yes."

"Well, read the letter again. Look at the writing, and find
if you can, any blemish in the language or orthography."
(The writing was, in reality, charming, and the orthography
irreproachable.) "You are born to good fortune," said Franz,
as he returned the letter.

"Laugh as much as you will," replied Albert, "I am in love."

"You alarm me," cried Franz. "I see that I shall not only go
alone to the Duke of Bracciano's, but also return to
Florence alone."

"If my unknown be as amiable as she is beautiful," said
Albert, "I shall fix myself at Rome for six weeks, at least.
I adore Rome, and I have always had a great taste for
archaeology."

"Come, two or three more such adventures, and I do not
despair of seeing you a member of the Academy." Doubtless
Albert was about to discuss seriously his right to the
academic chair when they were informed that dinner was
ready. Albert's love had not taken away his appetite. He
hastened with Franz to seat himself, free to recommence the
discussion after dinner. After dinner, the Count of Monte
Cristo was announced. They had not seen him for two days.
Signor Pastrini informed them that business had called him
to Civita Vecchia. He had started the previous evening, and
had only returned an hour since. He was charming. Whether he
kept a watch over himself, or whether by accident he did not
sound the acrimonious chords that in other circumstances had
been touched, he was to-night like everybody else. The man
was an enigma to Franz. The count must feel sure that Franz
recognized him; and yet he had not let fall a single word
indicating any previous acquaintance between them. On his
side, however great Franz's desire was to allude to their
former interview, the fear of being disagreeable to the man
who had loaded him and his friend with kindness prevented
him from mentioning it. The count had learned that the two
friends had sent to secure a box at the Argentina Theatre,
and were told they were all let. In consequence, he brought
them the key of his own -- at least such was the apparent
motive of his visit. Franz and Albert made some difficulty,
alleging their fear of depriving him of it; but the count
replied that, as he was going to the Palli Theatre, the box
at the Argentina Theatre would be lost if they did not
profit by it. This assurance determined the two friends to
accept it.

Franz had by degrees become accustomed to the count's
pallor, which had so forcibly struck him at their first
meeting. He could not refrain from admiring the severe
beauty of his features, the only defect, or rather the
principal quality of which was the pallor. Truly, a Byronic
hero! Franz could not, we will not say see him, but even
think of him without imagining his stern head upon Manfred's
shoulders, or beneath Lara's helmet. His forehead was marked
with the line that indicates the constant presence of bitter
thoughts; he had the fiery eyes that seem to penetrate to
the very soul, and the haughty and disdainful upper lip that
gives to the words it utters a peculiar character that
impresses them on the minds of those to whom they are
addressed. The count was no longer young. He was at least
forty; and yet it was easy to understand that he was formed
to rule the young men with whom he associated at present.
And, to complete his resemblance with the fantastic heroes
of the English poet, the count seemed to have the power of
fascination. Albert was constantly expatiating on their good
fortune in meeting such a man. Franz was less enthusiastic;
but the count exercised over him also the ascendency a
strong mind always acquires over a mind less domineering. He
thought several times of the project the count had of
visiting Paris; and he had no doubt but that, with his
eccentric character, his characteristic face, and his
colossal fortune, he would produce a great effect there. And
yet he did not wish to be at Paris when the count was there.
The evening passed as evenings mostly pass at Italian
theatres; that is, not in listening to the music, but in
paying visits and conversing. The Countess G---- wished to
revive the subject of the count, but Franz announced he had
something far newer to tell her, and, in spite of Albert's
demonstrations of false modesty, he informed the countess of
the great event which had preoccupied them for the last
three days. As similar intrigues are not uncommon in Italy,
if we may credit travellers, the comtess did not manifest
the least incredulity, but congratulated Albert on his
success. They promised, upon separating, to meet at the Duke
of Bracciano's ball, to which all Rome was invited. The
heroine of the bouquet kept her word; she gave Albert no
sign of her existence the morrow or the day after.

At length Tuesday came, the last and most tumultuous day of
the Carnival. On Tuesday, the theatres open at ten o'clock
in the morning, as Lent begins after eight at night. On
Tuesday, all those who through want of money, time, or
enthusiasm, have not been to see the Carnival before, mingle
in the gayety, and contribute to the noise and excitement.
From two o'clock till five Franz and Albert followed in the
fete, exchanging handfuls of confetti with the other
carriages and the pedestrians, who crowded amongst the
horses' feet and the carriage wheels without a single
accident, a single dispute, or a single fight. The fetes are
veritable pleasure days to the Italians. The author of this
history, who has resided five or six years in Italy, does
not recollect to have ever seen a ceremony interrupted by
one of those events so common in other countries. Albert was
triumphant in his harlequin costume. A knot of rose-colored
ribbons fell from his shoulder almost to the ground. In
order that there might be no confusion, Franz wore his
peasant's costume.

As the day advanced, the tumult became greater. There was
not on the pavement, in the carriages, at the windows, a
single tongue that was silent, a single arm that did not
move. It was a human storm, made up of a thunder of cries,
and a hail of sweetmeats, flowers, eggs, oranges, and
nosegays. At three o'clock the sound of fireworks, let off
on the Piazza del Popolo and the Piazza di Venezia (heard
with difficulty amid the din and confusion) announced that
the races were about to begin. The races, like the moccoli,
are one of the episodes peculiar to the last days of the
Carnival. At the sound of the fireworks the carriages
instantly broke ranks, and retired by the adjacent streets.
All these evolutions are executed with an inconceivable
address and marvellous rapidity, without the police
interfering in the matter. The pedestrians ranged themselves
against the walls; then the trampling of horses and the
clashing of steel were heard. A detachment of carbineers,
fifteen abreast, galloped up the Corso in order to clear it
for the barberi. When the detachment arrived at the Piazza
di Venezia, a second volley of fireworks was discharged, to
announce that the street was clear. Almost instantly, in the
midst of a tremendous and general outcry, seven or eight
horses, excited by the shouts of three hundred thousand
spectators, passed by like lightning. Then the Castle of
Saint Angelo fired three cannon to indicate that number
three had won. Immediately, without any other signal, the
carriages moved on, flowing on towards the Corso, down all
the streets, like torrents pent up for a while, which again
flow into the parent river; and the immense stream again
continued its course between its two granite banks.

A new source of noise and movement was added to the crowd.
The sellers of moccoletti entered on the scene. The moccoli,
or moccoletti, are candles which vary in size from the
pascal taper to the rushlight, and which give to each actor
in the great final scene of the Carnival two very serious
problems to grapple with, -- first, how to keep his own
moccoletto alight; and secondly, how to extinguish the
moccoletti of others. The moccoletto is like life: man has
found but one means of transmitting it, and that one comes
from God. But he has discovered a thousand means of taking
it away, and the devil has somewhat aided him. The
moccoletto is kindled by approaching it to a light. But who
can describe the thousand means of extinguishing the
moccoletto? -- the gigantic bellows, the monstrous
extinguishers, the superhuman fans. Every one hastened to
purchase moccoletti -- Franz and Albert among the rest.

The night was rapidly approaching; and already, at the cry
of "Moccoletti!" repeated by the shrill voices of a thousand
vendors, two or three stars began to burn among the crowd.
It was a signal. At the end of ten minutes fifty thousand
lights glittered, descending from the Palazzo di Venezia to
the Piazza del Popolo, and mounting from the Piazzo del
Popolo to the Palazzo di Venezia. It seemed like the fete of
jack-o'-lanterns. It is impossible to form any idea of it
without having seen it. Suppose that all the stars had
descended from the sky and mingled in a wild dance on the
face of the earth; the whole accompanied by cries that were
never heard in any other part of the world. The facchino
follows the prince, the Transteverin the citizen, every one
blowing, extinguishing, relighting. Had old AEolus appeared
at this moment, he would have been proclaimed king of the
moccoli, and Aquilo the heir-presumptive to the throne. This
battle of folly and flame continued for two hours; the Corso
was light as day; the features of the spectators on the
third and fourth stories were visible. Every five minutes
Albert took out his watch; at length it pointed to seven.
The two friends were in the Via dei Pontefici. Albert sprang
out, bearing his moccoletto in his hand. Two or three masks
strove to knock his moccoletto out of his hand; but Albert,
a first-rate pugilist, sent them rolling in the street, one
after the other, and continued his course towards the church
of San Giacomo. The steps were crowded with masks, who
strove to snatch each other's torches. Franz followed Albert
with his eyes, and saw him mount the first step. Instantly a
mask, wearing the well-known costume of a peasant woman,
snatched his moccoletto from him without his offering any
resistance. Franz was too far off to hear what they said;
but, without doubt, nothing hostile passed, for he saw
Albert disappear arm-in-arm with the peasant girl. He
watched them pass through the crowd for some time, but at
length he lost sight of them in the Via Macello. Suddenly
the bell that gives the signal for the end of the carnival
sounded, and at the same instant all the moccoletti were
extinguished as if by enchantment. It seemed as though one
immense blast of the wind had extinguished every one. Franz
found himself in utter darkness. No sound was audible save
that of the carriages that were carrying the maskers home;
nothing was visible save a few lights that burnt behind the
windows. The Carnival was over.

Chapter 37
The Catacombs of Saint Sebastian.

In his whole life, perhaps, Franz had never before
experienced so sudden an impression, so rapid a transition
from gayety to sadness, as in this moment. It seemed as
though Rome, under the magic breath of some demon of the
night, had suddenly changed into a vast tomb. By a chance,
which added yet more to the intensity of the darkness, the
moon, which was on the wane, did not rise until eleven
o'clock, and the streets which the young man traversed were
plunged in the deepest obscurity. The distance was short,
and at the end of ten minutes his carriage, or rather the
count's, stopped before the Hotel de Londres. Dinner was
waiting, but as Albert had told him that he should not
return so soon, Franz sat down without him. Signor Pastrini,
who had been accustomed to see them dine together, inquired
into the cause of his absence, but Franz merely replied that
Albert had received on the previous evening an invitation
which he had accepted. The sudden extinction of the
moccoletti, the darkness which had replaced the light, and
the silence which had succeeded the turmoil, had left in
Franz's mind a certain depression which was not free from
uneasiness. He therefore dined very silently, in spite of
the officious attention of his host, who presented himself
two or three times to inquire if he wanted anything.

Franz resolved to wait for Albert as late as possible. He
ordered the carriage, therefore, for eleven o'clock,
desiring Signor Pastrini to inform him the moment that
Albert returned to the hotel. At eleven o'clock Albert had
not come back. Franz dressed himself, and went out, telling
his host that he was going to pass the night at the Duke of
Bracciano's. The house of the Duke of Bracciano is one of
the most delightful in Rome, the duchess, one of the last
heiresses of the Colonnas, does its honors with the most
consummate grace, and thus their fetes have a European
celebrity. Franz and Albert had brought to Rome letters of
introduction to them, and their first question on his
arrival was to inquire the whereabouts of his travelling
companion. Franz replied that he had left him at the moment
they were about to extinguish the moccoli, and that he had
lost sight of him in the Via Macello. "Then he has not
returned?" said the duke.

"I waited for him until this hour," replied Franz.

"And do you know whither he went?"

"No, not precisely; however, I think it was something very
like a rendezvous."

"Diavolo!" said the duke, "this is a bad day, or rather a
bad night, to be out late; is it not, countess!" These words
were addressed to the Countess G---- , who had just
arrived, and was leaning on the arm of Signor Torlonia, the
duke's brother.

"I think, on the contrary, that it is a charming night,"
replied the countess, "and those who are here will complain
of but one thing -- its too rapid flight."

"I am not speaking," said the duke with a smile, "of the
persons who are here; the men run no other danger than that
of falling in love with you, and the women of falling ill of
jealousy at seeing you so lovely; I meant persons who were
out in the streets of Rome."

"Ah," asked the countess, "who is out in the streets of Rome
at this hour, unless it be to go to a ball?"

"Our friend, Albert de Morcerf, countess, whom I left in
pursuit of his unknown about seven o'clock this evening,"
said Franz, "and whom I have not seen since."

"And don't you know where he is?"

"Not at all."

"Is he armed?"

"He is in masquerade."

"You should not have allowed him to go," said the duke to
Franz; "you, who know Rome better than he does."

"You might as well have tried to stop number three of the
barberi, who gained the prize in the race to-day," replied
Franz; "and then moreover, what could happen to him?"

"Who can tell? The night is gloomy, and the Tiber is very
near the Via Macello." Franz felt a shudder run through his
veins at observing that the feeling of the duke and the
countess was so much in unison with his own personal
disquietude. "I informed them at the hotel that I had the
honor of passing the night here, duke," said Franz, "and
desired them to come and inform me of his return."

"Ah," replied the duke, "here I think, is one of my servants
who is seeking you."

The duke was not mistaken; when he saw Franz, the servant
came up to him. "Your excellency," he said, "the master of
the Hotel de Londres has sent to let you know that a man is
waiting for you with a letter from the Viscount of Morcerf."

"A letter from the viscount!" exclaimed Franz.

"Yes."

"And who is the man?"

"I do not know."

"Why did he not bring it to me here?"

"The messenger did not say."

"And where is the messenger?"

"He went away directly he saw me enter the ball-room to find
you."

"Oh," said the countess to Franz, "go with all speed -- poor
young man! Perhaps some accident has happened to him."

"I will hasten," replied Franz.

"Shall we see you again to give us any information?"
inquired the countess.

"Yes, if it is not any serious affair, otherwise I cannot
answer as to what I may do myself."

"Be prudent, in any event," said the countess.

"Oh, pray be assured of that." Franz took his hat and went
away in haste. He had sent away his carriage with orders for
it to fetch him at two o'clock; fortunately the Palazzo
Bracciano, which is on one side in the Corso, and on the
other in the Square of the Holy Apostles, is hardly ten
minutes' walk from the Hotel de Londres. As he came near the
hotel, Franz saw a man in the middle of the street. He had
no doubt that it was the messenger from Albert. The man was
wrapped up in a large cloak. He went up to him, but, to his
extreme astonishment, the stranger first addressed him.
"What wants your excellency of me?" inquired the man,
retreating a step or two, as if to keep on his guard.

"Are not you the person who brought me a letter," inquired
Franz, "from the Viscount of Morcerf?"

"Your excellency lodges at Pastrini's hotel?"

"I do."

"Your excellency is the travelling companion of the
viscount?"

"I am."

"Your excellency's name" --

"Is the Baron Franz d'Epinay."

"Then it is to your excellency that this letter is
addressed."

"Is there any answer?" inquired Franz, taking the letter
from him.

"Yes -- your friend at least hopes so."

"Come up-stairs with me, and I will give it to you."

"I prefer waiting here," said the messenger, with a smile.

"And why?"

"Your excellency will know when you have read the letter."

"Shall I find you here, then?"

"Certainly."

Franz entered the hotel. On the staircase he met Signor
Pastrini. "Well?" said the landlord.

"Well -- what?" responded Franz.

"You have seen the man who desired to speak with you from
your friend?" he asked of Franz.

"Yes, I have seen him," he replied, "and he has handed this
letter to me. Light the candles in my apartment, if you
please." The inn-keeper gave orders to a servant to go
before Franz with a light. The young man had found Signor
Pastrini looking very much alarmed, and this had only made
him the more anxious to read Albert's letter; and so he went
instantly towards the waxlight, and unfolded it. It was
written and signed by Albert. Franz read it twice before he
could comprehend what it contained. It was thus worded: --

My Dear Fellow, -- The moment you have received this, have
the kindness to take the letter of credit from my
pocket-book, which you will find in the square drawer of the
secretary; add your own to it, if it be not sufficient. Run
to Torlonia, draw from him instantly four thousand piastres,
and give them to the bearer. It is urgent that I should have
this money without delay. I do not say more, relying on you
as you may rely on me. Your friend,

Albert de Morcerf.

P.S. -- I now believe in Italian banditti.

Below these lines were written, in a strange hand, the
following in Italian: --

Se alle sei della mattina le quattro mile piastre non sono
nelle mie mani, alla sette il conte Alberto avra cessato di
vivere.

Luigi Vampa.

"If by six in the morning the four thousand piastres are not
in my hands, by seven o'clock the Count Albert will have
ceased to live."

This second signature explained everything to Franz, who now
understood the objection of the messenger to coming up into
the apartment; the street was safer for him. Albert, then,
had fallen into the hands of the famous bandit chief, in
whose existence he had for so long a time refused to
believe. There was no time to lose. He hastened to open the
secretary, and found the pocket-book in the drawer, and in
it the letter of credit. There were in all six thousand
piastres, but of these six thousand Albert had already
expended three thousand. As to Franz, he had no letter of
credit, as he lived at Florence, and had only come to Rome
to pass seven or eight days; he had brought but a hundred
louis, and of these he had not more than fifty left. Thus
seven or eight hundred piastres were wanting to them both to
make up the sum that Albert required. True, he might in such
a case rely on the kindness of Signor Torlonia. He was,
therefore, about to return to the Palazzo Bracciano without
loss of time, when suddenly a luminous idea crossed his
mind. He remembered the Count of Monte Cristo. Franz was
about to ring for Signor Pastrini, when that worthy
presented himself. "My dear sir," he said, hastily, "do you
know if the count is within?"

"Yes, your excellency; he has this moment returned."

"Is he in bed?"

"I should say no."

"Then ring at his door, if you please, and request him to be
so kind as to give me an audience." Signor Pastrini did as
he was desired, and returning five minutes after, he said,
-- "The count awaits your excellency." Franz went along the
corridor, and a servant introduced him to the count. He was
in a small room which Franz had not yet seen, and which was
surrounded with divans. The count came towards him. "Well,
what good wind blows you hither at this hour?" said he;
"have you come to sup with me? It would be very kind of
you."

"No; I have come to speak to you of a very serious matter."

"A serious matter," said the count, looking at Franz with
the earnestness usual to him; "and what may it be?"

"Are we alone?"

"Yes," replied the count, going to the door, and returning.
Franz gave him Albert's letter. "Read that," he said. The
count read it.

"Well, well!" said he.

"Did you see the postscript?"

"I did, indeed.

"`Se alle sei della mattina le quattro mile piastre non sono
nelle mie mani, alla sette il conte Alberto avra cessato di
vivere.

"`Luigi Vampa.'"

"What think you of that?" inquired Franz.

"Have you the money he demands?"

"Yes, all but eight hundred piastres." The count went to his
secretary, opened it, and pulling out a drawer filled with
gold, said to Franz, -- "I hope you will not offend me by
applying to any one but myself."

"You see, on the contrary, I come to you first and
instantly," replied Franz.

"And I thank you; have what you will; "and he made a sign to
Franz to take what he pleased.

"Is it absolutely necessary, then, to send the money to
Luigi Vampa?" asked the young man, looking fixedly in his
turn at the count.

"Judge for yourself," replied he. "The postscript is
explicit."

"I think that if you would take the trouble of reflecting,
you could find a way of simplifying the negotiation," said
Franz.

"How so?" returned the count, with surprise.

"If we were to go together to Luigi Vampa, I am sure he
would not refuse you Albert's freedom."

"What influence can I possibly have over a bandit?"

"Have you not just rendered him a service that can never be
forgotten?"

"What is that?"

"Have you not saved Peppino's life?"

"Well, well, said the count, "who told you that?"

"No matter; I know it." The count knit his brows, and
remained silent an instant. "And if I went to seek Vampa,
would you accompany me?"

"If my society would not be disagreeable."

"Be it so. It is a lovely night, and a walk without Rome
will do us both good."

"Shall I take any arms?"

"For what purpose?"

"Any money?"

"It is useless. Where is the man who brought the letter?"

"In the street."

"He awaits the answer?"

"Yes."

"I must learn where we are going. I will summon him hither."

"It is useless; he would not come up."

"To your apartments, perhaps; but he will not make any
difficulty at entering mine." The count went to the window
of the apartment that looked on to the street, and whistled
in a peculiar manner. The man in the mantle quitted the
wall, and advanced into the middle of the street. "Salite!"
said the count, in the same tone in which he would have
given an order to his servant. The messenger obeyed without
the least hesitation, but rather with alacrity, and,
mounting the steps at a bound, entered the hotel; five
seconds afterwards he was at the door of the room. "Ah, it
is you, Peppino," said the count. But Peppino, instead of
answering, threw himself on his knees, seized the count's
hand, and covered it with kisses. "Ah," said the count, "you
have, then, not forgotten that I saved your life; that is
strange, for it is a week ago."

"No, excellency; and never shall I forget it," returned
Peppino, with an accent of profound gratitude.

"Never? That is a long time; but it is something that you
believe so. Rise and answer." Peppino glanced anxiously at
Franz. "Oh, you may speak before his excellency," said he;
"he is one of my friends. You allow me to give you this
title?" continued the count in French, "it is necessary to
excite this man's confidence."

"You can speak before me," said Franz; "I am a friend of the
count's."

"Good!" returned Peppino. "I am ready to answer any
questions your excellency may address to me."

"How did the Viscount Albert fall into Luigi's hands?"

"Excellency, the Frenchman's carriage passed several times
the one in which was Teresa."

"The chief's mistress?"

"Yes. The Frenchman threw her a bouquet; Teresa returned it
-- all this with the consent of the chief, who was in the
carriage."

"What?" cried Franz, "was Luigi Vampa in the carriage with
the Roman peasants?"

"It was he who drove, disguised as the coachman," replied
Peppino.

"Well?" said the count.

"Well, then, the Frenchman took off his mask; Teresa, with
the chief's consent, did the same. The Frenchman asked for a
rendezvous; Teresa gave him one -- only, instead of Teresa,
it was Beppo who was on the steps of the church of San
Giacomo."

"What!" exclaimed Franz, "the peasant girl who snatched his
mocoletto from him" --

"Was a lad of fifteen," replied Peppino. "But it was no
disgrace to your friend to have been deceived; Beppo has
taken in plenty of others."

"And Beppo led him outside the walls?" said the count.

"Exactly so; a carriage was waiting at the end of the Via
Macello. Beppo got in, inviting the Frenchman to follow him,
and he did not wait to be asked twice. He gallantly offered
the right-hand seat to Beppo, and sat by him. Beppo told him
he was going to take him to a villa a league from Rome; the
Frenchman assured him he would follow him to the end of the
world. The coachman went up the Via di Ripetta and the Porta
San Paola; and when they were two hundred yards outside, as
the Frenchman became somewhat too forward, Beppo put a brace
of pistols to his head, the coachman pulled up and did the
same. At the same time, four of the band, who were concealed
on the banks of the Almo, surrounded the carriage. The
Frenchman made some resistance, and nearly strangled Beppo;
but he could not resist five armed men. and was forced to
yield. They made him get out, walk along the banks of the
river, and then brought him to Teresa and Luigi, who were
waiting for him in the catacombs of St. Sebastian."

"Well," said the count, turning towards Franz, "it seems to
me that this is a very likely story. What do you say to it?"

"Why, that I should think it very amusing," replied Franz,
"if it had happened to any one but poor Albert."

"And, in truth, if you had not found me here," said the
count, "it might have proved a gallant adventure which would
have cost your friend dear; but now, be assured, his alarm
will be the only serious consequence."

"And shall we go and find him?" inquired Franz.

"Oh, decidedly, sir. He is in a very picturesque place -- do
you know the catacombs of St. Sebastian?"

"I was never in them; but I have often resolved to visit
them."

"Well, here is an opportunity made to your hand, and it
would be difficult to contrive a better. Have you a
carriage?"

"No."

"That is of no consequence; I always have one ready, day and
night."

"Always ready?"

"Yes. I am a very capricious being, and I should tell you
that sometimes when I rise, or after my dinner, or in the
middle of the night, I resolve on starting for some
particular point, and away I go." The count rang, and a
footman appeared. "Order out the carriage," he said, "and
remove the pistols which are in the holsters. You need not
awaken the coachman; Ali will drive." In a very short time
the noise of wheels was heard, and the carriage stopped at
the door. The count took out his watch. "Half-past twelve,"
he said. "We might start at five o'clock and be in time, but
the delay may cause your friend to pass an uneasy night, and
therefore we had better go with all speed to extricate him
from the hands of the infidels. Are you still resolved to
accompany me?"

"More determined than ever."

"Well, then, come along."

Franz and the count went downstairs, accompanied by Peppino.
At the door they found the carriage. Ali was on the box, in
whom Franz recognized the dumb slave of the grotto of Monte
Cristo. Franz and the count got into the carriage. Peppino
placed himself beside Ali, and they set off at a rapid pace.
Ali had received his instructions, and went down the Corso,
crossed the Campo Vaccino, went up the Strada San Gregorio,
and reached the gates of St. Sebastian. Then the porter
raised some difficulties, but the Count of Monte Cristo
produced a permit from the governor of Rome, allowing him to
leave or enter the city at any hour of the day or night; the
portcullis was therefore raised, the porter had a louis for
his trouble, and they went on their way. The road which the
carriage now traversed was the ancient Appian Way, and
bordered with tombs. From time to time, by the light of the
moon, which began to rise, Franz imagined that he saw
something like a sentinel appear at various points among the
ruins, and suddenly retreat into the darkness on a signal
from Peppino. A short time before they reached the Baths of
Caracalla the carriage stopped, Peppino opened the door, and
the count and Franz alighted.

"In ten minutes," said the count to his companion, "we shall
be there."

He then took Peppino aside, gave him an order in a low
voice, and Peppino went away, taking with him a torch,
brought with them in the carriage. Five minutes elapsed,
during which Franz saw the shepherd going along a narrow
path that led over the irregular and broken surface of the
Campagna; and finally he disappeared in the midst of the
tall red herbage, which seemed like the bristling mane of an
enormous lion. "Now," said the count, "let us follow him."
Franz and the count in their turn then advanced along the
same path, which, at the distance of a hundred paces, led
them over a declivity to the bottom of a small valley. They
then perceived two men conversing in the obscurity. "Ought
we to go on?" asked Franz of the count; "or shall we wait
awhile?"

"Let us go on; Peppino will have warned the sentry of our
coming." One of the two men was Peppino, and the other a
bandit on the lookout. Franz and the count advanced, and the
bandit saluted them. "Your excellency," said Peppino,
addressing the count, "if you will follow me, the opening of
the catacombs is close at hand."

"Go on, then," replied the count. They came to an opening
behind a clump of bushes and in the midst of a pile of
rocks, by which a man could scarcely pass. Peppino glided
first into this crevice; after they got along a few paces
the passage widened. Peppino passed, lighted his torch, and
turned to see if they came after him. The count first
reached an open space and Franz followed him closely. The
passageway sloped in a gentle descent, enlarging as they
proceeded; still Franz and the count were compelled to
advance in a stooping posture, and were scarcely able to
proceed abreast of one another. They went on a hundred and
fifty paces in this way, and then were stopped by, "Who
comes there?" At the same time they saw the reflection of a
torch on a carbine barrel.

"A friend!" responded Peppino; and, advancing alone towards
the sentry, he said a few words to him in a low tone; and
then he, like the first, saluted the nocturnal visitors,
making a sign that they might proceed.

Behind the sentinel was a staircase with twenty steps. Franz
and the count descended these, and found themselves in a
mortuary chamber. Five corridors diverged like the rays of a
star, and the walls, dug into niches, which were arranged
one above the other in the shape of coffins, showed that
they were at last in the catacombs. Down one of the
corridors, whose extent it was impossible to determine, rays
of light were visible. The count laid his hand on Franz's
shoulder. "Would you like to see a camp of bandits in
repose?" he inquired.

"Exceedingly," replied Franz.

"Come with me, then. Peppino, put out the torch." Peppino
obeyed, and Franz and the count were in utter darkness,
except that fifty paces in advance of them a reddish glare,
more evident since Peppino had put out his torch, was
visible along the wall. They advanced silently, the count
guiding Franz as if he had the singular faculty of seeing in
the dark. Franz himself, however, saw his way more plainly
in proportion as he went on towards the light, which served
in some manner as a guide. Three arcades were before them,
and the middle one was used as a door. These arcades opened
on one side into the corridor where the count and Franz
were, and on the other into a large square chamber, entirely
surrounded by niches similar to those of which we have
spoken. In the midst of this chamber were four stones, which
had formerly served as an altar, as was evident from the
cross which still surmounted them. A lamp, placed at the
base of a pillar, lighted up with its pale and flickering
flame the singular scene which presented itself to the eyes
of the two visitors concealed in the shadow. A man was
seated with his elbow leaning on the column, and was reading
with his back turned to the arcades, through the openings of
which the newcomers contemplated him. This was the chief of
the band, Luigi Vampa. Around him, and in groups, according
to their fancy, lying in their mantles, or with their backs
against a sort of stone bench, which went all round the
columbarium, were to be seen twenty brigands or more, each
having his carbine within reach. At the other end, silent,
scarcely visible, and like a shadow, was a sentinel, who was
walking up and down before a grotto, which was only
distinguishable because in that spot the darkness seemed
more dense than elsewhere. When the count thought Franz had
gazed sufficiently on this picturesque tableau, he raised
his finger to his lips, to warn him to be silent, and,
ascending the three steps which led to the corridor of the
columbarium, entered the chamber by the middle arcade, and
advanced towards Vampa, who was so intent on the book before
him that he did not hear the noise of his footsteps.

"Who comes there?" cried the sentinel, who was less
abstracted, and who saw by the lamp-light a shadow
approaching his chief. At this challenge, Vampa rose
quickly, drawing at the same moment a pistol from his
girdle. In a moment all the bandits were on their feet, and
twenty carbines were levelled at the count. "Well," said he
in a voice perfectly calm, and no muscle of his countenance
disturbed, "well, my dear Vampa, it appears to me that you
receive a friend with a great deal of ceremony."

"Ground arms," exclaimed the chief, with an imperative sign
of the hand, while with the other he took off his hat
respectfully; then, turning to the singular personage who
had caused this scene, he said, "Your pardon, your
excellency, but I was so far from expecting the honor of a
visit, that I did not really recognize you."

"It seems that your memory is equally short in everything,
Vampa," said the count, "and that not only do you forget
people's faces, but also the conditions you make with them."

"What conditions have I forgotten, your excellency?"
inquired the bandit, with the air of a man who, having
committed an error, is anxious to repair it.

"Was it not agreed," asked the count, "that not only my
person, but also that of my friends, should be respected by
you?"

"And how have I broken that treaty, your excellency?"

"You have this evening carried off and conveyed hither the
Vicomte Albert de Morcerf. Well," continued the count, in a
tone that made Franz shudder, "this young gentleman is one
of my friends -- this young gentleman lodges in the same
hotel as myself -- this young gentleman has been up and down
the Corso for eight hours in my private carriage, and yet, I
repeat to you, you have carried him off, and conveyed him
hither, and," added the count, taking the letter from his
pocket, "you have set a ransom on him, as if he were an
utter stranger."

"Why did you not tell me all this -- you?" inquired the
brigand chief, turning towards his men, who all retreated
before his look. "Why have you caused me thus to fail in my
word towards a gentleman like the count, who has all our
lives in his hands? By heavens, if I thought one of you knew
that the young gentleman was the friend of his excellency, I
would blow his brains out with my own hand!"

"Well," said the count, turning towards Franz, "I told you
there was some mistake in this."

"Are you not alone?" asked Vampa with uneasiness.

"I am with the person to whom this letter was addressed, and
to whom I desired to prove that Luigi Vampa was a man of his
word. Come, your excellency," the count added, turning to
Franz, "here is Luigi Vampa, who will himself express to you
his deep regret at the mistake he has committed." Franz
approached, the chief advancing several steps to meet him.
"Welcome among us, your excellency," he said to him; "you
heard what the count just said, and also my reply; let me
add that I would not for the four thousand piastres at which
I had fixed your friend's ransom, that this had happened."

"But," said Franz, looking round him uneasily, "where is the
Viscount? -- I do not see him."

"Nothing has happened to him, I hope," said the count
frowningly.

"The prisoner is there," replied Vampa, pointing to the
hollow space in front of which the bandit was on guard, "and
I will go myself and tell him he is free." The chief went
towards the place he had pointed out as Albert's prison, and
Franz and the count followed him. "What is the prisoner
doing?" inquired Vampa of the sentinel.

"Ma foi, captain," replied the sentry, "I do not know; for
the last hour I have not heard him stir."

"Come in, your excellency," said Vampa. The count and Franz
ascended seven or eight steps after the chief, who drew back
a bolt and opened a door. Then, by the gleam of a lamp,
similar to that which lighted the columbarium, Albert was to
be seen wrapped up in a cloak which one of the bandits had
lent him, lying in a corner in profound slumber. "Come,"
said the count, smiling with his own peculiar smile, "not so
bad for a man who is to be shot at seven o'clock to-morrow
morning." Vampa looked at Albert with a kind of admiration;
he was not insensible to such a proof of courage.

"You are right, your excellency," he said; "this must be one
of your friends." Then going to Albert, he touched him on
the shoulder, saying, "Will your excellency please to
awaken?" Albert stretched out his arms, rubbed his eyelids,
and opened his eyes. "Oh," said he, "is it you, captain? You
should have allowed me to sleep. I had such a delightful
dream. I was dancing the galop at Torlonia's with the
Countess G---- ." Then he drew his watch from his pocket,
that he might see how time sped.

"Half-past one only?" said he. "Why the devil do you rouse
me at this hour?"

"To tell you that you are free, your excellency."

"My dear fellow," replied Albert, with perfect ease of mind,
"remember, for the future, Napoleon's maxim, `Never awaken
me but for bad news;' if you had let me sleep on, I should
have finished my galop, and have been grateful to you all my
life. So, then, they have paid my ransom?"

"No, your excellency."

"Well, then, how am I free?"

"A person to whom I can refuse nothing has come to demand
you."

"Come hither?"

"Yes, hither."

"Really? Then that person is a most amiable person." Albert
looked around and perceived Franz. "What," said he, "is it
you, my dear Franz, whose devotion and friendship are thus
displayed?"

"No, not I," replied Franz, "but our neighbor, the Count of
Monte Cristo."

"Oh. my dear count." said Albert gayly, arranging his cravat
and wristbands, "you are really most kind, and I hope you
will consider me as under eternal obligations to you, in the
first place for the carriage, and in the next for this
visit," and he put out his hand to the Count, who shuddered
as he gave his own, but who nevertheless did give it. The
bandit gazed on this scene with amazement; he was evidently
accustomed to see his prisoners tremble before him, and yet
here was one whose gay temperament was not for a moment
altered; as for Franz, he was enchanted at the way in which
Albert had sustained the national honor in the presence of
the bandit. "My dear Albert," he said, "if you will make
haste, we shall yet have time to finish the night at
Torlonia's. You may conclude your interrupted galop, so that
you will owe no ill-will to Signor Luigi, who has, indeed,
throughout this whole affair acted like a gentleman."

"You are decidedly right, and we may reach the Palazzo by
two o'clock. Signor Luigi," continued Albert, "is there any
formality to fulfil before I take leave of your excellency?"

"None, sir," replied the bandit, "you are as free as air."

"Well, then, a happy and merry life to you. Come, gentlemen,
come."

And Albert, followed by Franz and the count, descended the
staircase, crossed the square chamber, where stood all the
bandits, hat in hand. "Peppino," said the brigand chief,
"give me the torch."

"What are you going to do?" inquired the count.

"l will show you the way back myself," said the captain;
"that is the least honor that I can render to your
excellency." And taking the lighted torch from the hands of
the herdsman, he preceded his guests, not as a servant who
performs an act of civility, but like a king who precedes
ambassadors. On reaching the door, he bowed. "And now, your
excellency," added he, "allow me to repeat my apologies, and
I hope you will not entertain any resentment at what has
occurred."

"No, my dear Vampa," replied the count; "besides, you
compensate for your mistakes in so gentlemanly a way, that
one almost feels obliged to you for having committed them."

"Gentlemen," added the chief, turning towards the young men,
"perhaps the offer may not appear very tempting to you; but
if you should ever feel inclined to pay me a second visit,
wherever I may be, you shall be welcome." Franz and Albert
bowed. The count went out first, then Albert. Franz paused
for a moment. "Has your excellency anything to ask me?" said
Vampa with a smile.

"Yes, I have," replied Franz; "I am curious to know what
work you were perusing with so much attention as we
entered."

"Caesar's `Commentaries,'" said the bandit, "it is my
favorite work."

"Well, are you coming?" asked Albert.

"Yes," replied Franz, "here I am," and he, in his turn, left
the caves. They advanced to the plain. "Ah, your pardon,"
said Albert, turning round; "will you allow me, captain?"
And he lighted his cigar at Vampa's torch. "Now, my dear
count," he said, "let us on with all the speed we may. I am
enormously anxious to finish my night at the Duke of
Bracciano's." They found the carriage where they had left
it. The count said a word in Arabic to Ali, and the horses
went on at great speed. It was just two o'clock by Albert's
watch when the two friends entered into the dancing-room.
Their return was quite an event, but as they entered
together, all uneasiness on Albert's account ceased
instantly. "Madame," said the Viscount of Morcerf, advancing
towards the countess, "yesterday you were so condescending
as to promise me a galop; I am rather late in claiming this
gracious promise, but here is my friend, whose character for
veracity you well know, and he will assure you the delay
arose from no fault of mine." And as at this moment the
orchestra gave the signal for the waltz, Albert put his arm
round the waist of the countess, and disappeared with her in
the whirl of dancers. In the meanwhile Franz was considering
the singular shudder that had passed over the Count of Monte
Cristo at the moment when he had been, in some sort, forced
to give his hand to Albert.

Chapter 38
The Compact.

The first words that Albert uttered to his friend, on the
following morning, contained a request that Franz would
accompany him on a visit to the count; true, the young man
had warmly and energetically thanked the count on the
previous evening; but services such as he had rendered could
never be too often acknowledged. Franz, who seemed attracted
by some invisible influence towards the count, in which
terror was strangely mingled, felt an extreme reluctance to
permit his friend to be exposed alone to the singular
fascination that this mysterious personage seemed to
exercise over him, and therefore made no objection to
Albert's request, but at once accompanied him to the desired
spot, and, after a short delay, the count joined them in the
salon. "My dear count," said Albert, advancing to meet him,
"permit me to repeat the poor thanks I offered last night,
and to assure you that the remembrance of all I owe to you
will never be effaced from my memory; believe me, as long as
I live, I shall never cease to dwell with grateful
recollection on the prompt and important service you
rendered me; and also to remember that to you I am indebted
even for my life."

"My very good friend and excellent neighbor," replied the
count, with a smile, "you really exaggerate my trifling
exertions. You owe me nothing but some trifle of 20,000
francs, which you have been saved out of your travelling
expenses, so that there is not much of a score between us;
-- but you must really permit me to congratulate you on the
ease and unconcern with which you resigned yourself to your
fate, and the perfect indifference you manifested as to the
turn events might take."

"Upon my word," said Albert, "I deserve no credit for what I
could not help, namely, a determination to take everything
as I found it, and to let those bandits see, that although
men get into troublesome scrapes all over the world, there
is no nation but the French that can smile even in the face
of grim Death himself. All that, however, has nothing to do
with my obligations to you, and I now come to ask you
whether, in my own person, my family, or connections, I can
in any way serve you? My father, the Comte de Morcerf,
although of Spanish origin, possesses considerable
influence, both at the court of France and Madrid, and I
unhesitatingly place the best services of myself, and all to
whom my life is dear, at your disposal."

"Monsieur de Morcerf," replied the count, "your offer, far
from surprising me, is precisely what I expected from you,
and I accept it in the same spirit of hearty sincerity with
which it is made; -- nay, I will go still further, and say
that I had previously made up my mind to ask a great favor
at your hands."

"Oh, pray name it."

"I am wholly a stranger to Paris -- it is a city I have
never yet seen."

"Is it possible," exclaimed Albert, "that you have reached
your present age without visiting the finest capital in the
world? I can scarcely credit it."

"Nevertheless, it is quite true; still, I agree with you in
thinking that my present ignorance of the first city in
Europe is a reproach to me in every way, and calls for
immediate correction; but, in all probability, I should have
performed so important, so necessary a duty, as that of
making myself acquainted with the wonders and beauties of
your justly celebrated capital, had I known any person who
would have introduced me into the fashionable world, but
unfortunately I possessed no acquaintance there, and, of
necessity, was compelled to abandon the idea."

"So distinguished an individual as yourself," cried Albert,
"could scarcely have required an introduction."

"You are most kind; but as regards myself, I can find no
merit I possess, save that, as a millionaire, I might have
become a partner in the speculations of M. Aguado and M.
Rothschild; but as my motive in travelling to your capital
would not have been for the pleasure of dabbling in stocks,
I stayed away till some favorable chance should present
itself of carrying my wish into execution. Your offer,
however, smooths all difficulties, and I have only to ask
you, my dear M. de Morcerf" (these words were accompanied by
a most peculiar smile), "whether you undertake, upon my
arrival in France, to open to me the doors of that
fashionable world of which I know no more than a Huron or a
native of Cochin-China?"

"Oh, that I do, and with infinite pleasure," answered
Albert; "and so much the more readily as a letter received
this morning from my father summons me to Paris, in
consequence of a treaty of marriage (my dear Franz, do not
smile, I beg of you) with a family of high standing, and
connected with the very cream of Parisian society."

"Connected by marriage, you mean," said Franz, laughingly.

"Well, never mind how it is," answered Albert, "it comes to
the same thing in the end. Perhaps by the time you return to
Paris, I shall be quite a sober, staid father of a family! A
most edifying representative I shall make of all the
domestic virtues -- don't you think so? But as regards your
wish to visit our fine city, my dear count, I can only say
that you may command me and mine to any extent you please."

"Then it is settled," said the count, "and I give you my
solemn assurance that I only waited an opportunity like the
present to realize plans that I have long meditated." Franz
did not doubt that these plans were the same concerning
which the count had dropped a few words in the grotto of
Monte Cristo, and while the Count was speaking the young man
watched him closely, hoping to read something of his purpose
in his face, but his countenance was inscrutable especially
when, as in the present case, it was veiled in a sphinx-like
smile. "But tell me now, count," exclaimed Albert, delighted
at the idea of having to chaperon so distinguished a person
as Monte Cristo; "tell me truly whether you are in earnest,
or if this project of visiting Paris is merely one of the
chimerical and uncertain air castles of which we make so
many in the course of our lives, but which, like a house
built on the sand, is liable to be blown over by the first
puff of wind?"

"I pledge you my honor," returned the count, "that I mean to
do as I have said; both inclination and positive necessity
compel me to visit Paris."

"When do you propose going thither?"

"Have you made up your mind when you shall be there
yourself?"

"Certainly I have; in a fortnight or three weeks' time, that
is to say, as fast as I can get there!"

"Nay," said the Count; "I will give you three months ere I
join you; you see I make an ample allowance for all delays
and difficulties.

"And in three months' time," said Albert, "you will be at my
house?"

"Shall we make a positive appointment for a particular day
and hour?" inquired the count; "only let me warn you that I
am proverbial for my punctilious exactitude in keeping my
engagements."

"Day for day, hour for hour," said Albert; "that will suit
me to a dot."

"So be it, then," replied the count, and extending his hand
towards a calendar, suspended near the chimney-piece, he
said, "to-day is the 21st of February;" and drawing out his
watch, added, "it is exactly half-past ten o'clock. Now
promise me to remember this, and expect me the 21st of May
at the same hour in the forenoon."

"Capital," exclaimed Albert; "your breakfast shall be
waiting."

"Where do you live?"

"No. 27, Rue du Helder."

"Have you bachelor's apartments there? I hope my coming will
not put you to any inconvenience."

"I reside in my father's house, but occupy a pavilion at the
farther side of the court-yard, entirely separated from the
main building."

"Quite sufficient," replied the count, as, taking out his
tablets, he wrote down "No. 27, Rue du Helder, 21st May,
half-past ten in the morning."

"Now then," said the count, returning his tablets to his
pocket, "make yourself perfectly easy; the hand of your
time-piece will not be more accurate in marking the time
than myself."

"Shall I see you again ere my departure?" asked Albert.

"That depends; when do you leave?"

"To-morrow evening, at five o'clock."

"In that case I must say adieu to you, as I am compelled to
go to Naples, and shall not return hither before Saturday
evening or Sunday morning. And you, baron," pursued the
count, addressing Franz, "do you also depart to-morrow?"

"Yes."

"For France?"

"No, for Venice; I shall remain in Italy for another year or
two."

"Then we shall not meet in Paris?"

"I fear I shall not have that honor."

"Well, since we must part," said the count, holding out a
hand to each of the young men, "allow me to wish you both a
safe and pleasant journey." It was the first time the hand
of Franz had come in contact with that of the mysterious
individual before him, and unconsciously he shuddered at its
touch, for it felt cold and icy as that of a corpse. "Let us
understand each other," said Albert; "it is agreed -- is it
not? -- that you are to be at No. 27, in the Rue du Helder,
on the 21st of May, at half-past ten in the morning, and
your word of honor passed for your punctuality?"

"The 21st of May, at half-past ten in the morning, Rue du
Helder, No. 27," replied the Count. The young men then rose,
and bowing to the count, quitted the room. "What is the
matter?" asked Albert of Franz, when they had returned to
their own apartments; "you seem more than commonly
thoughtful."

"I will confess to you, Albert," replied Franz, "the count
is a very singular person, and the appointment you have made
to meet him in Paris fills me with a thousand
apprehensions."

"My dear fellow," exclaimed Albert, "what can there possibly
be in that to excite uneasiness? Why, you must have lost
your senses."

"Whether I am in my senses or not," answered Franz, "that is
the way I feel."

"Listen to me, Franz," said Albert; "I am glad that the
occasion has presented itself for saying this to you, for I
have noticed how cold you are in your bearing towards the
count, while he, on the other hand, has always been courtesy
itself to us. Have you anything particular against him?"

"Possibly."

"Did you ever meet him previously to coming hither?"

"I have."

"And where?"

"Will you promise me not to repeat a single word of what I
am about to tell you?"

"I promise."

"Upon your honor?"

"Upon my honor."

"Then listen to me." Franz then related to his friend the
history of his excursion to the Island of Monte Cristo and
of his finding a party of smugglers there, and the two
Corsican bandits with them. He dwelt with considerable force
and energy on the almost magical hospitality he had received
from the count, and the magnificence of his entertainment in
the grotto of the "Thousand and One Nights." He recounted,
with circumstantial exactitude, all the particulars of the
supper, the hashish, the statues, the dream, and how, at his
awakening, there remained no proof or trace of all these
events, save the small yacht, seen in the distant horizon
driving under full sail toward Porto-Vecchio. Then he
detailed the conversation overheard by him at the Colosseum,
between the count and Vampa, in which the count had promised
to obtain the release of the bandit Peppino, -- an
engagement which, as our readers are aware, he most
faithfully fulfilled. At last he arrived at the adventure of
the preceding night, and the embarrassment in which he found
himself placed by not having sufficient cash by six or seven
hundred piastres to make up the sum required, and finally of
his application to the count and the picturesque and
satisfactory result that followed. Albert listened with the
most profound attention. "Well," said he, when Franz had
concluded, "what do you find to object to in all you have
related? The count is fond of travelling, and, being rich,
possesses a vessel of his own. Go but to Portsmouth or
Southampton, and you will find the harbors crowded with the
yachts belonging to such of the English as can afford the
expense, and have the same liking for this amusement. Now,
by way of having a resting-place during his excursions,
avoiding the wretched cookery -- which has been trying its
best to poison me during the last four months, while you
have manfully resisted its effects for as many years, -- and
obtaining a bed on which it is possible to slumber, Monte
Cristo has furnished for himself a temporary abode where you
first found him; but, to prevent the possibility of the
Tuscan government taking a fancy to his enchanted palace,
and thereby depriving him of the advantages naturally
expected from so large an outlay of capital, he has wisely
enough purchased the island, and taken its name. Just ask
yourself, my good fellow, whether there are not many persons
of our acquaintance who assume the names of lands and
properties they never in their lives were masters of?"

"But," said Franz, "the Corsican bandits that were among the
crew of his vessel?"

"Why, really the thing seems to me simple enough. Nobody
knows better than yourself that the bandits of Corsica are
not rogues or thieves, but purely and simply fugitives,
driven by some sinister motive from their native town or
village, and that their fellowship involves no disgrace or
stigma; for my own part, I protest that, should I ever go to
Corsica, my first visit, ere even I presented myself to the
mayor or prefect, should be to the bandits of Colomba, if I
could only manage to find them; for, on my conscience, they
are a race of men I admire greatly."

"Still," persisted Franz, "I suppose you will allow that
such men as Vampa and his band are regular villains, who
have no other motive than plunder when they seize your
person. How do you explain the influence the count evidently
possessed over those ruffians?"

"My good friend, as in all probability I own my present
safety to that influence, it would ill become me to search
too closely into its source; therefore, instead of
condemning him for his intimacy with outlaws, you must give
me leave to excuse any little irregularity there may be in
such a connection; not altogether for preserving my life,
for my own idea was that it never was in much danger, but
certainly for saving me 4,000 piastres, which, being
translated, means neither more nor less than 24,000 livres
of our money -- a sum at which, most assuredly, I should
never have been estimated in France, proving most
indisputably," added Albert with a laugh, "that no prophet
is honored in his own country."

"Talking of countries," replied Franz, "of what country is
the count, what is his native tongue, whence does he derive
his immense fortune, and what were those events of his early
life -- a life as marvellous as unknown -- that have
tinctured his succeeding years with so dark and gloomy a
misanthropy? Certainly these are questions that, in your
place, I should like to have answered."

"My dear Franz," replied Albert, "when, upon receipt of my
letter, you found the necessity of asking the count's
assistance, you promptly went to him, saying, `My friend
Albert de Morcerf is in danger; help me to deliver him.' Was
not that nearly what you said?"

"It was."

"Well, then, did he ask you, `Who is M. Albert de Morcerf?
how does he come by his name -- his fortune? what are his
means of existence? what is his birthplace! of what country
is he a native?' Tell me, did he put all these questions to
you?"

"I confess he asked me none."

"No; he merely came and freed me from the hands of Signor
Vampa, where, I can assure you, in spite of all my outward
appearance of ease and unconcern, I did not very
particularly care to remain. Now, then, Franz, when, for
services so promptly and unhesitatingly rendered, he but
asks me in return to do for him what is done daily for any
Russian prince or Italian nobleman who may pass through
Paris -- merely to introduce him into society -- would you
have me refuse? My good fellow, you must have lost your
senses to think it possible I could act with such
cold-blooded policy." And this time it must be confessed
that, contrary to the usual state of affairs in discussions
between the young men, the effective arguments were all on
Albert's side.

"Well," said Franz with a sigh, "do as you please my dear
viscount, for your arguments are beyond my powers of
refutation. Still, in spite of all, you must admit that this
Count of Monte Cristo is a most singular personage."

"He is a philanthropist," answered the other; "and no doubt
his motive in visiting Paris is to compete for the Monthyon
prize, given, as you are aware, to whoever shall be proved
to have most materially advanced the interests of virtue and
humanity. If my vote and interest can obtain it for him, I
will readily give him the one and promise the other. And
now, my dear Franz, let us talk of something else. Come,
shall we take our luncheon, and then pay a last visit to St.
Peter's?" Franz silently assented; and the following
afternoon, at half-past five o'clock, the young men parted.
Albert de Morcerf to return to Paris, and Franz d'Epinay to
pass a fortnight at Venice. But, ere he entered his
travelling carriage, Albert, fearing that his expected guest
might forget the engagement he had entered into, placed in
the care of a waiter at the hotel a card to be delivered to
the Count of Monte Cristo, on which, beneath the name of
Vicomte Albert de Morcerf, he had written in pencil -- "27,
Rue du Helder, on the 21st May, half-past ten A.M."

Chapter 39
The Guests.

In the house in the Rue du Helder, where Albert had invited
the Count of Monte Cristo, everything was being prepared on
the morning of the 21st of May to do honor to the occasion.
Albert de Morcerf inhabited a pavilion situated at the
corner of a large court, and directly opposite another
building, in which were the servants' apartments. Two
windows only of the pavilion faced the street; three other
windows looked into the court, and two at the back into the
garden. Between the court and the garden, built in the heavy
style of the imperial architecture, was the large and
fashionable dwelling of the Count and Countess of Morcerf. A
high wall surrounded the whole of the hotel, surmounted at
intervals by vases filled with flowers, and broken in the
centre by a large gate of gilded iron, which served as the
carriage entrance. A small door, close to the lodge of the
concierge, gave ingress and egress to the servants and
masters when they were on foot.

It was easy to discover that the delicate care of a mother,
unwilling to part from her son, and yet aware that a young
man of the viscount's age required the full exercise of his
liberty, had chosen this habitation for Albert. There were
not lacking, however, evidences of what we may call the
intelligent egoism of a youth who is charmed with the
indolent, careless life of an only son, and who lives as it
were in a gilded cage. By means of the two windows looking
into the street, Albert could see all that passed; the sight
of what is going on is necessary to young men, who always
want to see the world traverse their horizon, even if that
horizon is only a public thoroughfare. Then, should anything
appear to merit a more minute examination, Albert de Morcerf
could follow up his researches by means of a small gate,
similar to that close to the concierge's door, and which
merits a particular description. It was a little entrance
that seemed never to have been opened since the house was
built, so entirely was it covered with dust and dirt; but
the well-oiled hinges and locks told quite another story.
This door was a mockery to the concierge, from whose
vigilance and jurisdiction it was free, and, like that
famous portal in the "Arabian Nights," opening at the
"Sesame" of Ali Baba, it was wont to swing backward at a
cabalistic word or a concerted tap from without from the
sweetest voices or whitest fingers in the world. At the end
of a long corridor, with which the door communicated, and
which formed the ante-chamber, was, on the right, Albert's
breakfast-room, looking into the court, and on the left the
salon, looking into the garden. Shrubs and creeping plants
covered the windows, and hid from the garden and court these
two apartments, the only rooms into which, as they were on
the ground-floor, the prying eyes of the curious could
penetrate. On the floor above were similar rooms, with the
addition of a third, formed out of the ante-chamber; these
three rooms were a salon, a boudoir, and a bedroom. The
salon down-stairs was only an Algerian divan, for the use of
smokers. The boudoir up-stairs communicated with the
bed-chamber by an invisible door on the staircase; it was
evident that every precaution had been taken. Above this
floor was a large atelier, which had been increased in size
by pulling down the partitions -- a pandemonium, in which
the artist and the dandy strove for preeminence. There were
collected and piled up all Albert's successive caprices,
hunting-horns, bass-viols, flutes -- a whole orchestra, for
Albert had had not a taste but a fancy for music; easels,
palettes, brushes, pencils -- for music had been succeeded
by painting; foils, boxing-gloves, broadswords, and
single-sticks -- for, following the example of the
fashionable young men of the time, Albert de Morcerf
cultivated, with far more perseverance than music and
drawing, the three arts that complete a dandy's education,
i.e., fencing, boxing, and single-stick; and it was here
that he received Grisier, Cook, and Charles Leboucher. The
rest of the furniture of this privileged apartment consisted
of old cabinets, filled with Chinese porcelain and Japanese
vases, Lucca della Robbia faience, and Palissy platters; of
old arm-chairs, in which perhaps had sat Henry IV. or Sully,
Louis XIII. or Richelieu -- for two of these arm-chairs,
adorned with a carved shield, on which were engraved the
fleur-de-lis of France on an azure field evidently came from
the Louvre, or, at least, some royal residence. Over these
dark and sombre chairs were thrown splendid stuffs, dyed
beneath Persia's sun, or woven by the fingers of the women
of Calcutta or of Chandernagor. What these stuffs did there,
it was impossible to say; they awaited, while gratifying the
eyes, a destination unknown to their owner himself; in the
meantime they filled the place with their golden and silky
reflections. In the centre of the room was a Roller and
Blanchet "baby grand" piano in rosewood, but holding the
potentialities of an orchestra in its narrow and sonorous
cavity, and groaning beneath the weight of the
chefs-d'oeuvre of Beethoven, Weber, Mozart, Haydn, Gretry,
and Porpora. On the walls, over the doors, on the ceiling,
were swords, daggers, Malay creeses, maces, battle-axes;
gilded, damasked, and inlaid suits of armor; dried plants,
minerals, and stuffed birds, their flame-colored wings
outspread in motionless flight, and their beaks forever
open. This was Albert's favorite lounging place.

However, the morning of the appointment, the young man had
established himself in the small salon down-stairs. There,
on a table, surrounded at some distance by a large and
luxurious divan, every species of tobacco known, -- from the
yellow tobacco of Petersburg to the black of Sinai, and so
on along the scale from Maryland and Porto-Rico, to Latakia,
-- was exposed in pots of crackled earthenware of which the
Dutch are so fond; beside them, in boxes of fragrant wood,
were ranged, according to their size and quality, pueros,
regalias, havanas, and manillas; and, in an open cabinet, a
collection of German pipes, of chibouques, with their amber
mouth-pieces ornamented with coral, and of narghiles, with
their long tubes of morocco, awaiting the caprice or the
sympathy of the smokers. Albert had himself presided at the
arrangement, or, rather, the symmetrical derangement, which,
after coffee, the guests at a breakfast of modern days love
to contemplate through the vapor that escapes from their
mouths, and ascends in long and fanciful wreaths to the
ceiling. At a quarter to ten, a valet entered; he composed,
with a little groom named John, and who only spoke English,
all Albert's establishment, although the cook of the hotel
was always at his service, and on great occasions the
count's chasseur also. This valet, whose name was Germain,
and who enjoyed the entire confidence of his young master,
held in one hand a number of papers, and in the other a
packet of letters, which he gave to Albert. Albert glanced
carelessly at the different missives, selected two written
in a small and delicate hand, and enclosed in scented
envelopes, opened them and perused their contents with some
attention. "How did these letters come?" said he.

"One by the post, Madame Danglars' footman left the other."

"Let Madame Danglars know that I accept the place she offers
me in her box. Wait; then, during the day, tell Rosa that
when I leave the Opera I will sup with her as she wishes.
Take her six bottles of different wine -- Cyprus, sherry,
and Malaga, and a barrel of Ostend oysters; get them at
Borel's, and be sure you say they are for me."

"At what o'clock, sir, do you breakfast?"

"What time is it now?"

"A quarter to ten."

"Very well, at half past ten. Debray will, perhaps, be
obliged to go to the minister -- and besides" (Albert looked
at his tablets), "it is the hour I told the count, 21st May,
at half past ten; and though I do not much rely upon his
promise, I wish to be punctual. Is the countess up yet?"

"If you wish, I will inquire."

"Yes, ask her for one of her liqueur cellarets, mine is
incomplete; and tell her I shall have the honor of seeing
her about three o'clock, and that I request permission to
introduce some one to her." The valet left the room. Albert
threw himself on the divan, tore off the cover of two or
three of the papers, looked at the theatre announcements,
made a face seeing they gave an opera, and not a ballet;
hunted vainly amongst the advertisements for a new
tooth-powder of which he had heard, and threw down, one
after the other, the three leading papers of Paris,
muttering, "These papers become more and more stupid every
day." A moment after, a carriage stopped before the door,
and the servant announced M. Lucien Debray. A tall young
man, with light hair, clear gray eyes, and thin and
compressed lips, dressed in a blue coat with beautifully
carved gold buttons, a white neckcloth, and a tortoiseshell
eye-glass suspended by a silken thread, and which, by an
effort of the superciliary and zygomatic muscles, he fixed
in his eye, entered, with a half-official air, without
smiling or speaking. "Good-morning, Lucien, good-morning,"
said Albert; "your punctuality really alarms me. What do I
say? punctuality! You, whom I expected last, you arrive at
five minutes to ten, when the time fixed was half-past! Has
the ministry resigned?"

"No, my dear fellow," returned the young man, seating
himself on the divan; "reassure yourself; we are tottering
always, but we never fall, and I begin to believe that we
shall pass into a state of immobility, and then the affairs
of the Peninsula will completely consolidate us."

"Ah, true; you drive Don Carlos out of Spain."

"No, no, my dear fellow, do not confound our plans. We take
him to the other side of the French frontier, and offer him
hospitality at Bourges."

"At Bourges?"

"Yes, he has not much to complain of; Bourges is the capital
of Charles VII. Do you not know that all Paris knew it
yesterday, and the day before it had already transpired on
the Bourse, and M. Danglars (I do not know by what means
that man contrives to obtain intelligence as soon as we do)
made a million!"

"And you another order, for I see you have a blue ribbon at
your button-hole."

"Yes; they sent me the order of Charles III.," returned
Debray, carelessly.

"Come, do not affect indifference, but confess you were
pleased to have it."

"Oh, it is very well as a finish to the toilet. It looks
very neat on a black coat buttoned up."

"And makes you resemble the Prince of Wales or the Duke of
Reichstadt."

"It is for that reason you see me so early."

"Because you have the order of Charles III., and you wish to
announce the good news to me?"

"No, because I passed the night writing letters, -- five and
twenty despatches. I returned home at daybreak, and strove
to sleep; but my head ached and I got up to have a ride for
an hour. At the Bois de Boulogne, ennui and hunger attacked
me at once, -- two enemies who rarely accompany each other,
and who are yet leagued against me, a sort of
Carlo-republican alliance. I then recollected you gave a
breakfast this morning, and here I am. I am hungry, feed me;
I am bored, amuse me."

"It is my duty as your host," returned Albert, ringing the
bell, while Lucien turned over, with his gold-mounted cane,
the papers that lay on the table. "Germain, a glass of
sherry and a biscuit. In the meantime. my dear Lucien, here
are cigars -- contraband, of course -- try them, and
persuade the minister to sell us such instead of poisoning
us with cabbage leaves."

"Peste, I will do nothing of the kind; the moment they come
from government you would find them execrable. Besides, that
does not concern the home but the financial department.
Address yourself to M. Humann, section of the indirect
contributions, corridor A., No. 26."

"On my word," said Albert, "you astonish me by the extent of
your knowledge. Take a cigar."

"Really, my dear Albert," replied Lucien, lighting a manilla
at a rose-colored taper that burnt in a be beautifully
enamelled stand -- "how happy you are to have nothing to do.
You do not know your own good fortune!"

"And what would you do, my dear diplomatist," replied
Morcerf, with a slight degree of irony in his voice, "if you
did nothing? What? private secretary to a minister, plunged
at once into European cabals and Parisian intrigues; having
kings, and, better still, queens, to protect, parties to
unite, elections to direct; making more use of your cabinet
with your pen and your telegraph than Napoleon did of his
battle-fields with his sword and his victories; possessing
five and twenty thousand francs a year, besides your place;
a horse, for which Chateau-Renaud offered you four hundred
louis, and which you would not part with; a tailor who never
disappoints you; with the opera, the jockey-club, and other
diversions, can you not amuse yourself? Well, I will amuse
you."

"How?"

"By introducing to you a new acquaintance."

"A man or a woman?"

"A man."

"I know so many men already."

"But you do not know this man."

"Where does he come from -- the end of the world?"

"Farther still, perhaps."

"The deuce! I hope he does not bring our breakfast with
him."

"Oh, no; our breakfast comes from my father's kitchen. Are
you hungry?"

"Humiliating as such a confession is, I am. But I dined at
M. de Villefort's, and lawyers always give you very bad
dinners. You would think they felt some remorse; did you
ever remark that?"

"Ah, depreciate other persons' dinners; you ministers give
such splendid ones."

"Yes; but we do not invite people of fashion. If we were not
forced to entertain a parcel of country boobies because they
think and vote with us, we should never dream of dining at
home, I assure you."

"Well, take another glass of sherry and another biscuit."

"Willingly. Your Spanish wine is excellent. You see we were
quite right to pacify that country."

"Yes; but Don Carlos?"

"Well, Don Carlos will drink Bordeaux, and in ten years we
will marry his son to the little queen."

"You will then obtain the Golden Fleece, if you are still in
the ministry."

"I think, Albert, you have adopted the system of feeding me
on smoke this morning."

"Well, you must allow it is the best thing for the stomach;
but I hear Beauchamp in the next room; you can dispute
together, and that will pass away the time."

"About what?"

"About the papers."

"My dear friend," said Lucien with an air of sovereign
contempt, "do I ever read the papers?"

"Then you will dispute the more."

"M. Beauchamp," announced the servant. "Come in, come in,"
said Albert, rising and advancing to meet the young man.
"Here is Debray, who detests you without reading you, so he
says."

"He is quite right," returned Beauchamp; "for I criticise
him without knowing what he does. Good-day, commander!"

"Ah, you know that already," said the private secretary,
smiling and shaking hands with him.

"Pardieu?"

"And what do they say of it in the world?"

"In which world? we have so many worlds in the year of grace
1838."

"In the entire political world, of which you are one of the
leaders."

"They say that it is quite fair, and that sowing so much
red, you ought to reap a little blue."

"Come, come, that is not bad!" said Lucien. "Why do you not
join our party, my dear Beauchamp? With your talents you
would make your fortune in three or four years."

"I only await one thing before following your advice; that
is, a minister who will hold office for six months. My dear
Albert, one word, for I must give poor Lucien a respite. Do
we breakfast or dine? I must go to the Chamber, for our life
is not an idle one."

"You only breakfast; I await two persons, and the instant
they arrive we shall sit down to table."

Chapter 40
The Breakfast.

"And what sort of persons do you expect to breakfast?" said
Beauchamp.

"A gentleman, and a diplomatist."

"Then we shall have to wait two hours for the gentleman, and
three for the diplomatist. I shall come back to dessert;
keep me some strawberries, coffee, and cigars. I shall take
a cutlet on my way to the Chamber."

"Do not do anything of the sort; for were the gentleman a
Montmorency, and the diplomatist a Metternich, we will
breakfast at eleven; in the meantime, follow Debray's
example, and take a glass of sherry and a biscuit."

"Be it so; I will stay; I must do something to distract my
thoughts."

"You are like Debray, and yet it seems to me that when the
minister is out of spirits, the opposition ought to be
joyous."

"Ah, you do not know with what I am threatened. I shall hear
this morning that M. Danglars make a speech at the Chamber
of Deputies, and at his wife's this evening I shall hear the
tragedy of a peer of France. The devil take the
constitutional government, and since we had our choice, as
they say, at least, how could we choose that?"

"I understand; you must lay in a stock of hilarity."

"Do not run down M. Danglars' speeches," said Debray; "he
votes for you, for he belongs to the opposition."

"Pardieu, that is exactly the worst of all. I am waiting
until you send him to speak at the Luxembourg, to laugh at
my ease."

"My dear friend," said Albert to Beauchamp, "it is plain
that the affairs of Spain are settled, for you are most
desperately out of humor this morning. Recollect that
Parisian gossip has spoken of a marriage between myself and
Mlle. Eugenie Danglars; I cannot in conscience, therefore,
let you run down the speeches of a man who will one day say
to me, `Vicomte, you know I give my daughter two millions.'"

"Ah, this marriage will never take place," said Beauchamp.
"The king has made him a baron, and can make him a peer, but
he cannot make him a gentleman, and the Count of Morcerf is
too aristocratic to consent, for the paltry sum of two
million francs, to a mesalliance. The Viscount of Morcerf
can only wed a marchioness."

"But two million francs make a nice little sum," replied
Morcerf.

"It is the social capital of a theatre on the boulevard, or
a railroad from the Jardin des Plantes to La Rapee."

"Never mind what he says, Morcerf," said Debray, "do you
marry her. You marry a money-bag label, it is true; well,
but what does that matter? It is better to have a blazon
less and a figure more on it. You have seven martlets on
your arms; give three to your wife, and you will still have
four; that is one more than M. de Guise had, who so nearly
became King of France, and whose cousin was Emperor of
Germany."

"On my word, I think you are right, Lucien," said Albert
absently.

"To be sure; besides, every millionaire is as noble as a
bastard -- that is, he can be."

"Do not say that, Debray," returned Beauchamp, laughing,
"for here is Chateau-Renaud, who, to cure you of your mania
for paradoxes, will pass the sword of Renaud de Montauban,
his ancestor, through your body."

"He will sully it then," returned Lucien; "for I am low --
very low."

"Oh, heavens," cried Beauchamp, "the minister quotes
Beranger, what shall we come to next?"

"M. de Chateau-Renaud -- M. Maximilian Morrel," said the
servant, announcing two fresh guests.

"Now, then, to breakfast," said Beauchamp; "for, if I
remember, you told me you only expected two persons,
Albert."

"Morrel," muttered Albert -- "Morrel -- who is he?" But
before he had finished, M. de Chateau-Renaud, a handsome
young man of thirty, gentleman all over, -- that is, with
the figure of a Guiche and the wit of a Mortemart, -- took
Albert's hand. "My dear Albert," said he, "let me introduce
to you M. Maximilian Morrel, captain of Spahis, my friend;
and what is more -- however the man speaks for himself ---my
preserver. Salute my hero, viscount." And he stepped on one
side to give place to a young man of refined and dignified
bearing, with large and open brow, piercing eyes, and black
mustache, whom our readers have already seen at Marseilles,
under circumstances sufficiently dramatic not to be
forgotten. A rich uniform, half French, half Oriental, set
off his graceful and stalwart figure, and his broad chest
was decorated with the order of the Legion of Honor. The
young officer bowed with easy and elegant politeness.
"Monsieur," said Albert with affectionate courtesy, "the
count of Chateau-Renaud knew how much pleasure this
introduction would give me; you are his friend, be ours
also."

"Well said," interrupted Chateau-Renaud; "and pray that, if
you should ever be in a similar predicament, he may do as
much for you as he did for me."

"What has he done?" asked Albert.

"Oh, nothing worth speaking of," said Morrel; "M. de
Chateau-Renaud exaggerates."

"Not worth speaking of?" cried Chateau-Renaud; "life is not
worth speaking of! -- that is rather too philosophical, on
my word, Morrel. It is very well for you, who risk your life
every day, but for me, who only did so once" --

"We gather from all this, baron, that Captain Morrel saved
your life."

"Exactly so."

"On what occasion?" asked Beauchamp.

"Beauchamp, my good fellow, you know I am starving," said
Debray: "do not set him off on some long story."

"Well, I do not prevent your sitting down to table," replied
Beauchamp, "Chateau-Renaud can tell us while we eat our
breakfast."

"Gentlemen," said Morcerf, "it is only a quarter past ten,
and I expect some one else."

"Ah, true, a diplomatist!" observed Debray.

"Diplomat or not, I don't know; I only know that he charged
himself on my account with a mission, which he terminated so
entirely to my satisfaction, that had I been king, I should
have instantly created him knight of all my orders, even had
I been able to offer him the Golden Fleece and the Garter."

"Well, since we are not to sit down to table," said Debray,
"take a glass of sherry, and tell us all about it."

"You all know that I had the fancy of going to Africa."

"It is a road your ancestors have traced for you," said
Albert gallantly.

"Yes? but I doubt that your object was like theirs -- to
rescue the Holy Sepulchre."

"You are quite right, Beauchamp," observed the young
aristocrat. "It was only to fight as an amateur. I cannot
bear duelling since two seconds, whom I had chosen to
arrange an affair, forced me to break the arm of one of my
best friends, one whom you all know -- poor Franz d'Epinay."

"Ah, true," said Debray, "you did fight some time ago; about
what?"

"The devil take me, if I remember," returned Chateau-Renaud.
"But I recollect perfectly one thing, that, being unwilling
to let such talents as mine sleep, I wished to try upon the
Arabs the new pistols that had been given to me. In
consequence I embarked for Oran, and went from thence to
Constantine, where I arrived just in time to witness the
raising of the siege. I retreated with the rest, for eight
and forty hours. I endured the rain during the day, and the
cold during the night tolerably well, but the third morning
my horse died of cold. Poor brute -- accustomed to be
covered up and to have a stove in the stable, the Arabian
finds himself unable to bear ten degrees of cold in Arabia."

"That's why you want to purchase my English horse," said
Debray, "you think he will bear the cold better."

"You are mistaken, for I have made a vow never to return to
Africa."

"You were very much frightened, then?" asked Beauchamp.

"Well, yes, and I had good reason to be so," replied
Chateau-Renaud. "I was retreating on foot, for my horse was
dead. Six Arabs came up, full gallop, to cut off my head. I
shot two with my double-barrelled gun, and two more with my
pistols, but I was then disarmed, and two were still left;
one seized me by the hair (that is why I now wear it so
short, for no one knows what may happen), the other swung a
yataghan, and I already felt the cold steel on my neck, when
this gentleman whom you see here charged them, shot the one
who held me by the hair, and cleft the skull of the other
with his sabre. He had assigned himself the task of saving a
man's life that day; chance caused that man to be myself.
When I am rich I will order a statue of Chance from Klagmann
or Marochetti."

"Yes," said Morrel, smiling, "it was the 5th of September,
the anniversary of the day on which my father was
miraculously preserved; therefore, as far as it lies in my
power, I endeavor to celebrate it by some" --

"Heroic action," interrupted Chateau-Renaud. "I was chosen.
But that is not all -- after rescuing me from the sword, he
rescued me from the cold, not by sharing his cloak with me,
like St. Martin, but by giving me the whole; then from
hunger by sharing with me -- guess what?"

"A Strasbourg pie?" asked Beauchamp.

"No, his horse; of which we each of us ate a slice with a
hearty appetite. It was very hard."

"The horse?" said Morcerf, laughing.

"No, the sacrifice," returned Chateau-Renaud; "ask Debray if
he would sacrifice his English steed for a stranger?"

"Not for a stranger," said Debray, "but for a friend I
might, perhaps."

"I divined that you would become mine, count," replied
Morrel; "besides, as I had the honor to tell you, heroism or
not, sacrifice or not, that day I owed an offering to bad
fortune in recompense for the favors good fortune had on
other days granted to us."

"The history to which M. Morrel alludes," continued
Chateau-Renaud, "is an admirable one, which he will tell you
some day when you are better acquainted with him; to-day let
us fill our stomachs, and not our memories. What time do you
breakfast, Albert?"

"At half-past ten."

"Precisely?" asked Debray, taking out his watch.

"Oh, you will give me five minutes' grace," replied Morcerf,
"for I also expect a preserver."

"Of whom?"

"Of myself," cried Morcerf; "parbleu, do you think I cannot
be saved as well as any one else, and that there are only
Arabs who cut off heads? Our breakfast is a philanthropic
one, and we shall have at table -- at least, I hope so --
two benefactors of humanity."

"What shall we do?" said Debray; "we have only one Monthyon
prize."

"Well, it will be given to some one who has done nothing to
deserve it," said Beauchamp; "that is the way the Academy
mostly escapes from the dilemma."

"And where does he come from?" asked Debray. "You have
already answered the question once, but so vaguely that I
venture to put it a second time."

"Really," said Albert, "I do not know; when I invited him
three months ago, he was then at Rome, but since that time
who knows where he may have gone?"

"And you think him capable of being exact?" demanded Debray.

"I think him capable of everything."

"Well, with the five minutes' grace, we have only ten left."

"I will profit by them to tell you something about my
guest."

"I beg pardon," interrupted Beauchamp; "are there any
materials for an article in what you are going to tell us?"

"Yes, and for a most curious one."

"Go on, then, for I see I shall not get to the Chamber this
morning, and I must make up for it."

"I was at Rome during the last Carnival."

"We know that," said Beauchamp.

"Yes, but what you do not know is that I was carried off by
bandits."

"There are no bandits," cried Debray.

"Yes there are, and most hideous, or rather most admirable
ones, for I found them ugly enough to frighten me."

"Come, my dear Albert," said Debray, "confess that your cook
is behindhand, that the oysters have not arrived from Ostend
or Marennes, and that, like Madame de Maintenon, you are
going to replace the dish by a story. Say so at once; we are
sufficiently well-bred to excuse you, and to listen to your
history, fabulous as it promises to be."

"And I say to you, fabulous as it may seem, I tell it as a
true one from beginning to end. The brigands had carried me
off, and conducted me to a gloomy spot, called the Catacombs
of Saint Sebastian."

"I know it," said Chateau-Renaud; "I narrowly escaped
catching a fever there."

"And I did more than that," replied Morcerf, "for I caught
one. I was informed that I was prisoner until I paid the sum
of 4,000 Roman crowns -- about 24,000 francs. Unfortunately,
I had not above 1,500. I was at the end of my journey and of
my credit. I wrote to Franz -- and were he here he would
confirm every word -- I wrote then to Franz that if he did
not come with the four thousand crowns before six, at ten
minutes past I should have gone to join the blessed saints
and glorious martyrs in whose company I had the honor of
being; and Signor Luigi Vampa, such was the name of the
chief of these bandits, would have scrupulously kept his
word."

"But Franz did come with the four thousand crowns," said
Chateau-Renaud. "A man whose name is Franz d'Epinay or
Albert de Morcerf has not much difficulty in procuring
them."

"No, he arrived accompanied simply by the guest I am going
to present to you."

"Ah, this gentleman is a Hercules killing Cacus, a Perseus
freeing Andromeda."

"No, he is a man about my own size."

"Armed to the teeth?"

"He had not even a knitting-needle."

"But he paid your ransom?"

"He said two words to the chief and I was free."

"And they apologized to him for having carried you off?"
said Beauchamp.

"Just so."

"Why, he is a second Ariosto."

"No, his name is the Count of Monte Cristo."

"There is no Count of Monte Cristo" said Debray.

"I do not think so," added Chateau-Renaud, with the air of a
man who knows the whole of the European nobility perfectly.

"Does any one know anything of a Count of Monte Cristo?"

"He comes possibly from the Holy Land, and one of his
ancestors possessed Calvary, as the Mortemarts did the Dead
Sea."

"I think I can assist your researches," said Maximilian.
"Monte Cristo is a little island I have often heard spoken
of by the old sailors my father employed -- a grain of sand
in the centre of the Mediterranean, an atom in the
infinite."

"Precisely!" cried Albert. "Well, he of whom I speak is the
lord and master of this grain of sand, of this atom; he has
purchased the title of count somewhere in Tuscany."

"He is rich, then?"

"I believe so."

"But that ought to be visible."

"That is what deceives you, Debray."

"I do not understand you."

"Have you read the `Arabian Nights'?"

"What a question!"

"Well, do you know if the persons you see there are rich or
poor, if their sacks of wheat are not rubies or diamonds?
They seem like poor fishermen, and suddenly they open some
mysterious cavern filled with the wealth of the Indies."

"Which means?"

"Which means that my Count of Monte Cristo is one of those
fishermen. He has even a name taken from the book, since he
calls himself Sinbad the Sailor, and has a cave filled with
gold."

"And you have seen this cavern, Morcerf?" asked Beauchamp.

"No, but Franz has; for heaven's sake, not a word of this
before him. Franz went in with his eyes blindfolded, and was
waited on by mutes and by women to whom Cleopatra was a
painted strumpet. Only he is not quite sure about the women,
for they did not come in until after he had taken hashish,
so that what he took for women might have been simply a row
of statues."

The two young men looked at Morcerf as if to say, -- "Are
you mad, or are you laughing at us?"

"And I also," said Morrel thoughtfully, "have heard
something like this from an old sailor named Penelon."

"Ah," cried Albert, "it is very lucky that M. Morrel comes
to aid me; you are vexed, are you not, that he thus gives a
clew to the labyrinth?"

"My dear Albert," said Debray, "what you tell us is so
extraordinary."

"Ah, because your ambassadors and your consuls do not tell
you of them -- they have no time. They are too much taken up
with interfering in the affairs of their countrymen who
travel."

"Now you get angry, and attack our poor agents. How will you
have them protect you? The Chamber cuts down their salaries
every day, so that now they have scarcely any. Will you be
ambassador, Albert? I will send you to Constantinople."

"No, lest on the first demonstration I make in favor of
Mehemet Ali, the Sultan send me the bowstring, and make my
secretaries strangle me."

"You say very true," responded Debray.

"Yes," said Albert, "but this has nothing to do with the
existence of the Count of Monte Cristo."

"Pardieu, every one exists."

"Doubtless, but not in the same way; every one has not black
slaves, a princely retinue, an arsenal of weapons that would
do credit to an Arabian fortress, horses that cost six
thousand francs apiece, and Greek mistresses."

"Have you seen the Greek mistress?"

"I have both seen and heard her. I saw her at the theatre,
and heard her one morning when I breakfasted with the
count."

"He eats, then?"

"Yes; but so little, it can hardly be called eating."

"He must be a vampire."

"Laugh, if you will; the Countess G---- , who knew Lord
Ruthven, declared that the count was a vampire."

"Ah, capital," said Beauchamp. "For a man not connected with
newspapers, here is the pendant to the famous sea-serpent of
the Constitutionnel."

"Wild eyes, the iris of which contracts or dilates at
pleasure," said Debray; "facial angle strongly developed,
magnificent forehead, livid complexion, black beard, sharp
and white teeth, politeness unexceptionable."

"Just so, Lucien," returned Morcerf; "you have described him
feature for feature. Yes, keen and cutting politeness. This
man has often made me shudder; and one day that we were
viewing an execution, I thought I should faint, more from
hearing the cold and calm manner in which he spoke of every
description of torture, than from the sight of the
executioner and the culprit."

"Did he not conduct you to the ruins of the Colosseum and
suck your blood?" asked Beauchamp.

"Or, having delivered you, make you sign a flaming
parchment, surrendering your soul to him as Esau did his
birth-right?"

"Rail on, rail on at your ease, gentlemen," said Morcerf,
somewhat piqued. "When I look at you Parisians, idlers on
the Boulevard de Gand or the Bois de Boulogne, and think of
this man, it seems to me we are not of the same race."

"I am highly flattered," returned Beauchamp. "At the same
time," added Chateau-Renaud, "your Count of Monte Cristo is
a very fine fellow, always excepting his little arrangements
with the Italian banditti."

"There are no Italian banditti," said Debray.

"No vampire," cried Beauchamp. "No Count of Monte Cristo"
added Debray. "There is half-past ten striking, Albert."

"Confess you have dreamed this, and let us sit down to
breakfast," continued Beauchamp. But the sound of the clock
had not died away when Germain announced, "His excellency
the Count of Monte Cristo." The involuntary start every one
gave proved how much Morcerf's narrative had impressed them,
and Albert himself could not wholly refrain from manifesting
sudden emotion. He had not heard a carriage stop in the
street, or steps in the ante-chamber; the door had itself
opened noiselessly. The count appeared, dressed with the
greatest simplicity, but the most fastidious dandy could
have found nothing to cavil at in his toilet. Every article
of dress -- hat, coat, gloves, and boots -- was from the
first makers. He seemed scarcely five and thirty. But what
struck everybody was his extreme resemblance to the portrait
Debray had drawn. The count advanced, smiling, into the
centre of the room, and approached Albert, who hastened
towards him holding out his hand in a ceremonial manner.
"Punctuality," said Monte Cristo, "is the politeness of
kings, according to one of your sovereigns, I think; but it
is not the same with travellers. However, I hope you will
excuse the two or three seconds I am behindhand; five
hundred leagues are not to be accomplished without some
trouble, and especially in France, where, it seems, it is
forbidden to beat the postilions."

"My dear count," replied Albert, "I was announcing your
visit to some of my friends, whom I had invited in
consequence of the promise you did me the honor to make, and
whom I now present to you. They are the Count of
Chateau-Renaud, whose nobility goes back to the twelve
peers, and whose ancestors had a place at the Round Table;
M. Lucien Debray, private secretary to the minister of the
interior; M. Beauchamp, an editor of a paper, and the terror
of the French government, but of whom, in spite of his
national celebrity, you perhaps have not heard in Italy,
since his paper is prohibited there; and M. Maximilian
Morrel, captain of Spahis."

At this name the count, who had hitherto saluted every one
with courtesy, but at the same time with coldness and
formality, stepped a pace forward, and a slight tinge of red
colored his pale cheeks. "You wear the uniform of the new
French conquerors, monsieur," said he; "it is a handsome
uniform." No one could have said what caused the count's
voice to vibrate so deeply, and what made his eye flash,
which was in general so clear, lustrous, and limpid when he
pleased. "You have never seen our Africans, count?" said
Albert. "Never," replied the count, who was by this time
perfectly master of himself again.

"Well, beneath this uniform beats one of the bravest and
noblest hearts in the whole army."

"Oh, M. de Morcerf," interrupted Morrel.

"Let me go on, captain. And we have just heard," continued
Albert, "of a new deed of his, and so heroic a one, that,
although I have seen him to-day for the first time, I
request you to allow me to introduce him as my friend." At
these words it was still possible to observe in Monte Cristo
the concentrated look, changing color, and slight trembling
of the eyelid that show emotion. "Ah, you have a noble
heart," said the count; "so much the better." This
exclamation, which corresponded to the count's own thought
rather than to what Albert was saying, surprised everybody,
and especially Morrel, who looked at Monte Cristo with
wonder. But, at the same time, the intonation was so soft
that, however strange the speech might seem, it was
impossible to be offended at it. "Why should he doubt it?"
said Beauchamp to Chateau-Renaud.

"In reality," replied the latter, who, with his aristocratic
glance and his knowledge of the world, had penetrated at
once all that was penetrable in Monte Cristo, "Albert has
not deceived us, for the count is a most singular being.
What say you, Morrel!"

"Ma foi, he has an open look about him that pleases me, in
spite of the singular remark he has made about me."

"Gentlemen," said Albert, "Germain informs me that breakfast
is ready. My dear count, allow me to show you the way." They
passed silently into the breakfast-room, and every one took
his place. "Gentleman," said the count, seating himself,
"permit me to make a confession which must form my excuse
for any improprieties I may commit. I am a stranger, and a
stranger to such a degree, that this is the first time I
have ever been at Paris. The French way of living is utterly
unknown to me, and up to the present time I have followed
the Eastern customs, which are entirely in contrast to the
Parisian. I beg you, therefore, to excuse if you find
anything in me too Turkish, too Italian, or too Arabian.
Now, then, let us breakfast."

"With what an air he says all this," muttered Beauchamp;
"decidedly he is a great man."

"A great man in his own country," added Debray.

"A great man in every country, M. Debray," said
Chateau-Renaud. The count was, it may be remembered, a most
temperate guest. Albert remarked this, expressing his fears
lest, at the outset, the Parisian mode of life should
displease the traveller in the most essential point. "My
dear count," said he, "I fear one thing, and that is, that
the fare of the Rue du Helder is not so much to your taste
as that of the Piazza di Spagni. I ought to have consulted
you on the point, and have had some dishes prepared
expressly."

"Did you know me better," returned the count, smiling, "you
would not give one thought of such a thing for a traveller
like myself, who has successively lived on maccaroni at
Naples, polenta at Milan, olla podrida at Valencia, pilau at
Constantinople, karrick in India, and swallows' nests in
China. I eat everywhere, and of everything, only I eat but
little; and to-day, that you reproach me with my want of
appetite, is my day of appetite, for I have not eaten since
yesterday morning."

"What," cried all the guests, "you have not eaten for four
and twenty hours?"

"No," replied the count; "I was forced to go out of my road
to obtain some information near Nimes, so that I was
somewhat late, and therefore I did not choose to stop."

"And you ate in your carriage?" asked Morcerf.

"No, I slept, as I generally do when I am weary without
having the courage to amuse myself, or when I am hungry
without feeling inclined to eat."

"But you can sleep when you please, monsieur?" said Morrel.

"Yes."

"You have a recipe for it?"

"An infallible one."

"That would be invaluable to us in Africa, who have not
always any food to eat, and rarely anything to drink."

"Yes," said Monte Cristo; "but, unfortunately, a recipe
excellent for a man like myself would be very dangerous
applied to an army, which might not awake when it was
needed."

"May we inquire what is this recipe?" asked Debray.

"Oh, yes," returned Monte Cristo; "I make no secret of it.
It is a mixture of excellent opium, which I fetched myself
from Canton in order to have it pure, and the best hashish
which grows in the East -- that is, between the Tigris and
the Euphrates. These two ingredients are mixed in equal
proportions, and formed into pills. Ten minutes after one is
taken, the effect is produced. Ask Baron Franz d'Epinay; I
think he tasted them one day."

"Yes," replied Morcerf, "he said something about it to me."

"But," said Beauchamp, who, as became a journalist, was very
incredulous, "you always carry this drug about you?"

"Always."

"Would it be an indiscretion to ask to see those precious
pills?" continued Beauchamp, hoping to take him at a
disadvantage.

"No, monsieur," returned the count; and he drew from his
pocket a marvellous casket, formed out of a single emerald
and closed by a golden lid which unscrewed and gave passage
to a small greenish colored pellet about the size of a pea.
This ball had an acrid and penetrating odor. There were four
or five more in the emerald, which would contain about a
dozen. The casket passed around the table, but it was more
to examine the admirable emerald than to see the pills that
it passed from hand to hand. "And is it your cook who
prepares these pills?" asked Beauchamp.

"Oh, no, monsieur," replied Monte Cristo; "I do not thus
betray my enjoyments to the vulgar. I am a tolerable
chemist, and prepare my pills myself."

"This is a magnificent emerald, and the largest I have ever
seen," said Chateau-Renaud, "although my mother has some
remarkable family jewels."

"I had three similar ones," returned Monte Cristo. "I gave
one to the Sultan, who mounted it in his sabre; another to
our holy father the Pope, who had it set in his tiara,
opposite to one nearly as large, though not so fine, given
by the Emperor Napoleon to his predecessor, Pius VII. I kept
the third for myself, and I had it hollowed out, which
reduced its value, but rendered it more commodious for the
purpose I intended." Every one looked at Monte Cristo with
astonishment; he spoke with so much simplicity that it was
evident he spoke the truth, or that he was mad. However, the
sight of the emerald made them naturally incline to the
former belief. "And what did these two sovereigns give you
in exchange for these magnificent presents?" asked Debray.

"The Sultan, the liberty of a woman," replied the Count;
"the Pope, the life of a man; so that once in my life I have
been as powerful as if heaven had brought me into the world
on the steps of a throne."

"And it was Peppino you saved, was it not?" cried Morcerf;
"it was for him that you obtained pardon?"

"Perhaps," returned the count, smiling.

"My dear count, you have no idea what pleasure it gives me
to hear you speak thus," said Morcerf. "I had announced you
beforehand to my friends as an enchanter of the `Arabian
Nights,' a wizard of the Middle Ages; but the Parisians are
so subtle in paradoxes that they mistake for caprices of the
imagination the most incontestable truths, when these truths
do not form a part of their daily existence. For example,
here is Debray who reads, and Beauchamp who prints, every
day, `A member of the Jockey Club has been stopped and
robbed on the Boulevard;' `four persons have been
assassinated in the Rue St. Denis' or `the Faubourg St.
Germain;' `ten, fifteen, or twenty thieves, have been
arrested in a cafe on the Boulevard du Temple, or in the
Thermes de Julien,' -- and yet these same men deny the
existence of the bandits in the Maremma, the Campagna di
Romana, or the Pontine Marshes. Tell them yourself that I
was taken by bandits, and that without your generous
intercession I should now have been sleeping in the
Catacombs of St. Sebastian, instead of receiving them in my
humble abode in the Rue du Helder."

"Ah," said Monte Cristo "you promised me never to mention
that circumstance."

"It was not I who made that promise," cried Morcerf; "it
must have been some one else whom you have rescued in the
same manner, and whom you have forgotten. Pray speak of it,
for I shall not only, I trust, relate the little I do know,
but also a great deal I do not know."

"It seems to me," returned the count, smiling, "that you
played a sufficiently important part to know as well as
myself what happened."

"Well, you promise me, if I tell all I know, to relate, in
your turn, all that I do not know?"

"That is but fair," replied Monte Cristo.

"Well," said Morcerf, "for three days I believed myself the
object of the attentions of a masque, whom I took for a
descendant of Tullia or Poppoea, while I was simply the
object of the attentions of a contadina, and I say contadina
to avoid saying peasant girl. What I know is, that, like a
fool, a greater fool than he of whom I spoke just now, I
mistook for this peasant girl a young bandit of fifteen or
sixteen, with a beardless chin and slim waist, and who, just
as I was about to imprint a chaste salute on his lips,
placed a pistol to my head, and, aided by seven or eight
others, led, or rather dragged me, to the Catacombs of St.
Sebastian, where I found a highly educated brigand chief
perusing Caesar's `Commentaries,' and who deigned to leave
off reading to inform me, that unless the next morning,
before six o'clock, four thousand piastres were paid into
his account at his banker's, at a quarter past six I should
have ceased to exist. The letter is still to be seen, for it
is in Franz d'Epinay's possession, signed by me, and with a
postscript of M. Luigi Vampa. This is all I know, but I know
not, count, how you contrived to inspire so much respect in
the bandits of Rome who ordinarily have so little respect
for anything. I assure you, Franz and I were lost in
admiration."

"Nothing more simple," returned the count. "I had known the
famous Vampa for more than ten years. When he was quite a
child, and only a shepherd, I gave him a few gold pieces for
showing me my way, and he, in order to repay me, gave me a
poniard, the hilt of which he had carved with his own hand,
and which you may have seen in my collection of arms. In
after years, whether he had forgotten this interchange of
presents, which ought to have cemented our friendship, or
whether he did not recollect me, he sought to take me, but,
on the contrary, it was I who captured him and a dozen of
his band. I might have handed him over to Roman justice,
which is somewhat expeditious, and which would have been
particularly so with him; but I did nothing of the sort -- I
suffered him and his band to depart."

"With the condition that they should sin no more," said
Beauchamp, laughing. "I see they kept their promise."

"No, monsieur," returned Monte Cristo "upon the simple
condition that they should respect myself and my friends.
Perhaps what I am about to say may seem strange to you, who
are socialists, and vaunt humanity and your duty to your
neighbor, but I never seek to protect a society which does
not protect me, and which I will even say, generally
occupies itself about me only to injure me; and thus by
giving them a low place in my esteem, and preserving a
neutrality towards them, it is society and my neighbor who
are indebted to me."

"Bravo," cried Chateau-Renaud; "you are the first man I ever
met sufficiently courageous to preach egotism. Bravo, count,
bravo!"

"It is frank, at least," said Morrel. "But I am sure that
the count does not regret having once deviated from the
principles he has so boldly avowed."

"How have I deviated from those principles, monsieur?" asked
Monte Cristo, who could not help looking at Morrel with so
much intensity, that two or three times the young man had
been unable to sustain that clear and piercing glance.

"Why, it seems to me," replied Morrel, "that in delivering
M. de Morcerf, whom you did not know, you did good to your
neighbor and to society."

"Of which he is the brightest ornament," said Beauchamp,
drinking off a glass of champagne.

"My dear count," cried Morcerf, "you are at fault -- you,
one of the most formidable logicians I know -- and you must
see it clearly proved that instead of being an egotist, you
are a philanthropist. Ah, you call yourself Oriental, a
Levantine, Maltese, Indian, Chinese; your family name is
Monte Cristo; Sinbad the Sailor is your baptismal
appellation, and yet the first day you set foot in Paris you
instinctively display the greatest virtue, or rather the
chief defect, of us eccentric Parisians, -- that is, you
assume the vices you have not, and conceal the virtues you
possess."

"My dear vicomte," returned Monte Cristo, "I do not see, in
all I have done, anything that merits, either from you or
these gentlemen, the pretended eulogies I have received. You
were no stranger to me, for I knew you from the time I gave
up two rooms to you, invited you to breakfast with me, lent
you one of my carriages, witnessed the Carnival in your
company, and saw with you from a window in the Piazza del
Popolo the execution that affected you so much that you
nearly fainted. I will appeal to any of these gentlemen,
could I leave my guest in the hands of a hideous bandit, as
you term him? Besides, you know, I had the idea that you
could introduce me into some of the Paris salons when I came
to France. You might some time ago have looked upon this
resolution as a vague project, but to-day you see it was a
reality, and you must submit to it under penalty of breaking
your word."

"I will keep it," returned Morcerf; "but I fear that you
will be much disappointed, accustomed as you are to
picturesque events and fantastic horizons. Amongst us you
will not meet with any of those episodes with which your
adventurous existence has so familiarized you; our
Chimborazo is Mortmartre, our Himalaya is Mount Valerien,
our Great Desert is the plain of Grenelle, where they are
now boring an artesian well to water the caravans. We have
plenty of thieves, though not so many as is said; but these
thieves stand in far more dread of a policeman than a lord.
France is so prosaic, and Paris so civilized a city, that
you will not find in its eighty-five departments -- I say
eighty-five, because I do not include Corsica -- you will
not find, then, in these eighty-five departments a single
hill on which there is not a telegraph, or a grotto in which
the commissary of police has not put up a gaslamp. There is
but one service I can render you, and for that I place
myself entirely at your orders, that is, to present, or make
my friends present, you everywhere; besides, you have no
need of any one to introduce you -- with your name, and your
fortune, and your talent" (Monte Cristo bowed with a
somewhat ironical smile) "you can present yourself
everywhere, and be well received. I can be useful in one way
only -- if knowledge of Parisian habits, of the means of
rendering yourself comfortable, or of the bazaars, can
assist, you may depend upon me to find you a fitting
dwelling here. I do not dare offer to share my apartments
with you, as I shared yours at Rome -- I, who do not profess
egotism, but am yet egotist par excellence; for, except
myself, these rooms would not hold a shadow more, unless
that shadow were feminine."

"Ah," said the count, "that is a most conjugal reservation;
I recollect that at Rome you said something of a projected
marriage. May I congratulate you?"

"The affair is still in projection."

"And he who says in `projection,' means already decided,"
said Debray.

"No," replied Morcerf, "my father is most anxious about it;
and I hope, ere long, to introduce you, if not to my wife,
at least to my betrothed -- Mademoiselle Eugenie Danglars."

"Eugenie Danglars," said Monte Cristo; "tell me, is not her
father Baron Danglars?"

"Yes," returned Morcerf, "a baron of a new creation."

"What matter," said Monte Cristo "if he has rendered the
State services which merit this distinction?"

"Enormous ones," answered Beauchamp. "Although in reality a
Liberal, he negotiated a loan of six millions for Charles
X., in 1829, who made him a baron and chevalier of the
Legion of Honor; so that he wears the ribbon, not, as you
would think, in his waistcoat-pocket, but at his
button-hole."

"Ah," interrupted Morcerf, laughing, "Beauchamp, Beauchamp,
keep that for the Corsaire or the Charivari, but spare my
future father-in-law before me." Then, turning to Monte
Cristo, "You just now spoke his name as if you knew the
baron?"

"I do not know him," returned Monte Cristo; "but I shall
probably soon make his acquaintance, for I have a credit
opened with him by the house of Richard & Blount, of London,
Arstein & Eskeles of Vienna, and Thomson & French at Rome."
As he pronounced the two last names, the count glanced at
Maximilian Morrel. If the stranger expected to produce an
effect on Morrel, he was not mistaken -- Maximilian started
as if he had been electrified. "Thomson & French," said he;
"do you know this house, monsieur?"

"They are my bankers in the capital of the Christian world,"
returned the count quietly. "Can my influence with them be
of any service to you?"

"Oh, count, you could assist me perhaps in researches which
have been, up to the present, fruitless. This house, in past
years, did ours a great service, and has, I know not for
what reason, always denied having rendered us this service."

"I shall be at your orders," said Monte Cristo bowing.

"But," continued Morcerf, "a propos of Danglars, -- we have
strangely wandered from the subject. We were speaking of a
suitable habitation for the Count of Monte Cristo. Come,
gentlemen, let us all propose some place. Where shall we
lodge this new guest in our great capital?"

"Faubourg Saint-Germain," said Chateau-Renaud. "The count
will find there a charming hotel, with a court and garden."

"Bah, Chateau-Renaud," returned Debray, "you only know your
dull and gloomy Faubourg Saint-Germain; do not pay any
attention to him, count -- live in the Chaussee d'Antin,
that's the real centre of Paris."

"Boulevard de l'Opera," said Beauchamp; "the second floor --
a house with a balcony. The count will have his cushions of
silver cloth brought there, and as he smokes his chibouque,
see all Paris pass before him."

"You have no idea, then, Morrel?" asked Chateau-Renaud; "you
do not propose anything."

"Oh, yes," returned the young man, smiling; "on the
contrary, I have one, but I expected the count would be
tempted by one of the brilliant proposals made him, yet as
he has not replied to any of them, I will venture to offer
him a suite of apartments in a charming hotel, in the
Pompadour style, that my sister has inhabited for a year, in
the Rue Meslay."

"You have a sister?" asked the count.

"Yes, monsieur, a most excellent sister."

"Married?"

"Nearly nine years."

"Happy?" asked the count again.

"As happy as it is permitted to a human creature to be,"
replied Maximilian. "She married the man she loved, who
remained faithful to us in our fallen fortunes -- Emmanuel
Herbaut." Monte Cristo smiled imperceptibly. "I live there
during my leave of absence," continued Maximilian; "and I
shall be, together with my brother-in-law Emmanuel, at the
disposition of the Count, whenever he thinks fit to honor
us."

"One minute," cried Albert, without giving Monte Cristo the
time to reply. "Take care, you are going to immure a
traveller, Sinbad the Sailor, a man who comes to see Paris;
you are going to make a patriarch of him."

"Oh, no," said Morrel; "my sister is five and twenty, my
brother-in-law is thirty, they are gay, young, and happy.
Besides, the count will be in his own house, and only see
them when he thinks fit to do so."

"Thanks, monsieur," said Monte Cristo; "I shall content
myself with being presented to your sister and her husband,
if you will do me the honor to introduce me; but I cannot
accept the offer of any one of these gentlemen, since my
habitation is already prepared."

"What," cried Morcerf; "you are, then, going to an hotel --
that will be very dull for you."

"Was I so badly lodged at Rome?" said Monte Cristo smiling.

"Parbleu, at Rome you spent fifty thousand piastres in
furnishing your apartments, but I presume that you are not
disposed to spend a similar sum every day."

"It is not that which deterred me," replied Monte Cristo;
"but as I determined to have a house to myself, I sent on my
valet de chambre, and he ought by this time to have bought
the house and furnished it."

"But you have, then, a valet de chambre who knows Paris?"
said Beauchamp.

"It is the first time he has ever been in Paris. He is
black, and cannot speak," returned Monte Cristo.

"It is Ali!" cried Albert, in the midst of the general
surprise.

"Yes, Ali himself, my Nubian mute, whom you saw, I think, at
Rome."

"Certainly," said Morcerf; "I recollect him perfectly. But
how could you charge a Nubian to purchase a house, and a
mute to furnish it? -- he will do everything wrong."

"Undeceive yourself, monsieur," replied Monte Cristo; "I am
quite sure, that, on the contrary, he will choose everything
as I wish. He knows my tastes, my caprices, my wants. He has
been here a week, with the instinct of a hound, hunting by
himself. He will arrange everything for me. He knew, that I
should arrive to-day at ten o'clock; he was waiting for me
at nine at the Barriere de Fontainebleau. He gave me this
paper; it contains the number of my new abode; read it
yourself," and Monte Cristo passed a paper to Albert. "Ah,
that is really original," said Beauchamp.

"And very princely," added Chateau-Renaud.

"What, do you not know your house?" asked Debray.

"No," said Monte Cristo; "I told you I did not wish to be
behind my time; I dressed myself in the carriage, and
descended at the viscount's door." The young men looked at
each other; they did not know if it was a comedy Monte
Cristo was playing, but every word he uttered had such an
air of simplicity, that it was impossible to suppose what he
said was false -- besides, why should he tell a falsehood?
"We must content ourselves, then," said Beauchamp, "with
rendering the count all the little services in our power. I,
in my quality of journalist, open all the theatres to him."

"Thanks, monsieur," returned Monte Cristo, "my steward has
orders to take a box at each theatre."

"Is your steward also a Nubian?" asked Debray.

"No, he is a countryman of yours, if a Corsican is a
countryman of any one's. But you know him, M. de Morcerf."

"Is it that excellent M. Bertuccio, who understands hiring
windows so well?"

"Yes, you saw him the day I had the honor of receiving you;
he has been a soldier, a smuggler -- in fact, everything. I
would not be quite sure that he has not been mixed up with
the police for some trifle -- a stab with a knife, for
instance."

"And you have chosen this honest citizen for your steward,"
said Debray. "Of how much does he rob you every year?"

"On my word," replied the count, "not more than another. I
am sure he answers my purpose, knows no impossibility, and
so I keep him."

"Then," continued Chateau-Renaud, "since you have an
establishment, a steward, and a hotel in the Champs Elysees,
you only want a mistress." Albert smiled. He thought of the
fair Greek he had seen in the count's box at the Argentina
and Valle theatres. "I have something better than that,"
said Monte Cristo; "I have a slave. You procure your
mistresses from the opera, the Vaudeville, or the Varietes;
I purchased mine at Constantinople; it cost me more, but I
have nothing to fear."

"But you forget," replied Debray, laughing, "that we are
Franks by name and franks by nature, as King Charles said,
and that the moment she puts her foot in France your slave
becomes free."

"Who will tell her?"

"The first person who sees her."

"She only speaks Romaic."

"That is different."

"But at least we shall see her," said Beauchamp, "or do you
keep eunuchs as well as mutes?"

"Oh, no," replied Monte Cristo; "I do not carry brutalism so
far. Every one who surrounds me is free to quit me, and when
they leave me will no longer have any need of me or any one
else; it is for that reason, perhaps, that they do not quit
me." They had long since passed to dessert and cigars.

"My dear Albert," said Debray, rising, "it is half-past two.
Your guest is charming, but you leave the best company to go
into the worst sometimes. I must return to the minister's. I
will tell him of the count, and we shall soon know who he
is."

"Take care," returned Albert; "no one has been able to
accomplish that."

"Oh, we have three millions for our police; it is true they
are almost always spent beforehand, but, no matter, we shall
still have fifty thousand francs to spend for this purpose."

"And when you know, will you tell me?"

"I promise you. Au revoir, Albert. Gentlemen, good morning."

As he left the room, Debray called out loudly, "My
carriage."

"Bravo," said Beauchamp to Albert; "I shall not go to the
Chamber, but I have something better to offer my readers
than a speech of M. Danglars."

"For heaven's sake, Beauchamp," returned Morcerf, "do not
deprive me of the merit of introducing him everywhere. Is he
not peculiar?"

"He is more than that," replied Chateau-Renaud; "he is one
of the most extraordinary men I ever saw in my life. Are you
coming, Morrel?"

"Directly I have given my card to the count, who has
promised to pay us a visit at Rue Meslay, No. 14."

"Be sure I shall not fail to do so," returned the count,
bowing. And Maximilian Morrel left the room with the Baron
de Chateau-Renaud, leaving Monte Cristo alone with Morcerf.

Chapter 41
The Presentation.

When Albert found himself alone with Monte Cristo, "My dear
count," said he, "allow me to commence my services as
cicerone by showing you a specimen of a bachelor's
apartment. You, who are accustomed to the palaces of Italy,
can amuse yourself by calculating in how many square feet a
young man who is not the worst lodged in Paris can live. As
we pass from one room to another, I will open the windows to
let you breathe." Monte Cristo had already seen the
breakfast-room and the salon on the ground-floor. Albert led
him first to his atelier, which was, as we have said, his
favorite apartment. Monte Cristo quickly appreciated all
that Albert had collected here -- old cabinets, Japanese
porcelain, Oriental stuffs, Venetian glass, arms from all
parts of the world -- everything was familiar to him; and at
the first glance he recognized their date, their country,
and their origin. Morcerf had expected he should be the
guide; on the contrary, it was he who, under the count's
guidance, followed a course of archaeology, mineralogy, and
natural history. They descended to the first floor; Albert
led his guest into the salon. The salon was filled with the
works of modern artists; there were landscapes by Dupre,
with their long reeds and tall trees, their lowing oxen and
marvellous skies; Delacroix's Arabian cavaliers, with their
long white burnouses, their shining belts, their damasked
arms, their horses, who tore each other with their teeth
while their riders contended fiercely with their maces;
aquarelles of Boulanger, representing Notre Dame de Paris
with that vigor that makes the artist the rival of the poet;
there were paintings by Diaz, who makes his flowers more
beautiful than flowers, his suns more brilliant than the
sun; designs by Decamp, as vividly colored as those of
Salvator Rosa, but more poetic; pastels by Giraud and
Muller, representing children like angels and women with the
features of a virgin; sketches torn from the album of
Dauzats' "Travels in the East," that had been made in a few
seconds on the saddle of a camel, or beneath the dome of a
mosque -- in a word, all that modern art can give in
exchange and as recompense for the art lost and gone with
ages long since past.

Albert expected to have something new this time to show to
the traveller, but, to his great surprise, the latter,
without seeking for the signatures, many of which, indeed,
were only initials, named instantly the author of every
picture in such a manner that it was easy to see that each
name was not only known to him, but that each style
associated with it had been appreciated and studied by him.
From the salon they passed into the bed-chamber; it was a
model of taste and simple elegance. A single portrait,
signed by Leopold Robert, shone in its carved and gilded
frame. This portrait attracted the Count of Monte Cristo's
attention, for he made three rapid steps in the chamber, and
stopped suddenly before it. It was the portrait of a young
woman of five or six and twenty, with a dark complexion, and
light and lustrous eyes, veiled beneath long lashes. She
wore the picturesque costume of the Catalan fisherwomen, a
red and black bodice, and golden pins in her hair. She was
looking at the sea, and her form was outlined on the blue
ocean and sky. The light was so faint in the room that
Albert did not perceive the pallor that spread itself over
the count's visage, or the nervous heaving of his chest and
shoulders. Silence prevailed for an instant, during which
Monte Cristo gazed intently on the picture.

"You have there a most charming mistress, viscount," said
the count in a perfectly calm tone; "and this costume -- a
ball costume, doubtless -- becomes her admirably."

"Ah, monsieur," returned Albert, "I would never forgive you
this mistake if you had seen another picture beside this.
You do not know my mother; she it is whom you see here. She
had her portrait painted thus six or eight years ago. This
costume is a fancy one, it appears, and the resemblance is
so great that I think I still see my mother the same as she
was in 1830. The countess had this portrait painted during
the count's absence. She doubtless intended giving him an
agreeable surprise; but, strange to say, this portrait
seemed to displease my father, and the value of the picture,
which is, as you see, one of the best works of Leopold
Robert, could not overcome his dislike to it. It is true,
between ourselves, that M. de Morcerf is one of the most
assiduous peers at the Luxembourg, a general renowned for
theory, but a most mediocre amateur of art. It is different
with my mother, who paints exceedingly well, and who,
unwilling to part with so valuable a picture, gave it to me
to put here, where it would be less likely to displease M.
de Morcerf, whose portrait, by Gros, I will also show you.
Excuse my talking of family matters, but as I shall have the
honor of introducing you to the count, I tell you this to
prevent you making any allusions to this picture. The
picture seems to have a malign influence, for my mother
rarely comes here without looking at it, and still more
rarely does she look at it without weeping. This
disagreement is the only one that has ever taken place
between the count and countess, who are still as much
united, although married more than twenty years, as on the
first day of their wedding."

Monte Cristo glanced rapidly at Albert, as if to seek a
hidden meaning in his words, but it was evident the young
man uttered them in the simplicity of his heart. "Now," said
Albert, "that you have seen all my treasures, allow me to
offer them to you, unworthy as they are. Consider yourself
as in your own house, and to put yourself still more at your
ease, pray accompany me to the apartments of M. de Morcerf,
he whom I wrote from Rome an account of the services you
rendered me, and to whom I announced your promised visit,
and I may say that both the count and countess anxiously
desire to thank you in person. You are somewhat blase I
know, and family scenes have not much effect on Sinbad the
Sailor, who has seen so many others. However, accept what I
propose to you as an initiation into Parisian life -- a life
of politeness, visiting, and introductions." Monte Cristo
bowed without making any answer; he accepted the offer
without enthusiasm and without regret, as one of those
conventions of society which every gentleman looks upon as a
duty. Albert summoned his servant, and ordered him to
acquaint M. and Madame de Morcerf of the arrival of the
Count of Monte Cristo. Albert followed him with the count.
When they arrived at the ante-chamber, above the door was
visible a shield, which, by its rich ornaments and its
harmony with the rest of the furniture, indicated the
importance the owner attached to this blazon. Monte Cristo
stopped and examined it attentively.

"Azure seven merlets, or, placed bender," said he. "These
are, doubtless, your family arms? Except the knowledge of
blazons, that enables me to decipher them, I am very
ignorant of heraldry -- I, a count of a fresh creation,
fabricated in Tuscany by the aid of a commandery of St.
Stephen, and who would not have taken the trouble had I not
been told that when you travel much it is necessary.
Besides, you must have something on the panels of your
carriage, to escape being searched by the custom-house
officers. Excuse my putting such a question to you."

"It is not indiscreet," returned Morcerf, with the
simplicity of conviction. "You have guessed rightly. These
are our arms, that is, those of my father, but they are, as
you see, joined to another shield, which has gules, a silver
tower, which are my mother's. By her side I am Spanish, but
the family of Morcerf is French, and, I have heard, one of
the oldest of the south of France."

"Yes," replied Monte Cristo "these blazons prove that.
Almost all the armed pilgrims that went to the Holy Land
took for their arms either a cross, in honor of their
mission, or birds of passage, in sign of the long voyage
they were about to undertake, and which they hoped to
accomplish on the wings of faith. One of your ancestors had
joined the Crusades, and supposing it to be only that of St.
Louis, that makes you mount to the thirteenth century, which
is tolerably ancient."

"It is possible," said Morcerf; "my father has in his study
a genealogical tree which will tell you all that, and on
which I made commentaries that would have greatly edified
Hozier and Jaucourt. At present I no longer think of it, and
yet I must tell you that we are beginning to occupy
ourselves greatly with these things under our popular
government."

"Well, then, your government would do well to choose from
the past something better than the things that I have
noticed on your monuments, and which have no heraldic
meaning whatever. As for you, viscount," continued Monte
Cristo to Morcerf, "you are more fortunate than the
government, for your arms are really beautiful, and speak to
the imagination. Yes, you are at once from Provence and
Spain; that explains, if the portrait you showed me be like,
the dark hue I so much admired on the visage of the noble
Catalan." It would have required the penetration of Oedipus
or the Sphinx to have divined the irony the count concealed
beneath these words, apparently uttered with the greatest
politeness. Morcerf thanked him with a smile, and pushed
open the door above which were his arms, and which, as we
have said, opened into the salon. In the most conspicuous
part of the salon was another portrait. It was that of a
man, from five to eight and thirty, in the uniform of a
general officer, wearing the double epaulet of heavy
bullion, that indicates superior rank, the ribbon of the
Legion of Honor around his neck, which showed he was a
commander, and on the right breast, the star of a grand
officer of the order of the Saviour, and on the left that of
the grand cross of Charles III., which proved that the
person represented by the picture had served in the wars of
Greece and Spain, or, what was just the same thing as
regarded decorations, had fulfilled some diplomatic mission
in the two countries.

Monte Cristo was engaged in examining this portrait with no
less care than he had bestowed upon the other, when another
door opened, and he found himself opposite to the Count of
Morcerf in person. He was a man of forty to forty-five
years, but he seemed at least fifty, and his black mustache
and eyebrows contrasted strangely with his almost white
hair, which was cut short, in the military fashion. He was
dressed in plain clothes, and wore at his button-hole the
ribbons of the different orders to which he belonged. He
entered with a tolerably dignified step, and some little
haste. Monte Cristo saw him advance towards him without
making a single step. It seemed as if his feet were rooted
to the ground, and his eyes on the Count of Morcerf.
"Father," said the young man, "I have the honor of
presenting to you the Count of Monte Cristo, the generous
friend whom I had the good fortune to meet in the critical
situation of which I have told you."

"You are most welcome, monsieur," said the Count of Morcerf,
saluting Monte Cristo with a smile, "and monsieur has
rendered our house, in preserving its only heir, a service
which insures him our eternal gratitude." As he said these
words, the count of Morcerf pointed to a chair, while he
seated himself in another opposite the window.

Monte Cristo, in taking the seat Morcerf offered him, placed
himself in such a manner as to remain concealed in the
shadow of the large velvet curtains, and read on the
careworn and livid features of the count a whole history of
secret griefs written in each wrinkle time had planted
there. "The countess," said Morcerf, "was at her toilet when
she was informed of the visit she was about to receive. She
will, however, be in the salon in ten minutes."

"It is a great honor to me," returned Monte Cristo, "to be
thus, on the first day of my arrival in Paris, brought in
contact with a man whose merit equals his reputation, and to
whom fortune has for once been equitable, but has she not
still on the plains of Metidja, or in the mountains of
Atlas, a marshal's staff to offer you?"

"Oh," replied Morcerf, reddening slightly, "I have left the
service, monsieur. Made a peer at the Restoration, I served
through the first campaign under the orders of Marshal
Bourmont. I could, therefore, expect a higher rank, and who
knows what might have happened had the elder branch remained
on the throne? But the Revolution of July was, it seems,
sufficiently glorious to allow itself to be ungrateful, and
it was so for all services that did not date from the
imperial period. I tendered my resignation, for when you
have gained your epaulets on the battle-field, you do not
know how to manoeuvre on the slippery grounds of the salons.
I have hung up my sword, and cast myself into politics. I
have devoted myself to industry; I study the useful arts.
During the twenty years I served, I often wished to do so,
but I had not the time."

"These are the ideas that render your nation superior to any
other," returned Monte Cristo. "A gentleman of high birth,
possessor of an ample fortune, you have consented to gain
your promotion as an obscure soldier, step by step -- this
is uncommon; then become general, peer of France, commander
of the Legion of Honor, you consent to again commence a
second apprenticeship, without any other hope or any other
desire than that of one day becoming useful to your
fellow-creatures; this, indeed, is praiseworthy, -- nay,
more, it is sublime." Albert looked on and listened with
astonishment; he was not used to see Monte Cristo give vent
to such bursts of enthusiasm. "Alas," continued the
stranger, doubtless to dispel the slight cloud that covered
Morcerf's brow, "we do not act thus in Italy; we grow
according to our race and our species, and we pursue the
same lines, and often the same uselessness, all our lives."

"But, monsieur," said the Count of Morcerf, "for a man of
your merit, Italy is not a country, and France opens her
arms to receive you; respond to her call. France will not,
perhaps, be always ungrateful. She treats her children ill,
but she always welcomes strangers."

"Ah, father," said Albert with a smile, "it is evident you
do not know the Count of Monte Cristo; he despises all
honors, and contents himself with those written on his
passport."

"That is the most just remark," replied the stranger, "I
ever heard made concerning myself."

"You have been free to choose your career," observed the
Count of Morcerf, with a sigh; "and you have chosen the path
strewed with flowers."

"Precisely, monsieur," replied Monte Cristo with one of
those smiles that a painter could never represent or a
physiologist analyze.

"If I did not fear to fatigue you," said the general,
evidently charmed with the count's manners, "I would have
taken you to the Chamber; there is a debate very curious to
those who are strangers to our modern senators."

"I shall be most grateful, monsieur, if you will, at some
future time, renew your offer, but I have been flattered
with the hope of being introduced to the countess, and I
will therefore wait."

"Ah, here is my mother," cried the viscount. Monte Cristo,
turned round hastily, and saw Madame de Morcerf at the
entrance of the salon, at the door opposite to that by which
her husband had entered, pale and motionless; when Monte
Cristo turned round, she let fall her arm, which for some
unknown reason had been resting on the gilded door-post. She
had been there some moments, and had heard the last words of
the visitor. The latter rose and bowed to the countess, who
inclined herself without speaking. "Ah, good heavens,
madame," said the count, "are you ill, or is it the heat of
the room that affects you?"

"Are you ill, mother?" cried the viscount, springing towards
her.

She thanked them both with a smile. "No," returned she, "but
I feel some emotion on seeing, for the first time, the man
without whose intervention we should have been in tears and
desolation. Monsieur," continued the countess, advancing
with the majesty of a queen, "I owe to you the life of my
son, and for this I bless you. Now, I thank you for the
pleasure you give me in thus affording me the opportunity of
thanking you as I have blessed you, from the bottom of my
heart." The count bowed again, but lower than before; He was
even paler than Mercedes. "Madame," said he, "the count and
yourself recompense too generously a simple action. To save
a man, to spare a father's feelings, or a mother's
sensibility, is not to do a good action, but a simple deed
of humanity." At these words, uttered with the most
exquisite sweetness and politeness, Madame de Morcerf
replied. "It is very fortunate for my son, monsieur, that he
found such a friend, and I thank God that things are thus."
And Mercedes raised her fine eyes to heaven with so fervent
an expression of gratitude, that the count fancied he saw
tears in them. M. de Morcerf approached her. "Madame," said
he. "I have already made my excuses to the count for
quitting him, and I pray you to do so also. The sitting
commences at two; it is now three, and I am to speak."

"Go, then, and monsieur and I will strive our best to forget
your absence," replied the countess, with the same tone of
deep feeling. "Monsieur," continued she, turning to Monte
Cristo, "will you do us the honor of passing the rest of the
day with us?"

"Believe me, madame, I feel most grateful for your kindness,
but I got out of my travelling carriage at your door this
morning, and I am ignorant how I am installed in Paris,
which I scarcely know; this is but a trifling inquietude, I
know, but one that may be appreciated."

"We shall have the pleasure another time," said the
countess; "you promise that?" Monte Cristo inclined himself
without answering, but the gesture might pass for assent. "I
will not detain you, monsieur," continued the countess; "I
would not have our gratitude become indiscreet or
importunate."

"My dear Count," said Albert, "I will endeavor to return
your politeness at Rome, and place my coupe at your disposal
until your own be ready."

"A thousand thanks for your kindness, viscount," returned
the Count of Monte Cristo "but I suppose that M. Bertuccio
has suitably employed the four hours and a half I have given
him, and that I shall find a carriage of some sort ready at
the door." Albert was used to the count's manner of
proceeding; he knew that, like Nero, he was in search of the
impossible, and nothing astonished him, but wishing to judge
with his own eyes how far the count's orders had been
executed, he accompanied him to the door of the house. Monte
Cristo was not deceived. As soon as he appeared in the Count
of Morcerf's ante-chamber, a footman, the same who at Rome
had brought the count's card to the two young men, and
announced his visit, sprang into the vestibule, and when he
arrived at the door the illustrious traveller found his
carriage awaiting him. It was a coupe of Koller's building,
and with horses and harness for which Drake had, to the
knowledge of all the lions of Paris, refused on the previous
day seven hundred guineas. "Monsieur," said the count to
Albert, "I do not ask you to accompany me to my house, as I
can only show you a habitation fitted up in a hurry, and I
have, as you know, a reputation to keep up as regards not
being taken by surprise. Give me, therefore, one more day
before I invite you; I shall then be certain not to fail in
my hospitality."

"If you ask me for a day, count, I know what to anticipate;
it will not be a house I shall see, but a palace. You have
decidedly some genius at your control."

"Ma foi, spread that idea," replied the Count of Monte
Cristo, putting his foot on the velvet-lined steps of his
splendid carriage, "and that will be worth something to me
among the ladies." As he spoke, he sprang into the vehicle,
the door was closed, but not so rapidly that Monte Cristo
failed to perceive the almost imperceptible movement which
stirred the curtains of the apartment in which he had left
Madame de Morcerf. When Albert returned to his mother, he
found her in the boudoir reclining in a large velvet
arm-chair, the whole room so obscure that only the shining
spangle, fastened here and there to the drapery, and the
angles of the gilded frames of the pictures, showed with
some degree of brightness in the gloom. Albert could not see
the face of the countess, as it was covered with a thin veil
she had put on her head, and which fell over her features in
misty folds, but it seemed to him as though her voice had
altered. He could distinguish amid the perfumes of the roses
and heliotropes in the flower-stands, the sharp and fragrant
odor of volatile salts, and he noticed in one of the chased
cups on the mantle-piece the countess's smelling-bottle,
taken from its shagreen case, and exclaimed in a tone of
uneasiness, as he entered, -- "My dear mother, have you been
ill during my absence?"

"No, no, Albert, but you know these roses, tuberoses, and
orange-flowers throw out at first, before one is used to
them, such violent perfumes."

"Then, my dear mother," said Albert, putting his hand to the
bell, "they must be taken into the ante-chamber. You are
really ill, and just now were so pale as you came into the
room" --

"Was I pale, Albert?"

"Yes; a pallor that suits you admirably, mother, but which
did not the less alarm my father and myself."

"Did your father speak of it?" inquired Mercedes eagerly.

"No, madame; but do you not remember that he spoke of the
fact to you?"

"Yes, I do remember," replied the countess. A servant
entered, summoned by Albert's ring of the bell. "Take these
flowers into the anteroom or dressing-room," said the
viscount; "they make the countess ill." The footman obeyed
his orders. A long pause ensued, which lasted until all the
flowers were removed. "What is this name of Monte Cristo?"
inquired the countess, when the servant had taken away the
last vase of flowers, "is it a family name, or the name of
the estate, or a simple title?"

"I believe, mother, it is merely a title. The count
purchased an island in the Tuscan archipelago, and, as he
told you to-day, has founded a commandery. You know the same
thing was done for Saint Stephen of Florence, Saint George,
Constantinian of Parma, and even for the Order of Malta.
Except this, he has no pretension to nobility, and calls
himself a chance count, although the general opinion at Rome
is that the count is a man of very high distinction."

"His manners are admirable," said the countess, "at least,
as far as I could judge in the few minutes he remained
here."

"They are perfect mother, so perfect, that they surpass by
far all I have known in the leading aristocracy of the three
proudest nobilities of Europe -- the English, the Spanish,
and the German." The countess paused a moment; then, after a
slight hesitation, she resumed, -- "You have seen, my dear
Albert -- I ask the question as a mother -- you have seen M.
de Monte Cristo in his house, you are quicksighted, have
much knowledge of the world, more tact than is usual at your
age, do you think the count is really what he appears to
be?"

"What does he appear to be?"

"Why, you have just said, -- a man of high distinction."

"I told you, my dear mother, he was esteemed such."

"But what is your own opinion, Albert?"

"I must tell you that I have not come to any decided opinion
respecting him, but I think him a Maltese."

"I do not ask you of his origin but what he is."

"Ah, what he is; that is quite another thing. I have seen so
many remarkable things in him, that if you would have me
really say what I think, I shall reply that I really do look
upon him as one of Byron's heroes, whom misery has marked
with a fatal brand; some Manfred, some Lara, some Werner,
one of those wrecks, as it were, of some ancient family,
who, disinherited of their patrimony, have achieved one by
the force of their adventurous genius, which has placed them
above the laws of society."

"You say" --

"I say that Monte Cristo is an island in the midst of the
Mediterranean, without inhabitants or garrison, the resort
of smugglers of all nations, and pirates of every flag. Who
knows whether or not these industrious worthies do not pay
to their feudal lord some dues for his protection?"

"That is possible," said the countess, reflecting.

"Never mind," continued the young man, "smuggler or not, you
must agree, mother dear, as you have seen him, that the
Count of Monte Cristo is a remarkable man, who will have the
greatest success in the salons of Paris. Why, this very
morning, in my rooms, he made his entree amongst us by
striking every man of us with amazement, not even excepting
Chateau-Renaud."

"And what do you suppose is the count's age?" inquired
Mercedes, evidently attaching great importance to this
question.

"Thirty-five or thirty-six, mother."

"So young, -- it is impossible," said Mercedes, replying at
the same time to what Albert said as well as to her own
private reflection.

"It is the truth, however. Three or four times he has said
to me, and certainly without the slightest premeditation,
`at such a period I was five years old, at another ten years
old, at another twelve,' and I, induced by curiosity, which
kept me alive to these details, have compared the dates, and
never found him inaccurate. The age of this singular man,
who is of no age, is then, I am certain, thirty-five.
Besides, mother, remark how vivid his eye, how raven-black
his hair, and his brow, though so pale, is free from
wrinkles, -- he is not only vigorous, but also young." The
countess bent her head, as if beneath a heavy wave of bitter
thoughts. "And has this man displayed a friendship for you,
Albert?" she asked with a nervous shudder.

"I am inclined to think so."

"And -- do -- you -- like -- him?"

"Why, he pleases me in spite of Franz d'Epinay, who tries to
convince me that he is a being returned from the other
world." The countess shuddered. "Albert," she said, in a
voice which was altered by emotion, "I have always put you
on your guard against new acquaintances. Now you are a man,
and are able to give me advice; yet I repeat to you, Albert,
be prudent."

"Why, my dear mother, it is necessary, in order to make your
advice turn to account, that I should know beforehand what I
have to distrust. The count never plays, he only drinks pure
water tinged with a little sherry, and is so rich that he
cannot, without intending to laugh at me, try to borrow
money. What, then, have I to fear from him?"

"You are right," said the countess, "and my fears are
weakness, especially when directed against a man who has
saved your life. How did your father receive him, Albert? It
is necessary that we should be more than complaisant to the
count. M. de Morcerf is sometimes occupied, his business
makes him reflective, and he might, without intending it" --

"Nothing could be in better taste than my father's demeanor,
madame," said Albert; "nay, more, he seemed greatly
flattered at two or three compliments which the count very
skilfully and agreeably paid him with as much ease as if he
had known him these thirty years. Each of these little
tickling arrows must have pleased my father," added Albert
with a laugh. "And thus they parted the best possible
friends, and M. de Morcerf even wished to take him to the
Chamber to hear the speakers." The countess made no reply.
She fell into so deep a revery that her eyes gradually
closed. The young man, standing up before her, gazed upon
her with that filial affection which is so tender and
endearing with children whose mothers are still young and
handsome. Then, after seeing her eyes closed, and hearing
her breathe gently, he believed she had dropped asleep, and
left the apartment on tiptoe, closing the door after him
with the utmost precaution. "This devil of a fellow," he
muttered, shaking his head; "I said at the time he would
create a sensation here, and I measure his effect by an
infallible thermometer. My mother has noticed him, and he
must therefore, perforce, be remarkable." He went down to
the stables, not without some slight annoyance, when he
remembered that the Count of Monte Cristo had laid his hands
on a "turnout" which sent his bays down to second place in
the opinion of connoisseurs. "Most decidedly," said he, "men
are not equal, and I must beg my father to develop this
theorem in the Chamber of Peers."

Chapter 42
Monsieur Bertuccio.

Meanwhile the count had arrived at his house; it had taken
him six minutes to perform the distance, but these six
minutes were sufficient to induce twenty young men who knew
the price of the equipage they had been unable to purchase
themselves, to put their horses in a gallop in order to see
the rich foreigner who could afford to give 20,000 francs
apiece for his horses. The house Ali had chosen, and which
was to serve as a town residence to Monte Cristo, was
situated on the right hand as you ascend the Champs Elysees.
A thick clump of trees and shrubs rose in the centre, and
masked a portion of the front; around this shrubbery two
alleys, like two arms, extended right and left, and formed a
carriage-drive from the iron gates to a double portico, on
every step of which stood a porcelain vase. filled with
flowers. This house, isolated from the rest, had, besides
the main entrance, another in the Rue Ponthieu. Even before
the coachman had hailed the concierge, the massy gates
rolled on their hinges -- they had seen the Count coming,
and at Paris, as everywhere else, he was served with the
rapidity of lightning. The coachman entered and traversed
the half-circle without slackening his speed, and the gates
were closed ere the wheels had ceased to sound on the
gravel. The carriage stopped at the left side of the
portico, two men presented themselves at the
carriage-window; the one was Ali, who, smiling with an
expression of the most sincere joy, seemed amply repaid by a
mere look from Monte Cristo. The other bowed respectfully,
and offered his arm to assist the count in descending.
"Thanks, M. Bertuccio," said the count, springing lightly up
the three steps of the portico; "and the notary?"

"He is in the small salon, excellency," returned Bertuccio.

"And the cards I ordered to be engraved as soon as you knew
the number of the house?"

"Your excellency, it is done already. I have been myself to
the best engraver of the Palais Royal, who did the plate in
my presence. The first card struck off was taken, according
to your orders, to the Baron Danglars, Rue de la Chaussee
d'Antin, No. 7; the others are on the mantle-piece of your
excellency's bedroom."

"Good; what o'clock is it?"

"Four o'clock." Monte Cristo gave his hat, cane, and gloves
to the same French footman who had called his carriage at
the Count of Morcerf's, and then he passed into the small
salon, preceded by Bertuccio, who showed him the way. "These
are but indifferent marbles in this ante-chamber," said
Monte Cristo. "I trust all this will soon be taken away."
Bertuccio bowed. As the steward had said, the notary awaited
him in the small salon. He was a simple-looking lawyer's
clerk, elevated to the extraordinary dignity of a provincial
scrivener. "You are the notary empowered to sell the country
house that I wish to purchase, monsieur?" asked Monte
Cristo.

"Yes, count," returned the notary.

"Is the deed of sale ready?"

"Yes, count."

"Have you brought it?"

"Here it is."

"Very well; and where is this house that I purchase?" asked
the count carelessly, addressing himself half to Bertuccio,
half to the notary. The steward made a gesture that
signified, "I do not know." The notary looked at the count
with astonishment. "What!" said he, "does not the count know
where the house he purchases is situated?"

"No," returne

The Count of Monte Cristo by Alexandre Dumas (Pere) Hypertext Meanings and Commentaries from the Encyclopedia of the Self by Mark ZimmermanReturn to Part 1 of 4Go to Part 3 of 4

The Count of Monte Cristo
by Alexandre Dumas (Pere)
Hypertext Meanings and Commentaries
from the Encyclopedia of the Self
by Mark Zimmerman
Return to Part 1 of 4
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